A unique horror/comedy. A Zombie outbreak occurs in a small Outback Australian town. An Australian Army veteran turned tour guide must lead his American group to safety. He is aided by an attractive Ex U.S Army female Captain and a knockabout cast of Australian locals armed with an unusual array of arms and equipment. Warning: Strong violence and explicit use of Australian humour. Check out the book soundtrack through spotify: https: //open.spotify.com/playlist/5eKqvd2r7ywDXeeLnWapjU?si=mCSXJ9W_S7Sz51rj4dXhVw
The outbreak changed everything, but there are some bonds even the undead can’t break. It’s been six years since Pete Guinn last saw his sister, Corrie. He always hoped to see her again, but feared she was dead. When an elusive billionaire reveals Corrie is living under an assumed name in the Australian outback, Pete unquestioningly jumps at the chance of a reunion. But you can’t win the lottery without buying a ticket, and billionaires don’t do favours for free. Corrie is in hiding from her old employer, and from the Rosewood Cartel. Now that they’ve both found her, only a miracle can save the two siblings, and what happens in Manhattan can’t be described as miraculous. What begins as a viral outbreak soon turns into an impossible horror. People are infected and die, only to rise up and continue transmitting the infection. Even as the army is mobilised, the virus spreads beyond the borders of the United States. Nowhere is safe from the living dead. As Australia is quarantined, the mining town of Broken Hill becomes a transit hub for the relief effort. Tourists are evacuated while civilians are conscripted, Pete and Corrie among them. Together with a bush pilot, a flying doctor, and an outback cop, the struggle to maintain civilisation begins. Supplies run low. Looting is rampant. Laws are forgotten, especially by the cartel who haven’t abandoned their search for Corrie and their quest for revenge. Set in Broken Hill and beyond as the Australian quarantine begins. As this book returns to the beginning of the outbreak, it can be considered a good entry point for readers new to the series.
The outbreak changed everything, but there are some bonds even the undead can't break.It's been six years since Pete Guinn last saw his sister, Corrie. He always hoped to see her again, but feared she was dead. When an elusive billionaire reveals Corrie is living under an assumed name in the Australian outback, Pete unquestioningly jumps at the chance of a reunion. But you can't win the lottery without buying a ticket, and billionaires don't do favours for free. Corrie is in hiding from her old employer, and from the Rosewood Cartel. Now that they've both found her, only a miracle can save the two siblings, and what happens in Manhattan can't be described as miraculous.What begins as a viral outbreak soon turns into an impossible horror. People are infected and die, only to rise up and continue transmitting the infection. Even as the army is mobilised, the virus spreads beyond the borders of the United States. Nowhere is safe from the living dead.As Australia is quarantined, the mining town of Broken Hill becomes a transit hub for the relief effort. Tourists are evacuated while civilians are conscripted, Pete and Corrie among them. Together with a bush pilot, a flying doctor, and an outback cop, the struggle to maintain civilisation begins. Supplies run low. Looting is rampant. Laws are forgotten, especially by the cartel who haven't abandoned their search for Corrie and their quest for revenge.Set in Broken Hill and beyond as the Australian quarantine begins.As this book returns to the beginning of the outbreak, it can be considered a good entry point for readers new to the series.
More horror movies are produced and released each year than any other film genre. While horror enjoys broad popularity, many hardcore fans voraciously consume films from their favorite subgenres while avoiding others entirely. This says something interesting about the films and their audiences. This primer and reference guide defines and explores 75 alphabetically listed subgenres of horror film, from Abduction to Witchcraft and two Zombie subgenres. Each sizeable entry provides a critical survey of the subgenre, a detailed examination of its characteristic elements and themes, and a discussion of three or four exemplary titles as well as other titles of interest.
