The Workbook of Darkroom Techniques is the perfect introduction to home processing and printing. It provides a breadth of information on a variety of equipment, materials, and techniques. This book provides the information needed to make good photographs into great prints, to rectify mistakes, and manipulate images so as to express the photographer's unique vision. Highly illustrated with color throughout. Full of hints and tricks to make the best possible images. Workbook format makes this a highly accessible reference.
Make your own darkroom prints, even without access to a darkroom. Makeshift or dual-purpose spaces will work, if you follow these basics of black-and-white developing techniques. Diagrams and specially-commissioned photos simplify the use of developers, fixers, graduates, timers, and thermometers. Guidance on using developing equipment covers enlargers, lenses, trays, tanks, drums, and safelights. See how to process a negative and turn out work prints, test strips, contacts, and proofs. The techniques for making a final print include cropping, dodging, burning, preflashing, soft focus, borders, vignetting, spotting, and retouching. Troubleshooting sections point out all the potential pitfalls and how to avoid them, and suggest rescue techniques for those times when things don't quite go according to plan. Soon you will be able to create portraits and landscapes that feature sepia toning, archival toning, and hand coloring, as well as giant prints and posters.
The Experimental Photography Workbook, now in its 6th edition, is completely revised, updated, and professionally published, with full-color images from 100 photographers illustrating all processes. Inside you will find succinct how-to's on the photogram, cliche-verre, lumenprint, chemigram, photo-chemigram (chromo/painting with light), collage, photomontage, photo transfer, pinhole, zoneplate, Holga, paper negative, Sabattier, lith printing, liquid emulsion, modern tintype, mordancage, dye mordanting, bleachout, toning, applied color, abrasion tone, bromoil, encaustic, distressing film, and more. The Workbook is the perfect "short & sweet" manual to put play back into the analog black & white darkroom, and will be a great impetus to increased creativity for students and professionals alike.
Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.
In recent years, film photography has witnessed a significant renaissance—and not just among those who have previously shot with film. Interest in film photography and analog photography has also grown enormously among those who only have experience shooting digitally. In The Film Photography Handbook, 2nd Edition, authors Chris Marquardt and Monika Andrae speak to both types of film photographers as they offer an easy-to-understand, complete resource to shooting film. In this updated and expanded edition, they address today’s working climate, including such topics as the hybrid film/digital workflow, the digitization of negatives, and using smartphones for light metering and to assist in film processing. This book is intended for anyone who is curious about film and analog photography, whether you need a refresher course or are discovering this wonderful format for the first time. You’ll learn how easy it is to shoot and process black-and-white film at home, and that just a little special equipment is needed to get into film photography. You’ll learn all about: • The important differences between film and digital photography • Numerous film cameras, as well as how to buy a second-hand camera • Film formats, from 35 mm to medium format and large format • Exposure settings, tonal values, and tonal representations in different types of film, from color negatives and slides to the enormous spectrum of black-and-white films • Processing film, covering everything you need to know: equipment, chemicals, and workflow • Scanning negatives to bring your analog photography into a digital workflow • Both presenting and archiving your prints and negatives Working in such an “analog” medium requires a unique approach to photography, and it fosters a completely different form of creativity. Working in film and embracing analog photography can also prove to be a great inspiration for your own digital photography, as well. The Film Photography Handbook, 2nd Edition covers it all—from the technical to the creative—and will have you shooting film in no time, whether it’s with an old rangefinder, an inexpensive Holga, or a medium-format Rolleiflex or Hasselblad.
Capture the beauty of the world around you with this professional advice Landscape photography inspires millions of photographers. If you're one of them, you'll find new insight into landscape photography in this book by professional photographer Harold Davis, as well as tips, tricks, and technical advice to help you improve the quality of your photos. You'll learn to use lighting and composition creatively, choose and use appropriate equipment, look at your subject matter in a new way, and even when to break the rules in order to capture the best image of all. Illustrated with the author's own spectacular landscape photos. Landscape photography intrigues and inspires photographers, but there is more to getting great landscape photos than many photographers expect Professional photographer Harold Davis teaches tricks and techniques that will enhance your skills Explains how to approach the subject creatively, choose and use appropriate equipment, and refine photographic technique to create spectacular landscape shots Looks at how lighting, texture, and composition affect landscape imagery Lavishly illustrated with the author's own photos Landscapes have long been a popular photographic subject; this book helps you advance your skills as a landscape photographer.
The art of darkroom developing and printing will never go out of style. Master darkroom specialist Steve Anchell is back to prove it in this long-awaited third edition of his enormously successful Darkroom Cookbook. Packed with over 200 "recipes," some common and others rare gems, you'll discover something new every time you open this guide, whether you're new to the darkroom or have been making your own prints for years. In addition to the formulas, you'll find tons of useful information on developers, push-processing, where to get darkroom equipment, how to set up your own darkroom, how to work and play in your darkroom safely, and much more. This handy guide will become a constant companion for every darkroom enthusiast creating prints at home or in the studio. In addition to complete updates throughout to reflect changes in the availability of chemicals and equipment, this third edition contains all new information on: *Reversal processing *Enlarged negatives *Pyro formulas *Plus expanded sections on printing, pyro, and toning prints Also included for the first time are special technique contributions as well as stunning black and white imagery by Bruce Barnbaum, Rod Dresser, Jay Dusard, Patrick Gainer, Richard Garrod, Henry Gilpin, Gordon Hutchings, Sandy King, Les McLean, Saïd Nuseibeh, France Scully Osterman, Mark Osterman, Tim Rudman, Ryuijie, John Sexton, and John Wimberly. Be sure to visit www.darkroomcookbook.com to find useful links, an interactive user forum, and more! Steve Anchell is a photographer and author of The Variable Contrast Printing Manual, and co-author of The Film Developing Cookbook. He has been teaching darkroom and photography workshops since 1979. Steve is a member of the Freestyle Advisory Board of Photographic Professionals. "With its unrivalled collection of photographic formulae and easy to understand explanations of photographic processes, The Darkroom Cookbook has long been a favorite with darkroom workers everywhere. Now, with further additions to its formulary, more topics, and contributions by renowned darkroom experts, this new edition promises to be an indispensable Aladdin's Cave resource to darkroom enthusiasts of all levels. -Tim Rudman, photographer and author "The Darkroom Cookbook is an essential compendium of photographic information for anyone interested in high-quality darkroom work. -John Sexton, photographer
The first handbook to systematically detail experimental photographic techniques that manipulate conventional camera technology to create stunning images
Designed for use as a first course in the basics of photography, focusing on the application of photographic principles to the field of digital imaging. The text provides a solid knowledge base for the student, covering the essential tools and techniques of photography. Emphasis is on color digital photography to permit concentration on basic skill development, but film cameras and developing techniques are also included. The textbook includes the use of image-editing software and the "digital darkroom", with practical examples of techniques for correcting, enhancing, and creatively manipulating images. After learning the fundamentals, the reader learns about photography situations such as action and event photography, outdoor photography, travel photography, and portrait and studio photography.
