Winner of the Coretta Scott King illustrator award, I, Too, Am America blends the poetic wisdom of Langston Hughes with visionary illustrations from Bryan Collier in this inspirational picture book that carries the promise of equality. I, too, sing America. I am the darker brother. They send me to eat in the kitchen When company comes, But I laugh, And eat well, And grow strong. Langston Hughes was a courageous voice of his time, and his authentic call for equality still rings true today. Beautiful paintings from Barack Obama illustrator Bryan Collier accompany and reinvent the celebrated lines of the poem "I, Too," creating a breathtaking reminder to all Americans that we are united despite our differences. This picture book of Langston Hughes’s celebrated poem, "I, Too, Am America," is also a Common Core Text Exemplar for Poetry.
Cricket in America achieved its greatest acclaim, most extensive organization and highest level of competition in Philadelphia in the mid-19th century. The city took upon itself the burden of representing the entire U.S. during the sport's emerging international popularity. It was a story of amazing successes, abysmal failures and engaging personalities--like John B. King, revered to this day as one of the all-time greatest players--and eventual decline and demise. This meticulously researched history examines the origin and rise of a sport's legacy that, even in its demise, would endure as a lost vision of America's sporting destiny.
This beautifully illustrated board book brings to life I, Too, an iconic American poem about perseverance! Langston Hughes's inspirational poem I, Too is one of America's most famous. This board book edition brings Hughes's powerful declaration of resilience and hope to young readers.
Winner of the James A. Porter and David C. Driskell Book Award for African American Art History, I Too Sing America offers a major survey on the visual art and material culture of the groundbreaking movement one hundred years after the Harlem Renaissance emerged as a creative force at the close of World War I. It illuminates multiple facets of the era--the lives of its people, the art, the literature, the music, and the social history--through paintings, prints, photography, sculpture, and contemporary documents and ephemera. The lushly illustrated chronicle includes work by cherished artists such as Romare Bearden, Allan Rohan Crite, Palmer Hayden, William Johnson, Jacob Lawrence, Archibald Motley, and James Van Der Zee. The project is the culmination of decades of reflection, research, and scholarship by Wil Haygood, acclaimed biographer and preeminent historian on Harlem and its cultural roots. In thematic chapters, the author captures the range and breadth of the Harlem Reniassance, a sweeping movement which saw an astonishing array of black writers and artists and musicians gather over a period of a few intense years, expanding far beyond its roots in Harlem to unleashing a myriad of talents upon the nation. The book is published in conjunction with a major exhibition at the Columbus Museum of Art.
Right-wing militias and other antigovernment organizations have received heightened public attention since the Oklahoma City bombing. While such groups are often portrayed as marginal extremists, the values they espouse have influenced mainstream politics and culture far more than most Americans realize. This important volume offers an in-depth look at the historical roots and current landscape of right-wing populism in the United States. Illuminated is the potent combination of anti-elitist rhetoric, conspiracy theories, and ethnic scapegoating that has fueled many political movements from the colonial period to the present day. The book examines the Jacksonians, the Ku Klux Klan, and a host of Cold War nationalist cliques, and relates them to the evolution of contemporary electoral campaigns of Patrick Buchanan, the militancy of the Posse Comitatus and the Christian Identity movement, and an array of millennial sects. Combining vivid description and incisive analysis, Berlet and Lyons show how large numbers of disaffected Americans have embraced right-wing populism in a misguided attempt to challenge power relationships in U.S. society. Highlighted are the dangers these groups pose for the future of our political system and the hope of progressive social change. Winner--Outstanding Book Award, Gustavus Myers Center for the Study of Bigotry and Human Rights in North America
The moral mission archaeology set in motion by black activists in the 1960s and 1970s sought to tell the story of Americans, particularly African Americans, forgotten by the written record. Today, the archaeological study of African-American life is no longer simply an effort to capture unrecorded aspects of black history or to exhume the heritage of a neglected community. Archaeologists now recognize that one cannot fully comprehend the European colonial experience in the Americas without understanding its African counterpart. This collection of essays reflects and extends the broad spectrum of scholarship arising from this expanded definition of African-American archaeology, treating such issues as the analysis and representation of cultural identity, race, gender, and class; cultural interaction and change; relations of power and domination; and the sociopolitics of archaeological practice. "I, Too, Am America" expands African-American archaeology into an inclusive historical vision and identifies promising areas for future study.
In the 1950s, America was seen as a vast melting pot in which white ethnic affiliations were on the wane and a common American identity was the norm. Yet by the 1970s, these white ethnics mobilized around a new version of the epic tale of plucky immigrants making their way in the New World through the sweat of their brow. Although this turn to ethnicity was for many an individual search for familial and psychological identity, Roots Too establishes a broader white social and political consensus arising in response to the political language of the Civil Rights and Black Power movements. In the wake of the Civil Rights movement, whites sought renewed status in the romance of Old World travails and New World fortunes. Ellis Island replaced Plymouth Rock as the touchstone of American nationalism. The entire culture embraced the myth of the indomitable white ethnics—who they were and where they had come from—in literature, film, theater, art, music, and scholarship. The language and symbols of hardworking, self-reliant, and ultimately triumphant European immigrants have exerted tremendous force on political movements and public policy debates from affirmative action to contemporary immigration. In order to understand how white primacy in American life survived the withering heat of the Civil Rights movement and multiculturalism, Matthew Frye Jacobson argues for a full exploration of the meaning of the white ethnic revival and the uneasy relationship between inclusion and exclusion that it has engendered in our conceptions of national belonging.
With It's My America Too, Ben Ferguson, the voice of America's youth and the host of The Ben Ferguson Show, one of the country's fastest-growing syndicated radio shows, delivers his views on all the issues, from politics to current affairs to popular culture. Everyone wants to know what Ferguson will say next—and here's your chance. Ben Ferguson is a conservative who is also an independent thinker unafraid to take contrary positions. In It's My America Too, the twenty-two-year-old media star shoots from the hip and the lip on numerous topics. Ferguson tells us why he thinks the voting age should be lowered to sixteen; who the "New Minority" is—the twenty-something men and women who are overworked, underpaid, overmarketed, and drastically underrepresented; why politicians talk about and at young adults, but never to them; how he feels about everything from homeschooling to sex, NASCAR, and George W. Bush; and much more. Ferguson's message is clear. He is not on a campaign to reform liberals and turn them into right-wing Republicans. He is presenting his views on American society and challenging those who do not agree with him to an open debate. Some will not agree with his political and religious views. What he hopes to accomplish, with both his radio show and this book, is to energize future generations about politics. The way to do this is through open communication. He is encouraging his generation (and even some in previous generations) to get involved and be heard. Hip and forthright, funny yet never pedantic, Ferguson offers a fresh viewpoint and insights on topics such as "What the Republican Party can learn from Bill Clinton"; "Why anti-Americanism is our problem"; and "Dubya: my favorite redneck." He reveals a positive outlook on the economy, offers his opinions on bias in the media, and also includes chapters on Donald Rumsfeld, affirmative action, and the values instilled in him by his mother and father. Ferguson's pride in his country, in his religious beliefs, and in his choices reflects his vision of the American dream. He is informed and determined to make a difference. Youthful as he is, he has a unique perspective not only on America and its history, but also on current events and issues. You may applaud his opinions or perhaps you will disagree with them. But for those of you who are angered by this book, Ferguson instructs: "Don't just get mad. Do something about it."
