The November 2023 selection of the NYRB Classics Book Club The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to her: she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe, and the inspiration for his classic children’s book, Hermine in Cloud-Land. But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most radical painting, My Death, deemed too unsettling—malevolent even—to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’s history and her own. Whose biography is she writing—really?
Mark Brown, a business executive, had a vivid dream he would live until the year 2038. Months later a horrific plane crash occurs. Just before the crash, Mark grabs the arm of the passenger next to him, Howard Bowman, and tells him to hold on because he is going to live until the year 2038. At the hospital, Mark and Howard are told they are the only ones to survive. Lauren Rifkin, a tabloid investigator, finds out about Mark's dream and what he said to Howard before the crash. She and her Chief Editor, Weaver, convince Mark they can make him a major personality if they promote his dream as a premonition. The plan works, but the price of fame and fortune turns out to be higher than Mark anticipated. There are some who will benefit if they can cause him to have another near-death experience and others who want to challenge his so-called premonition by killing him before the year 2038. The Year of My Death is a thriller, but what lies beneath is the opportunity for hope.
Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.
The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."
Imagine your plane is going down. Prayer is useless. Fiery death awaits. Now imagine your children. The hours spent feeding, giggling, teaching, changing diapers, soothing tantrums, gazing into eyes...all will fade from their memories until you're just a name. What are the stories-from "unabashedly sentimental" to "exceedingly age inappropriate"-you would want to preserve? What advice would you give them, the hard-earned wisdom to prepare them for life's challenges? Well, Mark Hsu was never in a plane crash, but his crippling fear of being in one led to Please Open in the Event of My Death. A litigation partner in New York City, Mark remembers hearing the refrain that having kids meant "your life is over"?and how he welcomed it. He recalls the night he first met his Italian wife and decided that the Japanese-Chinese guy needed to go for broke and show off his Roman-accented Italian. He describes his lonely, peripatetic youth in Japan, Italy, and all over the East Coast as the only child of a deep-cover CIA spy. Drawing inspiration from a range of sources, including the Japanese concept of omoiyari, Charles Barkley, Ferris Bueller's Day Off, Prince, and a Nike print ad, Mark offers astute advice-not saccharine or blindingly idealistic-for modern times. Succeeding at work, navigating social waters, overcoming fear, surviving heartbreak, raising kids-this and other life advice, applicable to anyone, is in Please Open In the Event of My Death, just in case something horrible happens?which hopefully it won't.
How a small boy with a stammer ended up on the stage, becoming one of New Zealand's best loved comedians. In The Years Before My Death, renowned and much loved actor-director and comedy show writer David McPhail recounts his early life and what led him to pioneer the satirical TV programmes (including A Week of It and McPhail and Gadsby) for which he is famous, what drove him to perform comedy, and what was behind his desire to make New Zealanders laugh. He tells of his creative friendships with the likes of A.K. Grant, Bruce Ansley and Jon Gadsby; his encounters with former Prime Minister Robert Muldoon, the comic genius Dudley Moore, and the television networks of the day. As one would expect, every anecdote is told with insight, perfect timing and a glint in the eye.
"My greatest teacher has been my cancer," says Jeffrey T. Simmons in "My Life and My Death." In walking readers, step-by-step, through his story of faith as he faces death, Simmons conveys a thoughtful treatment of living with a terminal illness.
*The basis for the wonderfully funny and moving TV series developed by Amy Poehler and Scout Productions* A charming, practical, and unsentimental approach to putting a home in order while reflecting on the tiny joys that make up a long life. In Sweden there is a kind of decluttering called döstädning, dö meaning “death” and städning meaning “cleaning.” This surprising and invigorating process of clearing out unnecessary belongings can be undertaken at any age or life stage but should be done sooner than later, before others have to do it for you. In The Gentle Art of Swedish Death Cleaning, artist Margareta Magnusson, with Scandinavian humor and wisdom, instructs readers to embrace minimalism. Her radical and joyous method for putting things in order helps families broach sensitive conversations, and makes the process uplifting rather than overwhelming. Margareta suggests which possessions you can easily get rid of (unworn clothes, unwanted presents, more plates than you’d ever use) and which you might want to keep (photographs, love letters, a few of your children’s art projects). Digging into her late husband’s tool shed, and her own secret drawer of vices, Margareta introduces an element of fun to a potentially daunting task. Along the way readers get a glimpse into her life in Sweden, and also become more comfortable with the idea of letting go.
Following the death of her father, journalist and hospice volunteer Ann Neumann sets out to examine what it means to die well in the United States. When Ann Neumann’s father was diagnosed with non-Hodgkin’s lymphoma, she left her job and moved back to her hometown of Lancaster, Pennsylvania. She became his full-time caregiver—cooking, cleaning, and administering medications. When her father died, she was undone by the experience, by grief and the visceral quality of dying. Neumann struggled to put her life back in order and found herself haunted by a question: Was her father’s death a good death? The way we talk about dying and the way we actually die are two very different things, she discovered, and many of us are shielded from what death actually looks like. To gain a better understanding, Neumann became a hospice volunteer and set out to discover what a good death is today. She attended conferences, academic lectures, and grief sessions in church basements. She went to Montana to talk with the attorney who successfully argued for the legalization of aid in dying, and to Scranton, Pennsylvania, to listen to “pro-life” groups who believe the removal of feeding tubes from some patients is tantamount to murder. Above all, she listened to the stories of those who were close to death. What Neumann found is that death in contemporary America is much more complicated than we think. Medical technologies and increased life expectancies have changed the very definition of medical death. And although death is our common fate, it is also a divisive issue that we all experience differently. What constitutes a good death is unique to each of us, depending on our age, race, economic status, culture, and beliefs. What’s more, differing concepts of choice, autonomy, and consent make death a contested landscape, governed by social, medical, legal, and religious systems. In these pages, Neumann brings us intimate portraits of the nurses, patients, bishops, bioethicists, and activists who are shaping the way we die. The Good Death presents a fearless examination of how we approach death, and how those of us close to dying loved ones live in death’s wake.
**THE MILLION COPY BESTSELLER** 'Rattling. Heartbreaking. Beautiful,' Atul Gawande, bestselling author of Being Mortal What makes life worth living in the face of death? At the age of thirty-six, on the verge of completing a decade's training as a neurosurgeon, Paul Kalanithi was diagnosed with inoperable lung cancer. One day he was a doctor treating the dying, the next he was a patient struggling to live. When Breath Becomes Air chronicles Kalanithi's transformation from a medical student asking what makes a virtuous and meaningful life into a neurosurgeon working in the core of human identity - the brain - and finally into a patient and a new father. Paul Kalanithi died while working on this profoundly moving book, yet his words live on as a guide to us all. When Breath Becomes Air is a life-affirming reflection on facing our mortality and on the relationship between doctor and patient, from a gifted writer who became both. 'A vital book about dying. Awe-inspiring and exquisite. Obligatory reading for the living' Nigella Lawson
