Fairy tales are a rich element of childhood in many cultures around the world. But in Ireland, where they are known as wonder tales, these stories of magic and enchantment are not restricted to young audiences; Irish wonder tales are told to adults. So that the modern reader can fully appreciate them, Gose provides an interdisciplinary overview. He identifies a number of approaches – psychological, anthropological, structural, comparative, and typological.
Fairy tales are a rich element of childhood in many cultures around the world. But in Ireland, where they are known as wonder tales, these stories of magic and enchantment are not restricted to young audiences. Gose identifies a number of approaches - psychological, anthropological, structural, comparative, and typological.
A collection of seven tales from around the world featuring remarkable animals and extraordinary people reminding us of how vast and mysterious the world is and how our lives can be transformed in the most unexpected circumstances.
Now a Netflix film starring Florence Pugh: In this “old-school page turner” (Stephen King, New York Times Book Review) by the bestselling author of Room, an English nurse is brought to a small Irish village to observe what appears to be a miracle—a girl said to have survived without food for months—and soon finds herself fighting to save the child's life. Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired to keep watch over the girl. Written with all the propulsive tension that made Room a huge bestseller, The Wonder works beautifully on many levels -- a tale of two strangers who transform each other's lives, a powerful psychological thriller, and a story of love pitted against evil. Acclaim for The Wonder: "Deliciously gothic.... Dark and vivid, with complicated characters, this is a novel that lodges itself deep" (USA Today, 3/4 stars) "Heartbreaking and transcendent"(New York Times) "A fable as lean and discomfiting as Anna's dwindling body.... Donoghue keeps us riveted" (Chicago Tribune) "Donoghue poses powerful questions about faith and belief" (Newsday)
Herein are 14 Popular Tales collected from the people of Ireland and retold by D R McAnally. Here are tales of ghosts, giants, pookas, demons, leprechawns, banshees, fairies, witches, widows, old maids, and other marvels of the emerald isle. Celtic lore holds a wealth of colorful characters which extend far beyond the island’s famed leprechauns. Celtic folklore not only preserves the island’s cultural history, but is also richly entertaining, especially to young minds. This volume is infused with flavours that are uniquely Celtic. Celtic folklore overflows with vivid stories that fire the imagination. In Jacobs’ own words, “The Celts went forth to battle, but they always fell. Yet the captive Celt has enslaved his captor in the realm of imagination.” In this gathering of traditional folk tales brings together the best of the Emerald Isle's fabled dwellers. Tales like Taming the Pooka, About The Fairies, The Enchanted Isle, the Banshee, The Henpecked Giant, and, of course, The Leprechaun and more. All weave their spellbinding magic in the classic tradition of Irish storytelling in the pages of this enchanting treasury. Illustrated by H R Heaton with 65 beautiful pen-and-ink drawings plus the sheet music to a few Celtic folk songs which brings a new life to these wonderful stories. TAGS: Irish Wonder Tales, folklore, fairy tales, myths, legends, children’s stories, bedtime stories, Celtic, Irish, Ireland, Emerald Isle, popular tales, celtic folklore, The Seven Kings Of Athenry, Taming The Pooka, The Sexton Of Cashel, Satan's Cloven Hoof, The Enchanted Island, How The Lakes Were Made, About The Fairies, The Banshee, The Round Towers, The Police, The Leprechawn, The Henpecked Giant, Satan As A Sculptor, The Defeat Of The Widows
The special magic of the Irish imagination shines forth in these fourteen authentic folktales. These tales are filled with the mystery and adventure of a land of lonely country roads and isolated farms, humble cottages and lordly castles, rolling fields and tractless bogs. They tell of ghosts and giants, of strange happenings and wondrous deeds, of fairies and witches and of fools and kings. Above all in these stories there is a sense of the full wonder of a world where the marvellous and the unexpected can always happen, and nothing is ever quite as it seems.
Beginning with a critical reappraisal of the notion of "fairy tale" and extending it to include categories and genres which are in common usage in folklore and in literary studies, this book throws light on the general processes involved in storytelling. It illuminates the fundamental ways in which a culture is formed, while highlighting important features of the Irish narrative tradition, in all its wealth and variety and in its connections with the mythical and historical events of Ireland. The Irish Fairy Tale argues that the fairy tale is a kind of "neutral zone," a place of transition as well as a meeting place for popular beliefs and individual creativity, oral tradition and literary works, historical sources and imaginary reconstructions, and for contrasting and converging views of the world, which altogether allow for a deeper and more sophisticated understanding of reality. The book focuses on stories by Yeats and Stephens, whose approach to the subject marks the culmination of a long tradition of attempts at linking past and present and of bridging the gap between what appear to be contradictory facets of a single culture. This leads to a comparative study of Joyce's Dubliners, which illustrates the universal and exemplary nature of the notion of fairy tale put forward in the work.