SUITE FRANCAISE MEETS THE FUGITIVE AS TWO STRANGERS GO ON THE RUN TO OUTWIT THE NAZIS IN 1941 She is a celebrated writer stranded in Paris after her French lover is killed fighting the German invasion. He is an enigmatic foreigner with a dangerous secret, fleeing Nazi-controlled Austria. Only the war could bring them together. Armed with a precious first edition of Finnegans Wake and an even more precious stash of Chesterfield cigarettes to barter with, Eleanor Gorton Clarke joins the sea of refugees escaping the city for the Spanish frontier. But when a stranger kills two German soldiers to save her life, Eleanor is forced on the run with her mysterious rescuer, pursued by a vengeful detective from the Wehrmacht. Two strangers from vastly different worlds, the unlikely pair despise each other at first. But as the ruthless hunt for the two fugitives escalates and they are forced to become allies to survive, a powerful attraction erupts between them. As their relentless German pursuer begins to close the net, a heartbreaking discovery forces the great romantic novelist to experience something she was supposed to know all about – the true nature of love.
Explores encounters between those who make their living by engaging in street-based prostitution and the criminal justice and social service workers who try to curtail it Working together every day, the lives of sex workers, police officers, public defenders, and social service providers are profoundly intertwined, yet their relationships are often adversarial and rooted in fundamentally false assumptions. The criminal justice-social services alliance operates on the general belief that the women they police and otherwise regulate choose sex work as a result of traumatization, rather than acknowledging the fact that socioeconomic realities often inform their choices. Drawing on extraordinarily rich ethnographic research, including interviews with over one hundred street-involved women and dozens of criminal justice and social service professionals, Women of the Street argues that despite the intimate knowledge these groups have about each other, measures designed to help these women consistently fail because they do not take into account false assumptions about street life, homelessness, drug use and sex trading. Reaching beyond disciplinary silos by combining the analysis of an anthropologist and a legal scholar, the book offers an evidence-based argument for the decriminalization of prostitution.
Three thousand years ago, amidst the tombs and temples of ancient Egypt, they called him Demon. Today he is known as the Count Saint-Germain--a man of great power and greater mystery. For over 15 years, readers and critics have praised Yarbro's novels of Saint-Germain. Now, the secrets of his mysterious past--and distant nights along the shores of the Nile--are revealed.
Suite Française meets The Fugitive as two strangers face a deadly race to escape the Nazis in 1941. She is a celebrated writer stranded in Paris after her French lover is killed fighting the German invasion. He is a volatile young man with a deadly secret, fleeing Nazi-controlled Austria. Only the Nazis could bring them together. Armed with a precious first edition of Finnegan's Wake and a stash of even more precious Chesterfield cigarettes, Eleanor Gorton Clarke is set to flee Paris. But when a stranger kills two German soldiers to save her life, Eleanor is forced to join the enigmatic Hink on the run. From vastly different backgrounds, at first the unlikely pair despise each other. But all their differences are swept aside as the deadly pursuit escalates and a powerful attraction finally erupts between them. As the Gestapo closes the net, a heartbreaking discovery forces the great romantic novelist to experience what she had thought she knew all about - the true nature of love.
A Los Angeles Times National Bestseller A BBC Best Summer Read of 2017 A Kirkus Reviews Best Book of 2017 A Huffington Post Best Mystery of 2017 Paris, July 1999: Private investigator Aimée Leduc is walking through Saint-Germain when she is accosted by Suzanne Lesage, a Brigade Criminelle agent on an elite counterterrorism squad. Suzanne has just returned from the former Yugoslavia, where she was hunting down dangerous war criminals for the Hague. Back in Paris, Suzanne is convinced she’s being stalked by a ghost—a Serbian warlord her team took down. She’s suffering from PTSD and her boss thinks she’s imagining things. She begs Aimée to investigate—is it possible Mirko Vladić could be alive and in Paris with a blood vendetta? Aimée is already working on a huge case; plus, she’s got an eight-month-old baby to take care of. But she can’t say no to Suzanne, whom she owes a big favor. Aimée chases the few leads she has, and all evidence confirms Mirko Vladić is dead. It seems that Suzanne is in fact paranoid, perhaps losing her mind—until Suzanne’s team begins to die in a series of strange, tragic accidents. Are these just coincidences? Or are things not what they seem?
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY In the tradition of Tobias Wolff, James Ellroy, and Mary Karr, a stunning memoir of a mother-son relationship that is also the searing, unflinching account of a murder and its aftermath Tombstone, Arizona, September 2001. Debbie St. Germain’s death, apparently at the hands of her fifth husband, is a passing curiosity. “A real-life old West murder mystery,” the local TV announcers intone, while barroom gossips snicker cruelly. But for her twenty-year-old son, Justin St. Germain, the tragedy marks the line that separates his world into before and after. Distancing himself from the legendary town of his childhood, Justin makes another life a world away in San Francisco and achieves all the surface successes that would have filled his mother with pride. Yet years later he’s still sleeping with a loaded rifle under his bed. Ultimately, he is pulled back to the desert landscape of his childhood on a search to make sense of the unfathomable. What made his mother, a onetime army paratrooper, the type of woman who would stand up to any man except the men she was in love with? What led her to move from place to place, man to man, job to job, until finally she found herself in a desperate and deteriorating situation, living on an isolated patch of desert with an unstable ex-cop? Justin’s journey takes him back to the ghost town of Wyatt Earp, to the trailers he and Debbie shared, to the string of stepfathers who were a constant, sometimes threatening presence in his life, to a harsh world on the margins full of men and women all struggling to define what family means. He decides to confront people from his past and delve into the police records in an attempt to make sense of his mother’s life and death. All the while he tries to be the type of man she would have wanted him to be. Praise for Son of a Gun “[A] spectacular memoir . . . calls to mind two others of the past decade: J. R. Moehringer’s Tender Bar and Nick Flynn’s Another Bull____ Night in Suck City. All three are about boys becoming men in a broken world. . . . [What] might have been . . . in the hands of a lesser writer, the book’s main point . . . [is] amplified from a tale of personal loss and grief into a parable for our time and our nation. . . . If the brilliance of Son of a Gun lies in its restraint, its importance lies in the generosity of the author’s insights.”—Alexandra Fuller, The New York Times Book Review “[A] gritty, enthralling new memoir . . . St. Germain has created a work of austere, luminous beauty. . . . In his understated, eloquent way, St. Germain makes you feel the heat, taste the dust, see those shimmering streets. By the end of the book, you know his mother, even though you never met her. And like the author, you will mourn her forever.”—NPR “If St. Germain had stopped at examining his mother’s psycho-social risk factors and how her murder affected him, this would still be a fine, moving memoir. But it’s his further probing—into the culture of guns, violence, and manhood that informed their lives in his hometown, Tombstone, Ariz.—that transforms the book, elevating the stakes from personal pain to larger, important questions of what ails our society.”—The Boston Globe “A visceral, compelling portrait of [St. Germain’s] mother and the violent culture that claimed her.”—Entertainment Weekly
Come Twilight begins in eastern Spain in the early 600s, when Saint-Germain makes a vampire of the headstrong Csimenae. In the next 140 years, as Spain is controlled first by the the Visigoths and then by Moors, Csimenae becomes a mother of vampires. Though he will regret it for centuries to come, Saint-Germain must act against her. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
