A spellbinding story of love, war, and betrayal. Peter Sokol, an artist living in San Diego, is haunted by his past. In 1943, Captain Sokol is a surgeon in the U.S. Marines stationed in Auckland, New Zealand, where he and his longtime nemesis have fallen in love with the same beautiful and enigmatic woman, Emily Walters. Dismissive of Emily's suspiciously British mother and violent brother, the two vie for her hand. When Emily's brother is discovered murdered, Sokol is the prime suspect. As he fights to prove his innocence, he finds that the woman he loves is not who she seems, and that the blood of another might be on his hands.
An evening dining out with the family in New York City escalates into a feast of vicious innuendo and subtle cruelty for Laura Maldonado Clapper, her husband, her browbeaten daughter, her flamboyant brother, and an editor she has not seen in over a year.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” —Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever Inspired by the true story of Ohio’s first female sheriff, Jess Montgomery’s powerful, lyrical debut is the story of two women who take on murder and corruption at the heart of their community. Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel, the town’s widely respected sheriff, has been killed while transporting a prisoner in an apparent accident, she vows to seek the truth about his death. Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died and begs to speak with him about her missing daughter. From miles away but worlds apart, Lily’s and Marvena’s lives collide as they realize that Daniel was perhaps not the man that either of them believed him to be. *BONUS CONTENT: This edition of The Widows includes a new introduction from the author and a discussion guide "The Widows is a gripping, beautifully written novel about two women avenging the murder of the man they both loved."—Hallie Ephron, New York Times bestselling author of You'll Never Know, Dear "Jess Montgomery's gorgeous writing can be just as dark and terrifying as a subterranean cave when the candle is snuffed out, but her prose can just as easily lead you to the surface for a gasp of air and a glimpse of blinding, beautiful sunlight. This is a powerful novel: a tale of loss, greed, and violence, and the story of two powerful women who refuse to stand down."—Wiley Cash, New York Times bestselling author of The Last Ballad, A Land More Kind than Home, and This Dark Road to Mercy "[A] flinty, heartfelt mystery that sings of hawks and history, of coal mines and the urgent fight for social justice."—Julia Keller, Pulitzer Prize-winning author of Bone on Bone
THE NEW YORK TIMES BESTSELLER “A twisted psychological thriller you’ll have trouble putting down.”—People “If you liked Gone Girl and The Girl on the Train, you might want to pick up The Widow by Fiona Barton. Engrossing. Suspenseful.”—Stephen King Following the twists and turns of an unimaginable crime, The Widow is an electrifying debut thriller that will take you into the dark spaces that exist between a husband and a wife. There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now her husband is dead, and there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything... An NPR Best Book of the Year One of The Wall Street Journal’s 5 “Killer Books” of the Year A Publishers Weekly Best Book of the Year Includes a Readers Guide and an excerpt of Fiona Barton’s The Child.
From the acclaimed author of Daughters and Brown Girl, Brownstones comes a “work of exceptional wisdom, maturity, and generosity, one in which the palpable humanity of its characters transcends any considerations of race or sex”(Washington Post Book World). Avey Johnson—a black, middle-aged, middle-class widow given to hats, gloves, and pearls—has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel—and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. “Astonishingly moving.”—Anne Tyler, The New York Times Book Review
The death of her husband has thrown Lady Maria Kersey’s future into doubt—and her heart into the arms of a man she cannot have. But Christmas with the Widows’ Club will bring choices—and surprises--that may change all her holidays to come . . . Maria just gave birth to her first child, a beautiful daughter—but the event is shrouded in sorrow. A month earlier, Maria’s husband, Lord Kersey, was killed in a duel under compromising circumstances. Worse, Maria’s failure to provide a male heir has stripped her of any hope of an inheritance. Scorned by the ton, one of her few allies is her late husband’s steward, Hugh Granger. Hugh is everything her husband was not—warm, charming—and penniless. . . . Hugh has fallen desperately in love with Maria, but has little to offer but comfort. As their attraction becomes impossible to resist, Maria flees to London to spend Christmas with her dearest friends, a group of widows who lost their own husbands in the Battle of Waterloo. Little does she know the holidays will reveal a twist of fate she never expected—proving that the greatest Christmas gift is the magic of true love . . .
From the New York Times bestselling author of The Last House Guest—a Reese Witherspoon Book Club pick—comes a “hauntingly atmospheric and gorgeously written page-turner” (Kimberly McCreight, New York Times bestselling author of A Good Marriage) about a young woman plagued by night terrors after a childhood trauma who wakes one evening to find a corpse at her feet. Everyone knows the story of “the girl from Widow Hills.” Arden Maynor was just a child when she was swept away while sleepwalking during a terrifying rainstorm and went missing for days. Strangers and friends, neighbors and rescue workers, set up search parties and help vigils, praying for her safe return. Against all odds, she was found, alive, clinging to a storm drain. The girl from Widow Hills was a living miracle. Arden’s mother wrote a book. Fame followed. Fans and fan letters, creeps, and stalkers. And every year, the anniversary. It all became too much. As soon as she was old enough, Arden changed her name and disappeared from the public eye. Now a young woman living hundreds of miles away, Arden goes by Olivia. She’s managed to stay off the radar for the last few years. But with the twentieth anniversary of her rescue approaching, the media will inevitably renew its interest in Arden. Where is she now? Soon Olivia feels like she’s being watched and begins sleepwalking again, like she did long ago, even waking up outside her home. Until late one night, she jolts awake in her yard. At her feet is the corpse of a man she knows—from her previous life, as Arden Maynor. The girl from Widow Hills is once again at the center of this story in this “compulsive page-turner” (Booklist).
Elzbieta Cherezinska's The Widow Queen is the epic story of a Polish queen whose life and name were all but forgotten until now. The bold one, they call her—too bold for most. To her father, the great duke of Poland, Swietoslawa and her two sisters represent three chances for an alliance. Three marriages on which to build his empire. But Swietoslawa refuses to be simply a pawn in her father's schemes; she seeks a throne of her own, with no husband by her side. The gods may grant her wish, but crowns sit heavy, and power is a sword that cuts both ways. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
