Theatre Under the Nazis
Theatre Under the Nazis

Author: John London

Publisher: Manchester University Press

Published: 2000

Total Pages: 372

ISBN-13: 9780719059919

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Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.

The Jewish Kulturbund Theatre Company in Nazi Berlin
The Jewish Kulturbund Theatre Company in Nazi Berlin

Author: Rebecca Rovit

Publisher: University of Iowa Press

Published: 2012-09

Total Pages: 304

ISBN-13: 1609381246

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"Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of Berlin's Jewish Kulturbund Theatre. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime. Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity."--BACK COVER.

Theatre in Europe Under German Occupation
Theatre in Europe Under German Occupation

Author: Anselm Heinrich

Publisher: Routledge

Published: 2017-08-07

Total Pages: 300

ISBN-13: 1317628861

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The Second World War went beyond previous military conflicts. It was not only about specific geographical gains or economic goals, but also about the brutal and lasting reshaping of Europe as a whole. Theatre in Europe Under German Occupation explores the part that theatre played in the Nazi war effort. Using a case-study approach, it illustrates the crucial and heavily subsidised role of theatre as a cultural extension of the military machine, key to Nazi Germany’s total war doctrine. Covering theatres in Oslo, Riga, Lille, Lodz, Krakau, Warsaw, Prague, The Hague and Kiev, Anselm Heinrich looks at the history and context of their operation; the wider political, cultural and propagandistic implications in view of their function in wartime; and their legacies. Theatre in Europe Under German Occupation focuses for the first time on Nazi Germany’s attempts to control and shape the cultural sector in occupied territories, shedding new light on the importance of theatre for the regime’s military and political goals.

Theatre in the Third Reich, the Prewar Years
Theatre in the Third Reich, the Prewar Years

Author: Glen Gadberry

Publisher: Praeger

Published: 1995-03-24

Total Pages: 0

ISBN-13: 0313295166

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Annotation Includes eleven essays on prewar theatre in Hitler's Germany, including analyses of Nazi ideology, popular dramatists, an actor, directors, specific theatres, a national theatre festival, Jewish theatre, and theatre in concentration camps.

Culture in the Third Reich
Culture in the Third Reich

Author: Moritz Föllmer

Publisher:

Published: 2020

Total Pages: 331

ISBN-13: 0198814607

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A ground-breaking study that gets us closer to solving the mystery of why so many Germans embraced the Nazi regime so enthusiastically and identified so closely with it.

Artists Under Hitler
Artists Under Hitler

Author: Jonathan Petropoulos

Publisher: Yale University Press

Published: 2014-01-01

Total Pages: 424

ISBN-13: 0300197470

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'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.

The Nazi Appropriation of Shakespeare
The Nazi Appropriation of Shakespeare

Author: Rodney Symington

Publisher:

Published: 2005

Total Pages: 340

ISBN-13:

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For the Nazis, Shakespeare was a major cultural icon, whose works belonged to German culture more than to English and were therefore to be exploited for political-propagandistic purposes like those of any other German classical writer. Following an overview of the importance of Shakespeare in German culture, this book's three major sections investigate the controversy over the appropriate translation Shakespeare's plays to be read and performed, the effect of the new political-cultural climate on Shakespeare-scholarship, and the attempts of the Nazis to co-ordinate Shakespeare's works on the stage for propagandistic ends. This is the first complete study, entirely in English, to present the total picture of Shakespeare's fortunes in Germany between 1933 and 1945 in the context of Nazi cultural policy.

Hitler Laughing
Hitler Laughing

Author: William Grange

Publisher:

Published: 2006

Total Pages: 194

ISBN-13:

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When the National Socialist German Workers' party (Nazis) assumed power they vowed to cleanse the German theater of all things "un-German," which ostensibly included comedy. During the Third Reich nearly all German theaters, supported by enormous state funding, presented thousands of comedy productions. Perhaps it was a propaganda tool, however only a tiny fraction of these productions were outright propagandist efforts. French playwright and filmmaker, Marcel Pagnol described laughter as a "song of triumph... that] expresses the laugher's sudden discovery of his own momentary superiority over the person at whom he is laughing. That explains burst of laughter in all times in all countries." Hitler and his followers gladly embraced this triumphal expression. Yet, what did this laughter mean to the Nazi agenda and in what ways did it undermine its goals? Hitler Laughing offers insight into the world of comedy during the Third Reich and its role in the Nazi cultural agenda.

Hitler's Dancers
Hitler's Dancers

Author: Lilian Karina

Publisher: Berghahn Books

Published: 2004

Total Pages: 400

ISBN-13: 9781571816887

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The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.

Playing with Theory in Theatre Practice
Playing with Theory in Theatre Practice

Author: Megan Alrutz

Publisher: Bloomsbury Publishing

Published: 2011-11-29

Total Pages: 328

ISBN-13: 0230364101

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Through a collection of original essays and case studies, this innovative book explores theory as an accessible, although complex, tool for theatre practitioners and students. These chapters invite readers to (re)imagine theory as a site of possibility or framework that can shape theatre making, emerge from practice, and foster new ways of seeing, creating, and reflecting. Focusing on the productive tensions and issues that surround creative practice and intellectual processes, the contributing authors present central concepts and questions that frame the role of theory in the theatre. Ultimately, this diverse and exciting collection offers inspiring ideas, raises new questions, and introduces ways to build theoretically-minded, dynamic production work.