Theatre and Autobiography

Theatre and Autobiography

Author: Sherrill Grace

Publisher: Talonbooks

Published: 2006

Total Pages: 364

ISBN-13:

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This groundbreaking exploration of a wide range of contemporary theorists and playwrights covers an extraordinary breadth of styles and performances.


Joan's Book

Joan's Book

Author: Joan Littlewood

Publisher: Bloomsbury Publishing

Published: 2016-07-28

Total Pages: 601

ISBN-13: 1474233236

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'Once upon a time, the London theatre was a charming mirror held up to cosiness. Then came Joan Littlewood, smashing the glass, blasting the walls, letting the wind of life blow in a rough, but ready, world. Today, we remember this irresistible force with love and gratitude.' (Peter Brook) Along with Peter Brook, Joan Littlewood, affectionately termed 'The Mother of Modern Theatre', has come to be known as the most galvanising director of mid-twentieth-century Britain, as well as a founder of so many of the practices of contemporary theatre. The best-known work of Littlewood's company, Theatre Workshop, included the development and premieres of Shelagh Delaney's A Taste of Honey, Brendan Behan's The Hostage and The Quare Fellow, and the seminal Oh What A Lovely War. This autobiography, originally published in 1994, offers an unparalleled first-hand account of Littlewood's extraordinary life and career, from illegitimate child in south-east London to one of the most influential directors and practitioners of our times. It is published along with an introduction by Philip Hedley CBE, previously Artistic Director of Theatre Royal Stratford East and Assistant Director to Joan Littlewood.


Act One

Act One

Author: Moss Hart

Publisher: Harper Collins

Published: 2014-06-03

Total Pages: 560

ISBN-13: 1443435317

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Act One is the autobiography of Moss Hart, an American playwright and theatre director. Born into impoverished circumstances—his father was often unemployed—Hart left school at age twelve for a series of odd jobs that included being an entertainment director at a Catskills summer resort. Hart’s big break came in 1930 with the Broadway hit Once in a Lifetime, written with George Kaufman. The two would collaborate again on You Can’t Take It With You (1936) and The Man Who Came To Dinner (1939). You Can’t Take It With You won the Pulitzer Prize for drama in 1937, and the 1938 film version, directed by Frank Capra, won Oscars for both Best Picture and Best Director. Act One was adapted for a 1963 film starring George Hamilton, and for a 2014 stage production starring Tony Shalhoub and Andrea Martin. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.


The Theatre of Erwin Piscator

The Theatre of Erwin Piscator

Author: John Willett

Publisher: New York : Holmes & Meier

Published: 1979

Total Pages: 232

ISBN-13:

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This is the first book in English to cover the theatrical career of Erwin Piscator. As one of the leading authorities on 20th century German theatre, the author is well-equipped to write about this important director. Most of the text is devoted to the Weimar period and is illustrated with rare pictures and documents.


Lives in Play

Lives in Play

Author: Ryan Claycomb

Publisher: University of Michigan Press

Published: 2012-08-08

Total Pages: 272

ISBN-13: 0472118404

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Lives in Play explores the centrality of life narratives to women’s drama and performance from the 1970s to the present moment. In the early days of second-wave feminism, the slogan was “The personal is the political.” These autobiographical and biographical “true stories” have the political impact of the real and have also helped a range of feminists tease out the more complicated aspects of gender, sex, and sexuality in a Western culture that now imagines itself as “postfeminist.” The book’s scope is broad, from performance artists like Karen Finley, Holly Hughes, and Bobby Baker to playwrights like Suzan-Lori Parks, Maria Irene Fornes, and Sarah Kane. The book links the narrative tactics and theatrical approaches of biography and autobiography and shows how theater artists use life writing strategies to advance women’s rights and remake women’s representations. Lives in Play will appeal to scholars in performance studies, women’s studies, and literature, including those in the growing field of auto/biography studies. “ A fresh perspective and wide-ranging analysis of changes in feminist theater for the past thirty years . . . a most welcome addition to the literature on theater, in particular scholarship on feminist practices.” —Choice “Helps sustain an important history by reviving works of feminist theater and performance and giving them a new and refreshing context and theorical underpinning . . . considering 1970s performance art alongside more conventional play production.” —Lesley Ferris, The Ohio State University


Autobiography and Performance

Autobiography and Performance

Author: Deirdre Heddon

Publisher: Red Globe Press

Published: 2008

Total Pages: 0

ISBN-13: 0230537537

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Offering a comprehensive overview of the use of autobiography in performance, this title uncovers the political potentials and limits that accompany the use of the personal in performance.


