The Willem Van de Velde Drawings in the Boymans-van Beuningen Museum, Rotterdam: Text
Author: Museum Boymans-Van Beuningen
Publisher:
Published: 1979
Total Pages: 0
ISBN-13:
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Author: Museum Boymans-Van Beuningen
Publisher:
Published: 1979
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Museum Boymans-Van Beuningen
Publisher:
Published: 1979
Total Pages:
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DOWNLOAD EBOOKAuthor: Willem van de Velde (der Jüngere)
Publisher:
Published: 1979
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Museum Boijmans-van Beuningen
Publisher:
Published: 1979
Total Pages: 0
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DOWNLOAD EBOOKAuthor: EdwardH. Wouk
Publisher: Routledge
Published: 2017-07-05
Total Pages: 556
ISBN-13: 1351553208
DOWNLOAD EBOOKPrinted artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
Author: Willem van de Velde
Publisher:
Published: 1982
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOKAccompanies exhibition of same name held at the National Maritime Museum, London, 23/6 to 15/12 1982.
Author: Ellis Kirkham Waterhouse
Publisher: Yale University Press
Published: 1994-01-01
Total Pages: 420
ISBN-13: 9780300058338
DOWNLOAD EBOOKThe field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.
Author: Stephen H. Whiteman
Publisher: University of Pennsylvania Press
Published: 2023-05-30
Total Pages: 361
ISBN-13: 1512823597
DOWNLOAD EBOOKCourts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological, and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected how states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial identities within and beyond the precincts of the court. In Landscape and Authority in the Early Modern World, contributors explore the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Nine studies focused on the geographical areas of East and South Asia, the Islamic world, and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities, and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos. The collected essays expand the meaning and potential of landscape as a communicative medium in this period by putting an array of forms and subjects in dialogue with one another, including not only unique expressions, such as gardens, paintings, and manuscripts, but also the products of rapidly developing commercial technologies of reproduction, especially print. The volume invites a deeper and more nuanced understanding of the complexity with which early modern states constructed and deployed different modes of landscape for different audiences and environments. Contributors: Robert Batchelor, Seyed Mohammad Ali Emrani, John Finlay, Caroline Fowler, Katrina Grant, Finola O'Kane, Anton Schweizer, Larry Silver, Stephen H. Whiteman.
Author: Wolfgang M. Freitag
Publisher: Routledge
Published: 2013-10-28
Total Pages: 572
ISBN-13: 1134830416
DOWNLOAD EBOOKFirst published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author: Jan Glete
Publisher: Psychology Press
Published: 2000
Total Pages: 262
ISBN-13: 9780415214544
DOWNLOAD EBOOKCommencing in the late 15th century with the introduction of gunpowder in naval warfare and the rapid transformation of maritime trade, this book focuses on the scope and limitations of war before the 18th century.