The world is going to hell. So begins this book, pointing to the prevalence of apocalypse -- cataclysmic destruction and nightmarish end-of-the-world scenarios -- in contemporary entertainment. In How to Survive the Apocalypse Robert Joustra and Alissa Wilkinson examine a number of popular stories -- from the Cylons in Battlestar Galactica to the purging of innocence in Game of Thrones to the hordes of zombies in The Walking Dead -- and argue that such apocalyptic stories reveal a lot about us here and now, about how we conceive of our life together, including some of our deepest tensions and anxieties. Besides analyzing the dsytopian shift in popular culture, Joustra and Wilkinson also suggest how Christians can live faithfully and with integrity in such a cultural context.
This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. It serves not only as a follow-up to its predecessor (The Zombie Movie Encyclopedia, McFarland 2001), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 280 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.
The Anthropocene and the Undead describes how our experience of an increasingly erratic environment and the idea of the undead are more closely linked than the obvious zombie horde signaling the end of the world. In fact, as described here, much of how we understand the anthropocene both conceptually and in practice involves undead entities from the past that will not die, undead traumas that rise up and consume the world, and undead temporalities that can never end. Fifteen original essays by cultural and anthropological experts such as Kyle William Bishop, Nils Bubandt, Johan Höglund, and Steffen Hantke, among others, study the nature of humanity’s ongoing complicated relationship to the environment via the concept of the undead. In doing so, The Anthropocene and the Undead sheds invaluable light on adjacent concepts such as the Capitalocene, Necrocene, Disanthropocene, Post-anthropocene, and the Symbiocene to trace real and imagined trajectories of our more-than-human selves into undead and undying futures.
When the Omega virus antiserum is destroyed along with its creator and his assistant, Delta Force Captain Cade Grayson begins to formulate a plan that will send him hurtling on a collision course with the parties responsible for the terrorist attack.
In a post-apocalyptic world where food is treasure, pirates will kill for a meal. A month after the nuclear war ended, Commissioner Qwong and her crew of scientists and soldiers head north. Following a clue found in the logbook of a sinking ship, they search Mexico for a community trading safety for oil. As they follow garbled radio messages and breadcrumb-clues northward from one small band of survivors to another, a picture of the new world emerges. Sinking cities and rising swamps, fallout-laden farmland and fire ravaged homes, pirate-ridden coasts and zombie-filled shores: the damage is irreversible, and the rescue mission soon becomes an ecological survey, charting the spread of fallout, the location of inland craters, the growth of oceanic dead-zones, and the extent of coastal flooding. Despite the increasingly bleak discoveries, a new plan emerges, a blueprint for a new haven and a new way of living, a new future for the last survivors of humanity. One last chance, a desperate gamble which will take them to where the outbreak began, and then beyond. From the Caribbean to the Great Lakes, the full extent of the apocalypse becomes clear as the battle for humanity ends, and the fight for a new future begins.
Though the apocalypse has begun, the reckoning is still to come. When Pete Guinn went to Australia to find his missing sister, he left behind the woman he loved. In the city he once called home, panic and chaos arrive long before the living dead. As South Bend burns to the ground, Olivia flees, seeking safety in the remote woods of Michigan. But the backwoods are no safer than the outback, and nowhere is remote enough to escape the horrors of the living dead. With global communications systems fractured, Pete Guinn and his sister, Corrie, are a small part of a large effort to re-establish contact between the forces still fighting the undead. As they journey east across Canada, they instead find the frontline. An army is being formed out of Canadians and refugees from the United States, out of retirees, reservists, and conscripts. Night and day, a war is waged against an enemy that doesn’t tire or retreat, ask for quarter or offer it. But victory is in sight. The undead can be defeated. As long as the supply lines are maintained. As long as the ultimate sacrifice is selflessly made again and again. As long as the worst of the apocalypse is behind them. But though the apocalypse has begun, the reckoning is still to come. Set in Canada and the U.S. Midwest, continuing the story of the survivors in the Pacific, which began in Outback Outbreak, No More News is a story of love and war as the apocalypse tears our world apart.
