Designed to mentor writers at all levels, from beginning to quite advanced, The Writer's Portable Mentor offers a wealth of insight and crafting models from the author's twenty-plus years of teaching and creative thought. The book provides tools for structuring a book, story, or essay. It trains writers in observation and in developing a poet's ear for sound in prose. It scrutinizes the sentence strategies of the masters and offers advice on how to publish. This second edition is updated to account for changes in the publishing industry and provides hundreds of new craft models to inspire, guide, and develop every writer's work.
In Writing with Mentors, high school teachers Allison Marchetti and Rebekah O'Dell prove that the key to cultivating productive, resourceful writers-writers who can see value and purpose for writing beyond school-is using dynamic, hot-off-the-press mentor texts. In this practical guide, they provide savvy strategies for:--finding and storing fresh new mentor texts, from trusted traditional sources to the social mediums of the day --grouping mentor texts in clusters that show a diverse range of topics, styles, and approaches --teaching with lessons that demonstrate the enormous potential of mentor texts at every stage of the writing process.
It's been a decade since Lynne Dorfman and Rose Cappelli wrote the first edition of Mentor Texts and helped teachers across the country make the most of high-quality children's literature in their writing instruction. In the second edition of this important book Lynne and Rose show teachers how to help students become confident, accomplished writers by using literature as their foundation. The second edition includes brand-new "Your Turn Lessons," built around the gradual release of responsibility model, offering suggestions for demonstrations and shared or guided writing. Reflection is emphasized as a necessary component to understanding why mentor authors chose certain strategies, literary devices, sentence structures, and words. Lynne and Rose offer new children's book titles in each chapter and in a carefully curated and annotated Treasure Chest. At the end of each chapter a "Think About It--Talk About It--Write About It" section invites reflection and conversation with colleagues. The book is organized around the characteristics of good writing--focus, content, organization, style, and conventions. Rose and Lynne write in a friendly and conversational style, employing numerous anecdotes to help teachers visualize the process, and offer strategies that can be immediately implemented in the classroom. This practical resource demonstrates the power of learning to read like writers.
An orphaned boy in contemporary Senegal must decide between doing what is right and what is easy as he struggles to keep a promise he made to his dying father in this “stirring” (School Library Journal) middle grade debut novel laced with magical realism. Eleven-year-old Mor was used to hearing his father’s voice, even if no one else could since his father’s death. It was comforting. It was also a reminder that Mor had made a promise to his father before he passed: keep your sisters safe. Keep the family together. But almost as soon as they are orphaned, that promise seems impossible to keep. With an aunt from the big city ready to separate him and his sisters as soon as she arrives, and a gang of boys from a nearby village wanting everything he has—including his spirit—Mor is tested in ways he never imagined. With only the hot summer months to prove himself, Mor must face a choice. Does he listen to his father and keep his heart true, but risk breaking his promise through failure? Or is it easier to just join the Danka Boys, who despite their maliciousness are at least loyal to their own? One Shadow on the Wall is about love and loss, family and friendship, and creating your own future—even when it’s hard to do.
Ralph Fletcher has long mentored writing teachers-now he presents the ultimate mentor-text resource for teaching students to write. In Mentor Author, Mentor Texts, Ralph shares 24 short, high-interest texts and accompanying Writer's Notes with your students. Arranged from least difficult to most challenging, they are ready for writers at every level. Online, Ralph also provides whiteboard-ready versions of the texts as well as recordings where he reads of 17 of his pieces. Mentor Author, Mentor Texts Includes: 24 mentor texts written by Ralph, including fiction, nonfiction, poetry, and more Writer's Notes that give students a peek into Ralph's thinking and craft Online access to whiteboard-ready versions of Ralph's mentor texts Online access to recordings of Ralph reading 17 of his pieces Suggestions from colleagues nationwide for using Ralph's texts in the classroom. Let your teaching mentor become your students' writing mentor... ...with engaging mentor texts written and read by Ralph Fletcher... "I wrote all 24 pieces in this book. You'll find an assortment of genres: stories, memoir, poems, essays, and excerpts from novels. The various texts are ordered from easiest (least challenging) to hardest (most challenging). I tried to select short, high-interest pieces. Each one stands on its own with a beginning, middle, and ending. I tried to choose pieces that would bring a sense of closure by the end." ...writer's notes that give students an inside peek into craft... "My Writer's Notes introduce the text, explain my thinking behind various decisions, and point out a few things I want kids to notice. With certain pieces, especially the last three, I highlight revisions I made along the way. I tried hard not to take the mystery out of good writing. Instead these notes are my way of opening the door and leading the student into the text." ...and practical, classroom-tested suggestions like this from your colleagues "One of my students, Suzy, knows that she struggles to provide enough detail in her non-fiction pieces. For her piece about soccer, she told me that she knew she needed to include more details because she didn't want the reader to be confused. We had already read Ralph's "Squirming Wizards of Recycling," so we looked at the Writer's Notes. Ralph said he had brainstormed questions that readers may have had as they read about worm composting, and he then tried to include the answers to those questions in the piece. Suzy decided that she would write down questions that she thought her reader might still have about soccer and then make sure those questions were answered in her writing. Since both Suzy and I have already developed a relationship with Ralph through his texts, it felt like we were inviting an old friend to join our conference." Kate Norem Morris, Teacher, The Bush School, Seattle, Washington
"My hope is that More About the Authors will help you see how shifting your thinking about mentors can make such a difference in your teaching." -Lisa Cleaveland This is not your typical book on mentor texts. Lisa Cleaveland will show you why in her classroom authors and illustrators do the mentoring, not their texts. While this may seem like mere semantics, it's actually a singularly powerful instructional shift. "Books don't make themselves," writes Lisa, "authors and illustrators do, and my students know this because they make books too." About the Authors introduced tens of thousands of teachers to Lisa's primary writing workshop. Now she shares what she considers the most crucial aspect of her teaching. "When authors and illustrators are mentors, you teach students more about how to learn from their mentors than what to learn." With Lisa you'll: engage children by helping them discover mentor authors connect writers to the curriculum as they notice and name the moves their mentors make plan powerful units of study around mentor authors position students to mentor one another. Along the way, Lisa illustrates the effectiveness of this approach with full-color examples of students' work as well as transcripts of a question-and-answer session between her writers and famed children's author and illustrator Marla Frazee. You'll see firsthand how closely examining a mentor's work can lead little ones to big insights about writing. "What I have realized," writes Lisa Cleaveland, "is that it's all about finding mentors for writing and illustrating." Find out just how powerful this slight shift in thinking can be as you find out More About the Authors.
