T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times
The murder of Thomas Becket in Canterbury Cathedral in 1170 is one of the most famous events in English history, creating shock waves which reverberated across Europe. His shrine at Canterbury (destroyed in 1538) became the most famous in Christendom, and after his canonisation the cult of St Thomas of Canterbury was the most important of any English saint. Millions of pilgrims have made the journey to Canterbury Cathedral to visit the shrine and the site of the martyrdom. In modern times his life and death have been celebrated in music, literature, theatre and film. The story of Becket's life and work shows why it has continued to fascinate and enthral across the centuries. A brilliant young man, he studied in London and Paris, and after entering the service of Archbishop Theobald of Canterbury, in Bologna and Auxerre. He accompanied Theobald to Rome to enlist the support of Pope Eugenius III for Henry Plantagenet's claim to the English throne, and after Henry's accession as Henry II in 1154 Thomas became the new king's Chancellor. Becket's relations with Henry deteriorated after 1162, when he unwillingly accepted the position of Archbishop of Canterbury, and championed the rights of the Church in opposition to the wishes of the king. The conflict between the two men reached its tragic climax on the evening of 29th December 1170, when Thomas was murdered by four of Henry's knights in a side chapel of his own cathedral. . Here is a popular introduction to the life and work of this important English saint. Michael Green has spent most of his life in Kent, and in retirement took a degree in Social Science at Canterbury Christ Church University College. Married for fifty years and an active member of the Church of St Thomas of Canterbury.
As an authority on the religion of medieval and early modern England, Eamon Duffy is preeminent. In his revisionist masterpiece The Stripping of the Altars, Duffy opened up new areas of research and entirely fresh perspectives on the origin and progress of the English Reformation. Duffy's focus has always been on the practices and institutions through which ordinary people lived and experienced their religion, but which the Protestant reformers abolished as idolatry and superstition. The first part of A People's Tragedy examines the two most important of these institutions: the rise and fall of pilgrimage to the cathedral shrines of England, and the destruction of the monasteries under Henry VIII, as exemplified by the dissolution of the ancient Anglo-Saxon monastery of Ely. In the title essay of the volume, Duffy tells the harrowing story of the Elizabethan regime's savage suppression of the last Catholic rebellion against the Reformation, the Rising of the Northern Earls in 1569. In the second half of the book Duffy considers the changing ways in which the Reformation has been thought and written about: the evolution of Catholic portrayals of Martin Luther, from hostile caricature to partial approval; the role of historians of the Reformation in the emergence of English national identity; and the improbable story of the twentieth century revival of Anglican and Catholic pilgrimage to the medieval Marian shrine of Walsingham. Finally, he considers the changing ways in which attitudes to the Reformation have been reflected in fiction, culminating with Hilary Mantel's gripping trilogy on the rise and fall of Henry VIII's political and religious fixer, Thomas Cromwell, and her controversial portrayal of Cromwell's Catholic opponent and victim, Sir Thomas More.
Originally published in 1926, this book presents a biography of St Thomas ... Becket. Hutton reviews Becket's life from his birth until his martyrdom and eventual canonisation, and the preservation of his relics during the English Reformation. This book will be of value to anyone with an interest in St Thomas's life and career.
Through the eye-witness and contemporary biographical accounts, this book provides valuable insight into the late-12th century world. The extracts, many previously untranslated, expose one of the most controversial figures of the Middle Ages. Written as the shock of Becket's murder in 1170 reverberated around Europe, the accounts provide vivid testimony to the most dramatic events of his life. They show how he became champion of the church and enemy of the king, fled into exile to lead a life of asceticism and political agitation, and returned to face martyrdom before the altar of his own cathedral.
Every few weeks a politician, pundit or soap star causes a media storm by making a gaffe or tweeting a joke that some people do not find funny. Comedy is very hard to get right and yet we think it’s important to have a sense of humour and not take yourself too seriously. On the other hand, a sense of humour failure can lead to losing your friends, your twitter account, your job, your career and, in some cases, your life. James Cary knows about this. He is a sitcom writer who’s written jokes about bomb disposal in Afghanistan (Bluestone 42), defended comments about Islam by Ben Elton on Newsnight, been on a panel with radical Muslim cleric Anjem Choudary, sits on the General Synod of the Church of England and somehow managed to co-write episodes of Miranda. An odd mix, but one that makes him very readable. This entertaining, breezy book, explains how comedy works (with jokes and quotes) and gives much-needed insights into the controversy surrounding humour.
"Life of Thomas à Becket" by Henry Hart Milman is a biography. Becket was also known as Saint Thomas of Canterbury, Thomas of London, and later Thomas à Becket (1119 or 1120 – 1170). He was Archbishop of Canterbury from 1162 until his murder in 1170. He is venerated as a saint and martyr by the Catholic Church and the Anglican Communion. He engaged in conflict with Henry II, King of England, over the rights and privileges of the Church and was murdered by followers of the king in Canterbury Cathedral. Soon after his death, he was canonised by Pope Alexander III.
This is a story of a sober kind, picturing life in a little town of Missouri, half a century ago. The principal incidents relate to a slave of mixed blood and her almost pure white son, whom she substitutes for her master's baby. The slave by birth grows up in wealth and luxury, but turns out a peculiarly mean scoundrel, and perpetrating a crime, meets with due justice. The science of fingerprints is practically illustrated in detecting the fraud. The title character is the village atheist, whose maxims doubtless express much of the author's own disillusion.
Henry II conquered the largest empire of any English medieval king. Yet it is the people around him we remember: his wife Eleanor, whom he seduced from the French king; his son Richard the Lionheart; Thomas Becket, murdered in his cathedral. Who was this great, yet tragic king? For fans of Dan Jones, George RR Martin and Bernard Cornwell.
