Alison Green, desperate Valedictorian-wannabe, agrees to produce her school’s disaster-prone production of A Midsummer Night’s Dream. Her second big mistake is accidentally saying yes to a date with her oldest friend, Jack, even though she’s crushing on Charlotte, the star of the play.
"Beautifully paced . . . heartbreaking and hilarious."—USA Today Augusten Burroughs meets Mary Karr: a deeply funny and wickedly entertaining family memoir. The youngest of four daughters in an old, celebrated St. Louis family-- of prominent journalists and politicians on one side, debutantes and equestrians on the other-- Jeanne Darst grew up hearing stories of past grandeur. And the message she internalized as a young girl was clear: While things might be a bit tight for us right now, it’s only temporary. Soon her father would sell the Great American Novel and reclaim the family’s former glory. The Darsts move from St. Louis to New York, and Jeanne’s father writes one novel, then another, which don’t find publishers. This, combined with her mother’s burgeoning alcoholism, lead to financial disaster and divorce. And as Jeanne becomes an adult, she is horrified to discover that she is not only a drinker like her mother, but a writer like her father. At first, and for years, she embraces both activities— and until she can stop putting drinking and writing ahead of everything else, it’s a questionable choice. Ultimately, Darst sets out to discover whether a person can have the writing without the ruin, whether it’s possible to be both sober and creative, ambitious and happy, a professional author and a parent. Filled with brilliantly flawed, idiosyncratic characters and punctuated by Darst’s irreverent eye for absurdity, Fiction Ruined My Family is a lovingly told, wickedly funny portrait of an unconventional life.
From the award-winning author of The Field Guide to the North American Teenager comes a whip-smart and layered romantic comedy. Perfect for fans of Nicola Yoon and Jenny Han. Henri “Halti” Haltiwanger can charm just about anyone. He is a star debater and popular student at the prestigious FATE academy, the dutiful first-generation Haitian son, and the trusted dog walker for his wealthy New York City neighbors. But his easy smiles mask a burning ambition to attend his dream college, Columbia University. There is only one person who seems immune to Henri’s charms: his “intense” classmate and neighbor Corinne Troy. When she uncovers Henri’s less-than-honest dog-walking scheme, she blackmails him into helping her change her image at school. Henri agrees, seeing a potential upside for himself. Soon what started as a mutual hustle turns into something more surprising than either of them ever bargained for. . . . This is a sharply funny and insightful novel about the countless hustles we have to keep from doing the hardest thing: being ourselves.
Charlotte struggles to adjust when her mother moves the family to Walnut Grove, Minnesota, the small, boring town where pioneer author Laura Ingalls Wilder grew up, in hopes of finding inspiration for her writing career.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
A girl searches for the truth when two of her classmates are caught in the crosshairs of a murder mystery in this Edgar Award–winning novel from Willo Davis Roberts. Cici expected the summer to be special. She had no idea it would change her life forever. Two kids, two lives, ruined before they even began. One, a girl, dead—strangled in an empty cabin. The other, a boy, spending the rest of his life in jail for her murder. To Cici, it all seems so unreal. These were kids she had grown up with, whom she had known. She can’t believe Brody Shurik could have murdered Zoe Cyrek. Something’s going on here, and Cici’s going to find out exactly what it is. But Cici has an even harder time believing what she uncovers. Could the murderer really be someone close to her? Maybe even a member of her family? And if Cici’s on the right track, could she become the murderer’s target?
"Born the child of a poor farmer in Missouri, William Stoner is urged by his parents to study new agriculture techniques at the state university. Digging instead into the texts of Milton and Shakespeare, Stoner falls under the spell of the unexpected pleasures of English literature, and decides to make it his life. Stoner is the story of that life"--
Intrigue, betrayal, and romance surround Widge as we find him back in London and at the center of things, as usual. Queen Elizabeth, Shakespeare's patron, has died, but the new king and his queen love drama-on stage and off. Shakespeare has begun a new play about political intrigue, but real intrigue is close at hand. Someone is stealing from the company, and Shakespeare's scripts must be guarded at all costs-including the one he has given up on and turned over to Widge to finish. Widge finds the glory of being a playwright appealing, especially when there's a pretty girl to impress. But spying is even more exciting! Readers swept up in the first two adventures about Widge and Shakespeare's players will be enthralled yet again by this third tale with its dramatic twists and turns and an ending worthy of the Bard himself.
“One man in his time plays many parts, His acts being seven ages.” In this illuminating, innovative biography, Jonathan Bate, one of today’s most accomplished Shakespearean scholars, has found a fascinating new way to tell the story of the great dramatist. Using the Bard’s own immortal list of a man’s seven ages in As You Like It, Bate deduces the crucial events of Shakespeare’s life and connects them to his world and work as never before. Here is the author as an infant, born into a world of plague and syphillis, diseases with which he became closely familiar; as a schoolboy, a position he portrayed in The Merry Wives of Windsor, in which a clever, cheeky lad named William learns Latin grammar; as a lover, married at eighteen to an older woman already pregnant, perhaps presaging Bassanio, who in The Merchant of Venice won a wife who could save him from financial ruin. Here, too, is Shakespeare as a soldier, writing Henry the Fifth’s St. Crispin’s Day speech, with a nod to his own monarch Elizabeth I’s passionate addresses; as a justice, revealing his possible legal training in his precise use of the law in plays from Hamlet to Macbeth; and as a pantaloon, an early retiree because of, Bate postulates, either illness or a scandal. Finally, Shakespeare enters oblivion, with sonnets that suggest he actively sought immortality through his art and secretly helped shape his posthumous image more than anyone ever knew. Equal parts masterly detective story, brilliant literary analysis, and insightful world history, Soul of the Age is more than a superb new recounting of Shakespeare’s experiences; it is a bold and entertaining work of scholarship and speculation, one that shifts from past to present, reality to the imagination, to reveal how this unsurpassed artist came to be.