After Nero's notorious reign, the Romans surely deserved a period of peace and tranquility. Instead, during AD69, three emperors were murdered: Galba, just days into the post, Otho and Vitellius. The same year also saw civil war in Italy, two desperate battles at Cremona and the capture of Rome for Vespasian, which action saw the fourth emperor of the year, but also brought peace. This classic work, now updated and reissued under a new title, is a gripping account of this tumultuous year. Wellesley also focuses on the year's historical importance, which also marked the watershed between the first and second imperial dynasties.
A striking history of ancient Rome, "69 A.D." is an original and compelling account of one of the best known but perhaps least understood periods in all Roman history.
A fast-paced historical novel about two women with the power to sway an empire, from the New York Times and USA Today bestselling author of The Alice Network and The Briar Club. A.D. 69. The Roman Empire is up for the taking. Everything will change—especially the lives of two sisters with a very personal stake in the outcome. Elegant and ambitious, Cornelia embodies the essence of the perfect Roman wife. She lives to one day see her loyal husband as Emperor. Her sister Marcella is more aloof, content to witness history rather than make it. But when a bloody coup turns their world upside-down, both women must maneuver carefully just to stay alive. As Cornelia tries to pick up the pieces of her shattered dreams, Marcella discovers a hidden talent for influencing the most powerful men in Rome. In the end, though, there can only be one Emperor...and one Empress.
McEvoy addresses the phenomenon of the Roman child-emperor during the late fourth century. Tracing the course of their reigns, the book looks at the sophistication of the Roman system of government which made their accessions possible, and the adaptation of existing imperial ideology to portray boys as young as six as viable rulers.
This fresh and engaging book looks at each of the Roman emperors from Julius Caesar in 44BC to Romulus Augustulus in AD 476, illuminating not only the manner of their deaths but what their final days tell us about their lives. We also hear how the most powerful position in the history of the Western world held a permanent appeal, despite its perils, with eager candidates constantly coming forward to seize the throne. Very few of the Roman emperors died a natural death. The insane Caligula was murdered after leaving the theatre; Caracalla while he was relieving himself. Caesar was stabbed twenty three times and Otho was dragged into the Tiber with a flesh-hook. However great an emperor's power, danger was ever present. Emperors Don't Die in Bed provides a clear history of the imperial succession as well as a compelling depiction of the intrigue and drama of Roman imperial politics.
The author of God’s Viking brings to life “a period in Roman history that provides many twists and turns as Rome emerged from the period of rule by Nero” (Firetrench). With the death of Nero by his own shaky hand, the ill-sorted, ill-starred Julio-Claudian dynasty came to an ignominious end, and Rome was up for the taking. This was 9 June, AD 68. The following year, commonly known as the “Year of the Four Emperors,” was probably one of Rome’s worst. In all previous successions, the new emperor had some relation to his predecessor, but the psychotic and paranoid Nero had done away with any eligible relatives. The new emperor had to secure his legal position and authority with regards to the Senate and to the army, as well as to those who had a vested interest in the system, the Praetorian Guard. Because imperial authority was ultimately based on control of the military, a player in the game of thrones had to gain an unshakable command over the legions. Of course, this in turn meant that the soldiers themselves could impose their own choice. It was to take a tumultuous year of civil war and the death of three imperial candidates before a fourth candidate could come out on top, remain there, and establish for himself a new dynasty. Nic Fields narrates the twists and turns and the military events of this short but bloody period of Roman history. “We appear to meet more people than the cast of Game of Thrones (with about the same mortality rate!) but with the added bonus of this being history, not fiction . . . hugely entertaining.”—Miniature Wargames Magazine
Focused on battle narratives of the classical world on land and at sea, this three-volume reference covers Archaic Greece in the eighth century BC to the rise of Islam in the seventh century AD. Three-volume reference on land and sea battles of the classical world from Archaic Greece in the eighth century BC to the rise of Islam in the seventh century AD Concentrates on narratives of specific battles, sieges, campaigns, and wars Contains the most complete and up-to-date scholarship on the subject Organized by individual wars, with chronological entries for each battle Brings together a distinguished, international group of experts on ancient military history Get the digital version at www.encyclopediaofancientbattles.com.
An investigation of how a man could become a Roman emperor, and the failure to create an enduring, consistent system for selecting the next emperor. John D. Grainger analyses the Roman imperial succession, demonstrating that the empire organized by Augustus was fundamentally flawed in the method it used to find emperors. Augustus’s system was a mixture of heredity, senatorial, and military influences, and these were generally antagonistic. Consequently, the Empire went through a series of crises, in which the succession to a previous, usually dead, emperor was the main issue. The infamous “Year of the Four Emperors,” AD 69, is only the most famous of these crises, which often involved bouts of bloody and destructive civil war, assassinations and purges. These were followed by a period, usually relatively short, in which the victor in the “crisis” established a new system, juggling the three basic elements identified by Augustus, but which was as fragile and short lived as its predecessor; these “consequences” of each crisis are discussed. The lucid and erudite text is supported by over 22 genealogical tables and 100 images illustrating the Emperors. Praise of The Roman Imperial Succession “For a general introduction to the question of how one becomes a Roman emperor, Grainger has provided a sound guide.” —Bryn Mawr Classical Review
Bestselling classical historian Barry Strauss delivers “an exceptionally accessible history of the Roman Empire…much of Ten Caesars reads like a script for Game of Thrones” (The Wall Street Journal)—a summation of three and a half centuries of the Roman Empire as seen through the lives of ten of the most important emperors, from Augustus to Constantine. In this essential and “enlightening” (The New York Times Book Review) work, Barry Strauss tells the story of the Roman Empire from rise to reinvention, from Augustus, who founded the empire, to Constantine, who made it Christian and moved the capital east to Constantinople. During these centuries Rome gained in splendor and territory, then lost both. By the fourth century, the time of Constantine, the Roman Empire had changed so dramatically in geography, ethnicity, religion, and culture that it would have been virtually unrecognizable to Augustus. Rome’s legacy remains today in so many ways, from language, law, and architecture to the seat of the Roman Catholic Church. Strauss examines this enduring heritage through the lives of the men who shaped it: Augustus, Tiberius, Nero, Vespasian, Trajan, Hadrian, Marcus Aurelius, Septimius Severus, Diocletian, and Constantine. Over the ages, they learned to maintain the family business—the government of an empire—by adapting when necessary and always persevering no matter the cost. Ten Caesars is a “captivating narrative that breathes new life into a host of transformative figures” (Publishers Weekly). This “superb summation of four centuries of Roman history, a masterpiece of compression, confirms Barry Strauss as the foremost academic classicist writing for the general reader today” (The Wall Street Journal).