A Spectacle of Dust

A Spectacle of Dust

Author: Pete Postlethwaite

Publisher: Weidenfeld & Nicolson

Published: 2011-06-23

Total Pages: 326

ISBN-13: 0297864947

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Vibrant and candid memoirs of the late, great British character actor, Pete Postlethwaite. After training as a teacher, Pete Postlethwaite started his acting career at the Liverpool Everyman Theatre where his colleagues included Bill Nighy, Jonathan Pryce, Antony Sher and Julie Walters. After routine early appearances in small parts for television programmes such as THE PROFESSIONALS, Postlethwaite's first success came with the acclaimed British film DISTANT VOICES, STILL LIVES in 1988. He then received an Academy Award nomination for his role in THE NAME OF THE FATHER in 1993. His performance as the mysterious lawyer "Kobayashi" in THE USUAL SUSPECTS is well-known, and he appeared in many successful films including ALIEN 3, BRASSED OFF, THE SHIPPING NEWS, THE CONSTANT GARDENER, as Friar Lawrence in Baz Luhrmann's ROMEO + JULIET, and in INCEPTION with Leonardo diCaprio. Pete Postlethwaite was one of the best-loved and widely admired performers on stage, TV (SHARPE, THE SINS) and in cinema. In THE ART OF DISCWORLD, Terry Pratchett said that he had always imagined Sam Vimes as 'a younger, slightly bulkier version of Pete Postlethwaite', while Steven Spielberg called him 'the best actor in the world', about which Postlethwaite said: 'I'm sure what Spielberg actually said was, "the thing about Pete is that he thinks he's the best actor in the world."' This is the story of a diverse and multi-talented actor's eventful life, told in his own candid and vibrant words.


Peter Brook

Peter Brook

Author: Michael Kustow

Publisher: A&C Black

Published: 2013-10-17

Total Pages: 370

ISBN-13: 1408852284

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Peter Brook is one of the most influential directors of our time, whose productions are a byword for imagination, energy and innovation. He was born into a Russian émigré family in London and, after a turbulent time at Oxford University, he veered between directing West End comedy, new work from abroad and opera at Covent Garden. By the 1960s he was moving towards greater experimentation, with controversial works like The Marat/Sade, films like Lord of the Flies, and landmark stagings of Shakespeare of which the most famous was the 'white box' production of A Midsummer Night's Dream. In 1970, at the height of his success, he moved to Paris and immediately set off with a group of actors to Persia, Africa, Mexico and the USA in an attempt to discover a universal language of theatre. Since then, Brook has continued pushing at the boundaries of theatre and film. In this first authoritative biography, arising out of an association and friendship with Brook of more than forty years, Michael Kustow tells the revealing story of a man whose life has been a never-ending quest for meaning.


And Furthermore

And Furthermore

Author: Judi Dench

Publisher: St. Martin's Press

Published: 2011-02-15

Total Pages: 368

ISBN-13: 1429960647

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I can hardly believe that it is more than half a century since I first stepped on to the stage of the Old Vic Theatre and into a way of life that has brought me the most rewarding professional relationships and friendships. I cannot imagine now ever doing anything else with my life except acting..." – Judi Dench From London's glittering West End to Broadway's bright lights, from her Academy Award-winning role as Elizabeth I in Shakespeare in Love to "M" in the James Bond films, Judi Dench has treated audiences to some of the greatest performances of our time. She made her professional acting debut in 1957 with England's Old Vic theatre company playing Ophelia in Hamlet , Katherine in Henry V (her New York debut), and then, Juliet. In 1961, she joined the Royal Shakespeare Company playing Anya in The Cherry Orchard with John Gielgud and Peggy Ashcroft. In 1968, she went beyond the classical stage to become a sensation as Sally Bowles in Cabaret, adding musical comedy to her repertoire. Over the years, Dench has given indelible performances in the classics as well as some of the greatest plays and musicals of the twentieth century including Noël Coward's Hay Fever, Stephen Sondheim's A Little Night Music, Kaufman and Hart's The Royal Family and David Hare's Amy's View (for which she won the Tony Award). Recently, she made a triumphant return to A Midsummer Night's Dream as Titania, a role she first played in 1962, now played as a theatre-besotted Queen Elizabeth I. Her film career has been filled with unforgettable performances of some unforgettable women: Queen Victoria in Mrs. Brown, the terrifying schoolteacher Barbara Covett in Notes on a Scandal and the writer Iris Murdoch in Iris. And, for the BBC, Dench created another unforgettable woman when she brought her great comic timing and deeply felt emotions to the role of Jean Pargetter in the long-running BBC series As Time Goes By. And Furthermore is, however, more than the story of a great actress's career. It is also the story of Judi Dench's life: her early days as a child in a family that was in love with the theatre; her marriage to actor Michael Williams; the joy she takes in her daughter, the actress Finty Williams, and her grandson, Sammy. Filled with Dench's impish sense of humor, diamond-sharp intelligence and photos from her personal archives, And Furthermore is the book every fan of the great Judi Dench will cherish.


The Self in Performance

The Self in Performance

Author: Susana Pendzik

Publisher: Springer

Published: 2017-01-10

Total Pages: 272

ISBN-13: 1137535938

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This book is the first to examine the performance of autobiographical material as a theatrical form, a research subject, and a therapeutic method. Contextualizing personal performance within psychological and theatrical paradigms, the book identifies and explores core concepts, such as the function of the director/therapist throughout the creative process, the role of the audience, and the dramaturgy involved in constructing such performances. It thus provides insights into a range of Autobiographic Therapeutic Performance forms, including Self-Revelatory and Autoethnographic Performance. Addressing issues of identity, memory, authenticity, self-reflection, self-indulgence, and embodied self-representation, the book presents, with both breadth and depth, a look at this fascinating field, gathering contributions by notable professionals around the world. Methods and approaches are illustrated with case examples that range from clients in private practice in California, through students in drama therapy training in the UK, to inmates in Lebanese prisons.