A lonely young woman gets too close to her charismatic female student in this propulsive debut, culminating in a dangerously debauched Midsommar’s Eve. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE AND THE VCU CABELL FIRST NOVELIST AWARD • “Memorable and meaningful.”—Claire Messud, New York Times bestselling author of The Burning Girl Lauren Cress teaches writing at a small college outside of Washington, DC. In the classroom, she is poised, smart, and kind, well liked by her students and colleagues. But in her personal life, Lauren is troubled and isolated, still grappling with the sudden death of her parents ten years earlier. She seems to exist at a remove from everyone around her until a new student joins her class: charming, magnetic Siri, who appears to be everything Lauren wishes she could be. They fall headlong into an all-consuming friendship that makes Lauren feel as though she is reclaiming her lost adolescence. When Siri invites her on a trip home to Sweden for the summer, Lauren impulsively accepts, intrigued by how Siri describes it: green, fresh, and new, everything just thawing out. But once there, Lauren finds herself drawn to Siri’s enigmatic, brooding brother, Magnus. Siri is resentful, and Lauren starts to see a new side of her friend: selfish, reckless, self-destructive, even cruel. On their last night together, Lauren accompanies Siri and her friends on a seaside camping trip to celebrate Midsommar’s Eve, a night when no one sleeps, boundaries blur, and under the light of the unsetting sun, things take a dark turn. Ultimately, Lauren must acknowledge the truth of what happened with Siri and come to terms with her own tragic past in this gorgeously written, deeply felt debut about the transformative relationships that often come to us when things feel darkest. Praise for The All-Night Sun “Inventive and luminous . . . Zinna’s intimate debut dazzles with original language, emotional sentience, and Swedish folklore as it plumbs the depths of grief, loss, and friendship . . . Zinna reaches an inspired emotional depth that, as the title signifies, never stops blazing.”—Publishers Weekly (starred review)
Based on a profound understanding of the ways in which young children learn, this book shows teachers how to launch a writing workshop by inviting children to do what they do naturallymake stuff.
Edited and with a contribution by Elizabeth Benedict, thirty of today's brightest literary lights turn their attention to the question of mentorship and influence. For Denis Johnson, it was Leonard Gardner's cult favorite Fat City; for Jonathan Safran Foer, it was an encounter with Israeli poet Yehuda Amichai; Mary Gordon's mentors were two Barnard professors, writers Elizabeth Hardwick and Janice Thaddeus, whose lessons could not have been more different. In Mentors, Muses & Monsters, edited and with a contribution by Elizabeth Benedict, author of the National Book Award finalist Slow Dancing, thirty of today's literary stars discuss the people, events, and books that have transformed their lives. When Joyce Carol Oates describes her public-rivalry-turned-wary-professional-acquaintanceship with Donald Barthelme, we are privy to the sight of one of today's most important writers being directly affected by another influential writer. When Sigrid Nunez reveals what it was like to be Susan Sontag's protégé, we get a glimpse into the private life and working philosophy of a formidable public intellectual. And when Jane Smiley describes her first year at the Iowa Writers' Workshop in 1974, she offers an intimate portrait of a literary milieu of enduring significance for American literature. Rich, thought-provoking, and often impassioned, these pieces illuminate not only the anxiety but the necessity of influence—and also the treasures it yields.
'I want to be Shirley when I grow up.' RACHAEL JOHNS 'Beautiful, breathtaking and heart-wrenching.' AUSTRALIAN WOMEN'S WEEKLY 'Elderly. Is that how the world sees me? A helpless little old lady? If only they knew. I allow myself a small smirk.' A Daring Escape When Shirley Sullivan signs her 83-year-old husband, Frank, out of the Sunset Lodge Nursing Home, she has no intention of bringing him back. A Lifetime of Memories For fifty-seven years the couple has shared love, happiness and heartbreak. And while Frank may not know who his wife is these days, he knows he wants to go home. Back to the beach where they met in the early 1960s . . . A Final Act of Love So Shirley enacts an elaborate plan to evade the authorities – and their furious daughter, Fiona – to give Frank the holiday he’d always dreamed of. And, in doing so, perhaps Shirley can make amends for a lifelong guilty secret . . . ------------------------ 'With both humour and heart, The Secret Life of Shirley Sullivan takes the reader on a (literal) journey – in a Kombi van! – following one couple’s unconventional love story, and examining the lengths a person will go to to right the wrongs of a lifetime. This is Lisa Ireland’s breakout novel for sure.' SALLY HEPWORTH 'Lisa Ireland’s writing is simply magical, and Shirley’s charming and heartfelt story brought me to tears again and again. The Secret Life of Shirley Sullivan is one of my favourite books, ever.' KELLY RIMMER 'This moving story, celebrating ageing and all types of love, will leave you with a smile on your face and warmth in your heart.' RACHAEL JOHNS
