The Waterman/Harewood Piano Series - devised jointly by the world famous piano teacher Fanny Watermann and her co-founder of the Leeds International Piano Competition, Marion Harewood (now Thorpe) - is established as one of the foremost piano methods. It represents a distillation of the thoroughness, inspiration and sense of adventure that characterize Fanny Waterman's own teaching methods. The excellence of the musical material and attractive presentation have won universal acclaim. This book contains a diverse range of pieces from the great composers who wrote for young players including J. S. Bach, Mozart, Schubert, Schumann, Tchaikovsky and Bartók.
Fanny Waterman and Marion Harewood's Me and My Piano series is probably the UK's most widely-used and biggest selling piano method. It is now published in a new edition including a new larger size, improved layout making it easier to read, a clean new look with new typesetting and music-setting and the instantly recognizable cover designs have been updated for extra vibrancy. This excellent book of first repertoire pieces builds on the solid technical and musical foundations established in the highly successful tutors Me and My Piano Parts I and II, which it is designed to complement. Here is a wealth of new material, ranging from simple five-finger pieces for separate hands on C major, to move advanced pieces introducing changes of hand position, new notes and rhythms, simple chords, and the key signatures of G and F major. Enchantingly illustrated, this essential and irresistible book will encourage the young pianist to expand his or her repertoire in the most enjoyable way.
A sparkling collection of graded pieces for the progressing piano student. In Book one of the series, the student is introduced to most of the basic elements of notation. The melodies are divided between the hands, which remain in five-finger position.
The Foundation Pianist, Book 1 is a book for students beyond the beginner stage who want to develop a technical and musical foundation to help them progress on to intermediate levels. Exploring piano technique through a variety of elements, the book includes daily exercises, sight-reading, repertoire, and musical time travel. This series includes two books that not only develop students' technique, reading, theory, and musicianship, but also provide an invaluable insight into the world of classical music, from madrigals to symphonies and operas to concertos.
No pianist can experience the full flowering of her art without eventually grappling with those great musical minds who composed specifically for piano. In The Pianist's Craft, Richard Anderson collects from his fellow pianist-scholars 19 articles on the teaching, preparation, and performance of works by the greatest composers in the standard piano repertoire. This collection ranges in subject matter from Inge Rosar's meditation on playing Bach on the modern keyboard to Gary Amato's assessment of Haydn's sonatas, from Christie Skousen's review of tone production in Chopin to GwenolynMok's foray into recreating Ravel's works on an Erard piano, the same used by Ravel himself. Readers will find essays as well on Mozart's piano compositions, Beethoven's sonatas, the influence of Schubert's lieder on his piano works, and works by Schumann, Liszt, Brahms, Debussy, Rachmaninoff, Scriabin, Prokofiev, Shostakovich, Bart k, Gershwin, and Crumb. The contributors--all recognized nationally and internationally for their contributions as performing artists, teachers, recording artists, and clinicians--write thoughtfully about the composers whose work they have studied and played for years. Each author addresses issues unique to the individual composer they have chosen to explore, examining questions of phrasing, tempo, articulation, dynamics, rhythm, color, gesture, lyricism, instrumentation, and genre. Valuable insight is provided into teaching, performing, and preparing these great works. In The Pianist's Craft these great artists and teachers answer questions for readers that are otherwise only addressed in conferences, master classes, and private lessons. In this collection of essays, key points of information and instruction are offered with over 200 musical examples included as illustration. The Pianist's Craft is intended for teachers and students of the intermediate and advanced levels of piano, instructors and performers at the university level, and those who love piano and piano music generally.
(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.
Beginning teen piano players want to sound good right away. Beginning teen piano players also want to sound cool... right away. Unfortunately, most beginning piano music is composed with the developmental abilities of young children in mind... which means beginning teen piano players will not sound cool anytime soon. But that's about to change! With WunderKeys Rock Repertoire we are revolutionizing piano music for teen beginners. You will not find Twinkle, Twinkle, Little Star, My Bonnie Lies Over The Ocean, or Mary Had A Little Lamb in this book. Instead, you will find rock-infused music written just for teens in their first year of piano lessons. The 14 piano pieces in WunderKeys Rock Repertoire For Teen Beginners are set in the C 5-Finger Scale and are accompanied by full teacher duets to create an inspiring musical experience. If your teen beginners are uninspired with "too young" music or "too boring" music, surprise them with WunderKeys Rock Repertoire. Upcoming releases in the WunderKeys Rock Repertoire book series include: WunderKeys Rock Repertoire For Teen Beginners: Piano Pieces In Middle C Position WunderKeys Rock Repertoire For Teen Beginners: Piano Pieces In The G 5-Finger Scale
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
