Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a pale young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose.
Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black.
“The book I most often give as a gift to cheer people up.” —Hilary Mantel “Tart, beguiling, witty and compassionate, Madeleine St. John’s novel is a literary boost for the spirits.” —Maureen Corrigan, Fresh Air “A deceptively smart comic gem.” –The New York Times Book Review “Witty and delicious.” –People The women in black, so named for the black frocks they wear while working at Goode’s department store, are busy selling ladies’ dresses during the holiday rush. But they somehow find time to pursue other goals… Patty, in her mid-thirties, has been working at Goode’s for years. Her husband, Frank, eats a steak for dinner every night, watches a few minutes of TV, and then turns in. Patty yearns for a baby, but Frank is always too tired for that kind of thing. Sweet, unlucky Fay wants to settle down with a nice man, but somehow nice men don’t see her as marriage material. Glamorous Magda runs the high-end gowns department. A Slovenian émigré, Magda is cultured and continental and hopes to open her own boutique one day. Lisa, a clever and shy teenager, takes a job at Goode’s during her school break. Lisa wants to go to university and dreams of becoming a poet, but her father objects to both notions. By the time the last marked-down dress is sold, all of their lives will be forever changed. A pitch-perfect comedy of manners set during a pivotal era, and perfect for fans of The Marvelous Mrs. Maisel, The Women in Black conjures the energy of a city on the cusp of change and is a testament to the timeless importance of female friendship.
The fully authorised chilling sequel to Susan Hill's bestselling ghost-story, The Woman in Black, released in 2012 as a film featuring Daniel Radcliffe. This is the book the follow-up film starring Jeremy Irvine (War Horse) and Phoebe Fox is based on. Autumn 1940, World War Two. Bombs are raining down, destroying the cities of Britain. The evacuations begin, and soon children are being taken to the country for safety. Teacher Eve Parkins is in charge of one such group. The children are scared and Eve does her best to calm them, but the truth is that she too is haunted by a personal tragedy she cannot put behind her. Their destination is Eel Marsh House. Desolate and forlorn, it is situated on a causeway and is sinking into the treacherous tidal marshes that surround it. Far from home and with no alternative, Eve and the children move in. But soon it becomes apparent that there is someone else in the house with them, someone Eve can't see but who is far more deadly than any number of German bombs ... The Woman in Black.
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
The chilling sequel to the international bestselling novel The Woman in Black It’s Autumn of 1940, and German bombs are destroying the cities of Britain as WWII takes its toll on Europe. In London, children are being removed from their families and taken to the country for safety. Teacher Eve Parkins is in charge of one such group, and her destination is an empty and desolate house that appears to be sinking into the tidal marshes that surround it. Its name is Eel Marsh House. Far from home and with no alternative, Eve and the children move in. But it soon becomes apparent that there is someone else in the house; someone who is far deadlier than anything that would face the children in the city. She’s called “The Woman in Black,” and she won’t rest until she has her revenge …
Though today she is little known, Mary Church Terrell (1863-1954) was one of the most remarkable women of the late nineteenth and early twentieth centuries. Active in both the civil rights movement and the campaign for women's suffrage, Terrell was a leading spokesperson for the National American Woman Suffrage Association, the first president of the National Association of Colored Women, and the first black woman appointed to the District of Columbia Board of Education and the American Association of University Women. She was also a charter member of the National Association for the Advancement of Colored People. In this autobiography, originally published in 1940, Terrell describes the important events and people in her life.Terrell began her career as a teacher, first at Wilberforce College and then at a high school in Washington, D.C., where she met her future husband, Robert Heberton Terrell. After marriage, the women's suffrage movement attracted her interests and before long she became a prominent lecturer at both national and international forums on women's rights. A gifted speaker, she went on to pursue a career on the lecture circuit for close to thirty years, delivering addresses on the critical social issues of the day, including segregation, lynching, women's rights, the progress of black women, and various aspects of black history and culture. Her talents and many leadership positions brought her into close contact with influential black and white leaders, including Frederick Douglass, Booker T. Washington, Paul Laurence Dunbar, Robert Ingersoll, Elizabeth Cady Stanton, Susan B. Anthony, Jane Addams, and others.With a new introduction by Debra Newman Ham, professor of history at Morgan State University, this new edition of Mary Church Terrell's autobiography will be of interest to students and scholars of both women's studies and African American history.
ALos Angeles Times Bestseller Chance Hardwick, the fictitious star of the breakout filmPlains and Hills, is widely considered the greatest, most charismatic young movie actor of the postwar generation. However, his meteoric rise to fame and his tragic demise have remained an inexplicable puzzle to all who knew him, as well as to his millions of fans around the world. But all these years later, famed producer and film historian Gordon Frost has gathered Chance's family, friends, lovers, and colleagues--all the people who loved and loathed him--to tell his story and try to come to terms with the elusive, unknowable figure who continues to haunt their lives. The oral history he's pieced together uncovers the secret life of one of America's premier talents. From Chance's humble Midwestern beginnings, to his time in New York as an acting student, and finally his turn as a Hollywood icon, all the pieces fit together--or so it would seem. But who is Chance Hardwick really? And moreover, who is the mysterious woman watching over his grave each year on the anniversary of his death? Narratively inventive and always engaging,The Woman in Black spans America in the 1950s in its exploration of film, fame, and how well we ever really know each other.
