These volumes form part of the large international Theophrastus Project started by Brill in 1992 and edited by W. W. Fortenbaugh and others. Together with volumes comprising the texts and translations, the commentary volumes provide a new generation of classicists with an up-to-date collection of the fragments and testimonia relating to Theophrastus (c.370-288/5 B.C.), Aristotle's pupil and successor as head of the Lyceum.
On Weather Signs, traditionally ascribed to Theophrastus, contains the most complete list of such signs in antiquity and it was, in this or some very similar form, consulted by Aratus, Vergil (in Georgics I), and Pliny the Elder, as well as by many other authors throughout the Byzantine period. This edition is the first to take account of all the manuscripts and the commentary, the first in over a century, is on a far grander scale than earlier ones by Schneider (1818-21) and Wood (1894), listing almost all parallel texts for each sign. The introduction places the work in the context of its genre and for the first time lays out the details of its manuscript tradition.
In Theophrastus of Eresus: On Winds, Robert Mayhew provides a critical edition of the Greek text with English translation and commentary on the sole Peripatetic treatise devoted specifically to winds, by Aristotle’s successor in the Lyceum. This is the first edition of this text to appear in over forty years, and the first ever to make use not only of the twelve medieval manuscripts but also of the Oxyrhynchus papyrus fragment of this work (first published in 1986). The lengthy commentary attempts to explain this difficult (and often corrupt) text and its relationship to Aristotle’s meteorological theory and scientific methodology.
This text and commentary is the first to take account of all the manuscripts and to place the work in its historical and scientific context, as well as the first to describe its manuscript tradition.
Among the many subjects on which Theophrastus wrote, music is one of the most fascinating, as is testified by the sources discussed in this volume. Although scanty, the material we have—sixteen texts altogether, most of which are indirect testimonies—gives an idea of the originality and modernity of Theophrastus’ thought on music, and makes us regret that we do not know more. Our philosopher conceives of music as something that originates from a movement in the soul caused by passions and comes into existence through the body. Accordingly, he is interested in performance—i.e. the way in which musical expression is brought to the listener—and its effects on the soul and the body—e.g. musical therapy.
Theophrastus of Eresus was Aristotle's pupil and successor as head of the Peripatetic School. He is best known as the author of the amusing Characters and two ground-breaking works in botany, but his writings extend over the entire range of Hellenistic philosophic studies. Volume 5 of Rutgers University Studies in Classical Humanities focuses on his scientific work. The volume contains new editions of two brief scientific essays-On Fish and Afeteoro/o^y-accompanied by translations and commentary. Among the contributions are: "Peripatetic Dialectic in the De sensibus," Han Baltussen; "Empedocles" Theory of Vision and Theophrastus' De sensibus," David N. Sedley; "Theophrastus on the Intellect," Daniel Devereux; "Theophrastus and Aristotle on Animal Intelligence," Eve Browning Cole; "Physikai doxai and Problemata physika from Aristotle to Agtius (and Beyond)," Jap Mansfield; "Xenophanes or Theophrastus? An Aetian Doxographicum on the Sun," David Runia; "Place1 in Context: On Theophrastus, Fr. 21 and 22 Wimmer," Keimpe Algra; "The Meteorology of Theophrastus in Syriac and Arabic Translation," Hans Daiber; "Theophrastus' Meteorology, Aristotle and Posidonius," Ian G. Kidd; "The Authorship and Sources of the Peri Semeion Ascribed to Theophrastus," Patrick Cronin; "Theophrastus, On Fish" Robert W. Sharpies.
This volume concerns Theophrastus, Aristotle's pupil and successor as head of the Peripatetic School. The focus is twofold. First, it deals with discoveries and inventions, both useful and pleasurable, and more generally changes that transformed the way people live. Theophrastus wrote a work entitled On Discoveries, which may be regarded as cultural history. Second, the volume focuses on proverbs: familiar sayings containing useful truths that have been observed by earlier generations and passed on in a form that is concise and attractive. Theophrastus wrote a work entitled On Proverbs and made use of proverbs in his writings on ethics, rhetoric and humor. He recognized their importance in educating the young and maintaining the traditions of an earlier age.
Gavin Hardy and Laurence Totelin have brought together their botanical and historical knowledge to produce this unique overview of ancient botany. It examines all the founding texts of botanical science, such as Theophrastus' Enquiry into Plants, Dioscorides' Materia Medica, Pliny the Elder's Natural History, Nicolaus of Damascus' On Plants, and Galen' On Simple Remedies, but also includes lesser known texts ranging from the sixth century BCE to the seventh century CE, as well as some material evidence. The authors adopt a thematic approach rather than a chronological one, considering important issues such as the definition of a plant, nomenclature, classifications, physiology, the link between plants and their environment, and the numerous usages of plants in the ancient world. The book also takes care to place ancient botany in its historical, social and economic context. The authors have explained all technical botanical terms and ancient history notions, and as a result, this work will appeal to historians of ancient science, medicine and technology; classicists; and botanists interested in the history of their discipline.
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
