Jean-Michel d'Aron, son of Alain d'Aron, owner of the noble inn "Zum Weißen Falken" in Paris, was born in 1769. As a student, he was forced to flee during the night of the fire in Paris in 1793. He stayed in La Rochelle and Marseille before making his way to the Occitan Alps to visit an inn that was up for sale. On the way, he meets Don Luciano Varini, the leader of a criminal empire that controls the smuggling of goods in the Occitan Alps, as well as racketeering and prostitution. The encounter with Don Luciano Varini becomes a threat to Jean-Michel d'Aron and his family.
Welcome back to the mountains of Occitania! The next generation is already arriving. At the same time, however, the status quo seems more endangered than ever. The secret committee of the empire decides to liquidate Luciano. Has his time run out? Will he soon be nothing but history? He has to defend himself against an assassination attempt. Will he succeed in reorganizing his empire or will it be destroyed? And will Luciano finally manage to let go of Viktor, his dead lover from his youth?
This volume is the first dedicated to the comprehensive, in-depth analysis of constructions with nouns like ‘type’ and ‘sort’. It focuses on type noun constructions in Romance, Germanic and Slavic languages, integrating the different descriptive traditions that had been developed for each language family. As a result, a greater variety of type noun constructions is revealed than in the hitherto more fragmented literature. But attention is also drawn to the cross-linguistic similarity of the new pragmatic meanings, such as ad hoc and approximative categorization, hedging, focus and filler uses, and the new grammatical functions in NPs (e.g. phoric uses), clauses (e.g. adverbial uses) and complex sentences (e.g. quotatives). The volume offers survey chapters of type noun constructions in each language family as well as contributions focusing on specific aspects in one or two languages, such as their grammar, semantics and pragmatics, diachronic development, discursive and sociolinguistic variety. These complementary methodologies elucidate the unique cross-linguistic field of type noun constructions both descriptively and theoretically. Hence, this volume can also serve as a model for similar surveys in other functional domains.
Romance is a fertile ground for linguistic research. Instead of limiting their studies to one specialised area, some Romance scholars have managed to combine different aspects of the broad field of Romance linguistics in an impressive way. This volume is dedicated to the multifaceted research interests of Guido Mensching: Part 1 focusses on different aspects of the architecture of grammar and linguistic theory, covering Italian, Portuguese, French, Sardinian and Romance. The focus of Part 2 is on historical linguistics, discussing Old Occitan lexicography and Romance in Hebrew scripts. Part 3 is dedicated to aspects relating to plurilingualism, language contact and sociolinguistics. Part 4 explores research arguments that go beyond Romance philology but are nonetheless intertwined with it.
This comprehensive two-volume book deals with algebra, broadly conceived. Volume 1 (Chapters 1-6) comprises material for a first year graduate course in algebra, offering the instructor a number of options in designing such a course. Volume 1, provides as well all essential material that students need to prepare for the qualifying exam in algebra at most American and European universities. Volume 2 (Chapters 7-13) forms the basis for a second year graduate course in topics in algebra. As the table of contents shows, that volume provides ample material accommodating a variety of topics that may be included in a second year course. To facilitate matters for the reader, there is a chart showing the interdependence of the chapters.
This Cambridge history is the definitive guide to the comparative history of the Romance languages. Volume I is organized around the two key recurrent themes of persistence (structural inheritance and continuity from Latin) and innovation (structural change and loss in Romance).
The book investigates historical patterns of vowel diphthongization, assimilation and dissimilation induced by consonants – mostly (alveolo)palatals – in Romance. Compiling data from dialectal descriptions, old documentary sources and experimental phonetic studies, it explains why certain vowels undergo raising assimilation before (alveolo)palatal consonants more than others. It also suggests that in French, Francoprovençal, Occitan, Rhaetoromance and dialects from northern Italy, mid low vowel diphthongization before (alveolo)palatal consonants started out with the formation of non-canonical falling diphthongs through off-glide insertion, from which rising diphthongs could emerge at a later date (e.g., Upper Engadinian OCTO ‘eight’ > [ɔc] > [ɔ(ə̯)c] > [wac]). Both diphthongal types, rather than canonical falling diphthongs with a palatal off-glide, could also give rise to high vowels (dialectal French [li]
"Explores the ways in which vernacular works composed in Occitan, Catalan, and French between the twelfth and the fifteenth centuries narrate multilingualism and its apparent opponent, the mother tongue. These encounters are narrated through literary motifs of love, incest, disguise, and travel"--Provided by publisher.
In medieval Occitania (southern France), troubadours and monastic creators fostered a vibrant musical culture. In response to the early Crusade campaigns of the twelfth and thirteenth centuries, Christians of the region turned to producing monophonic, poetic song, encompassing both secular and sacred genres. These works assert shifting regional identities and worldviews, exploring devotional practices and religious beliefs, overlaid with notions of contemporaneous geopolitics and secular, intellectual interests. Mapping Medieval Identities in Occitanian Crusade Song demonstrates the profound impact the Crusades had on two seemingly discrete musical-poetic practices: the Latin, sacred Aquitanian versus, associated with Christian devotion, and the vernacular troubadour lyric, associated with courtly love. Rachel May Golden investigates how such Crusade songs distinctively arose out of their geographic environment, uncovering intersections between the beginning of Holy War and the emergence of new styles of poetic-musical composition. She brings together sacred and secular genres of the region to reveal the inventiveness of new composition and the imaginative scope of the Crusades within medieval culture. These songs reflect both the outer world and interior lives, and often their conjunction, giving shape and expression to concerns with the Occitanian homeland, spatial aspects of the Crusades, and newly emerging positions within socio-political history. Drawing on approaches from cultural geography, literary studies, and musicology, Mapping Medieval Identities in Occitanian Crusade Song provides a timely perspective on geopolitical and cultural interactions between nations.
