On the Theory and Practice of Art-Enamelling Upon Metals
On the Theory and Practice of Art-Enamelling Upon Metals

Author: H. H. Cunynghame

Publisher: Read Books Ltd

Published: 2021-03-22

Total Pages: 169

ISBN-13: 1528762290

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This vintage book is a complete and profusely illustrated treatise on artistic enamelling, being an exposition of its theory with step-by-step instructions, chapters on weights and measures, information concerning enamelling on various materials, helpful hints and tips, and much more. This volume will be of considerable utility to anyone with an interest in enamelling and would make for a worthy addition to collections of related literature. Contents include: “On the Choice of a Style in Enamelling”, “The Mode of Executing 'Limoges Enamels'”, “Cloisonné Enamels, Jewellery, and Imitation Glass Gems”, and “The Manufacture of Enamel”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction. First published in 1899.

What Painting is
What Painting is

Author: James Elkins

Publisher: Psychology Press

Published: 1999

Total Pages: 284

ISBN-13: 9780415921138

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Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.

Theophilus and the Theory and Practice of Medieval Art
Theophilus and the Theory and Practice of Medieval Art

Author: Heidi C. Gearhart

Publisher: Penn State Press

Published: 2017-05-02

Total Pages: 519

ISBN-13: 0271079819

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In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.