This Is Not a Photo Opportunity is a street-level, full-color showcase of some of Banksy’s most innovative pieces ever. Banksy, Britain’s now-legendary “guerilla” street artist, has painted the walls, streets, and bridges of towns and cities throughout the world. Once viewed as vandalism, Banksy’s work is now venerated, collected, and preserved. Over the course of a decade, Martin Bull has documented dozens of the most important and impressive works by the legendary political artist, most of which are no longer in existence. This Is Not a Photo Opportunity boasts nearly 200 color photos of Banksy’s public work on the walls, as seen from the streets.
Long-time editor of SLAP magazine Mark Whiteley is recognized in skate and related cultures as a progressive, soulful photographer whose work is heavily influenced by art. This collection is broken down into 3 sections: portraits, music and street/travel/snapshots. These images form a personal narrative of Whiteley's life, most of which he has spent at the intersection of several vibrant cultures.
Bringing together a decade’s worth of AK Thompson’s essays on the culture of revolt, Premonitions offers an engaged and engaging assessment of contemporary radical politics. Inspired by the writings of Walter Benjamin, Thompson combines scholarship and grassroots grit to address themes ranging from violence and representation to Romanticism and death. Whether uncovering the unrealized promise buried in mainstream cultural offerings or tracing an imperiled course toward the moment of reckoning, the essays in Premonitions are provocations set to spark debate and kindle fires in the night.
Ooko has everything a fox could want: a stick, a leaf and a rock. Well, almost everything . . . Ooko wants someone to play with too! The foxes in town always seem to be playing with their two-legged friends, the Debbies. Maybe if he tries to look like the other foxes, one of the Debbies will play with him too. But when Ooko finally finds his very own Debbie, things don't turn out quite as he had expected! A quirky, funny, charmingly illustrated story about finding friendship and being true to yourself.
BONUS: This edition contains an excerpt from Calvin Trillin's Quite Enough of Calvin Trillin. Somehow, despite everything Calvin Trillin wrote about the Bush Administration in Obliviously On He Sails, his 2004 bestseller in verse, George W. Bush is still in the White House. Taking a philosophical view, Trillin has said, “We weren’t going to know whether you could bring down a presidency with iambic pentameter until somebody tried it.” Now Trillin is trying again, back at his pithy and hilarious best to comment on the President’s decision to go to war in Iraq (“Then terrorists could count on what we’d do: / Attack us, we’ll strike back, though not at you”), his religiosity (“He treats his critics in the press / As if they’re yapping Pekineses. / Reporters deal in mundane facts; / This man has got the word from Jesus”), and whether he was wearing a transmitting device in the first presidential debate (“Could this explain his odd expressions? Is there proof he / Was being told, ‘If you can hear me now, look goofy’?”) Trillin deals with the people around Bush, such as Nanny Dick Cheney and Mushroom Cloud Rice and Orange John Ashcroft and Orange John’s successor, Alberto Gonzales (“The A.G.’s to be one Alberto Gonzales– / Dependable, actually loyal über alles”). He tries to predict the behavior of the famously intemperate John Bolton as ambassador to the United Nations in poems with titles like “Bolton Chases French Ambassador Up Tree” and “White House Says Bolton Can Do Job Even While in Straitjacket.” Finally, in dealing with whether the entire Bush Administration, like the unfortunate Brownie, has done a heckuva job, he composes a small-government sea chantey for the Republicans: ’Cause government’s the problem, lads, Americans would all do well to shun it. Yes, government’s the problem, lads. At least it is when we’re the ones who run it.
The inspiring true story of a US Special Forces soldier who was medically retired after stepping on an IED, and his incredible return to active duty. Sergeant First Class (SFC) Ryan Hendrickson is a brave, determined, and courageous soldier -- a Green Beret clearing the way for his twelve-man team while conducting combat operations against the Taliban. As the "tip of the spear," his role is to ensure the route taken by U.S. and Afghan troops are free of IEDs -- improvised explosive devices. Many soldiers do not survive their last step; those who do often lose at least one limb. While rescuing an Afghan soldier outside a mud-hut compound in 2010 -- knowing that he was in "uncleared" territory -- Ryan stepped on an IED with his right foot. The device exploded, leaving his foot dangling at the end of his leg. American soldiers losing a limb is an all-too-common occurrence. But what makes Ryan's story different is that after undergoing two dozen surgeries and a tortuous rehabilitation, he was medically retired but fought to return to active duty. Multiple skin grafts to his leg and right foot successfully reattached his lower leg, and he was aided in his recovery by wearing a new prosthetic device known as an IDEO (Intrepid Dynamic Exoskeletal Orthosis). Once he passed a series of crucial physical tests, Ryan was able to rejoin the Green Berets within a year and physically perform his duties, redeploying to Afghanistan in March 2012. In 2016, he volunteered to return to Afghanistan with Bravo Company, 2nd Battalion, 7th Special Forces Group. During a firefight with the Taliban, he risked his life under heavy enemy fire to rescue three Afghan soldiers cut off from friendly forces and return the bodies of two dead Afghan soldiers under the ethos that "no one gets left behind." For his heroic efforts on the battlefield, SFC Ryan Hendrickson was awarded a Silver Star, the nation's third-highest award for valor. An engaging and harrowing account, Tip of the Spear tells the amazing story of one Green Beret's indomitable spirit.
This Is Not a Photo Opportunity is a street-level, full-color showcase of some of Banksy's most innovative pieces ever. Banksy, Britain's now-legendary "guerilla" street artist, has painted the walls, streets, and bridges of towns and cities throughout the world. Once viewed as vandalism, Banksy's work is now venerated, collected, and preserved. Over the course of a decade, Martin Bull has documented dozens of the most important and impressive works by the legendary political artist, most of which are no longer in existence. This Is Not a Photo Opportunity boasts nearly 200 color photos of Banksy's public work on the walls, as seen from the streets.
