(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.
Is graduate school right for you? Should you get a master's or a Ph.D.? How can you choose the best possible school? This classic guide helps students answer these vital questions and much more. It will also help graduate students finish in less time, for less money, and with less trouble. Based on interviews with career counselors, graduate students, and professors, Getting What You Came For is packed with real-life experiences. It has all the advice a student will need not only to survive but to thrive in graduate school, including: instructions on applying to school and for financial aid; how to excel on qualifying exams; how to manage academic politics—including hostile professors; and how to write and defend a top-notch thesis. Most important, it shows you how to land a job when you graduate.
Transmedia Directors focuses on artist-practitioners who work across media, platforms and disciplines, including film, television, music video, commercials and the internet. Working in the age of media convergence, today's em/impresarios project a distinctive style that points toward a new contemporary aesthetics. The media they engage with enrich their practices – through film and television (with its potential for world-building and sense of the past and future), music video (with its audiovisual aesthetics and rhythm), commercials (with their ability to project a message quickly) and the internet (with its refreshed concepts of audience and participation), to larger forms like restaurants and amusement parks (with their materiality alongside today's digital aesthetics). These directors encourage us to reassess concepts of authorship, assemblage, transmedia, audiovisual aesthetics and world-building. Providing a vital resource for scholars and practitioners, this collection weaves together insights about artist-practitioners' collaborative processes as well as strategies for composition, representation, subversion and resistance.
An expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing "human" musicality from its "merely mechanical" simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the "human or machine" logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a "sound wave instrument" by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers' voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been--or can be--used to help explain and contest what it is to be human.
From a New York Times–bestselling author, “readers will thrill” to this historical novel, a “sensual and mysterious gothic romance” set in 1865 Scotland (Publishers Weekly, starred review). Martise St. James came to the Scottish Highlands in search of answers after her friend’s mysterious death—and to bring home the legendary St. James emerald. But once she encounters the darkly handsome Lord Creegan, she wonders if she dares to share the lonely castle with the alluring widower. Everything about him arouses her suspicions—as well as her every desire. Even as she investigates his secrets, she surrenders to the devastating power of his desire. Soon the question becomes whether she will lose her heart—or her life. Praise for Heather Graham “A master storyteller!” —Romantic Times “[Graham] writes high-quality, addicting romances.” —Publishers Weekly “Each page keeps one eager to get to the next.” —Affaire de Coeur Emerald Embrace was originally written under the pseudonym Shannon Drake
You are love. You’re literally love incarnated into a physical body. And when you know this and take actions to live as who you truly are, your life will be miraculous. Miracles occur on the daily, on the hour even. Every day, in the pages of Love Now, you’ll find your bite-size dose of love inspiration—whether it’s a piece of guidance or a prayer or a specific love activism action to bring more love to the earth or an uplifting love quote or a healing transmission to soothe your soul. We want you engaged in a grand love affair with yourself and with the world at large, and Love Now gives you the practical, simple love doses you need to do exactly this. Love Now will allow you to effortlessly live more as the love and miracle you truly are. This in turn creates a ripple effect of love on our earth. How brilliant, yes? Now let’s get started . . .
Boots, Bikes, and Bombers presents an intimate oral history of Ginny Hill Wood, a pioneering Alaska conservationist and outdoorswoman. Born in Washington in 1917, Wood served as a Women’s Airforce Service Pilot in World War II, and flew a military surplus airplane to Alaska in 1946. Settling in Fairbanks, she went on to co-found Camp Denali, Alaska’s first wilderness ecotourism lodge; helped start the Alaska Conservation Society, the state’s first environmental organization; and applied her love of the outdoors to her work as a backcountry guide and an advocate for trail construction and preservation. An innovative and collaborative life history, Boots, Bikes, and Bombers, incorporates the story of friendship between the author and subject. The resulting book is a valuable contribution to the history of Alaska as well as a testament to the joys of living a life full of passion and adventure.
In this volume, Chrys C. Caragounis examines linguistic, exegetical, historical, and theological matters diachronically. The copious utilization of Hellenic sources from all periods of the language throws new light on the subjects discussed. Some of the highlights of the present volume include discussions of the concept of Logos and of the Weltanschauung of the New Testament authors, critiques of sociological reconstructions of Corinthian Christianity, and of the 'New Perspective on Paul', a comparison between immortality (Platon) and resurrection (Paul) as well as an informed treatment of expiation versus propitiation.
A year before he kindled the light at Lindisfarne Albert Weiland demonstrated the transmutation of simple into complex elements, with a controlled release of power, in a device no larger than a desktop computer. He called it his Graalreaktor. The world had its holy grail of energy and a problem: It worked only in Weilands presence, and he would not say how. The revelation by so eminent a physicist of what appeared to be cold fusion set markets reeling. The authorities occupied Weiland Labs, confiscated the old mans cryptic notes, and assigned teams to evaluate his work, but to no avail. Still his device worked, and his peers demanded answers. You do not smash a river but harvest it, Weiland said. So, my Graalreaktor is a lens focusing influences already present. Unable to reproduce Weilands work, his peers shunned and the press mocked his grail reactor. I have given you a vessel like the sun, rooted in the firmament, but you shall not have it until you solve an enigma, he countered. In cold stone I shall kindle a light that will never fail; who solves the mystery will have my Graalreaktor. And so Weiland withdrew to Lindisfarne to work his magic.