New preface for this classic of media studies. One of the founders of SDS describes the response of the various news organizations and arrives at the way the New Left came to be characterized.
In the Cold War era, the confrontation between capitalism and communism played out not only in military, diplomatic, and political contexts, but also in the realm of culture—and perhaps nowhere more so than the cultural phenomenon of sports, where the symbolic capital of athletic endeavor held up a mirror to the global contest for the sympathies of citizens worldwide. The Whole World Was Watching examines Cold War rivalries through the lens of sporting activities and competitions across Europe, Asia, Africa, Latin America, and the U.S. The essays in this volume consider sport as a vital sphere for understanding the complex geopolitics and cultural politics of the time, not just in terms of commerce and celebrity, but also with respect to shifting notions of race, class, and gender. Including contributions from an international lineup of historians, this volume suggests that the analysis of sport provides a valuable lens for understanding both how individuals experienced the Cold War in their daily lives, and how sports culture in turn influenced politics and diplomatic relations.
Chicago 1968 represents, perhaps as no other moment in American history, the flashpoint of cultural resistance to a militarized world out of control. In the summer of 1968, still reeling from the assassinations of Martin Luther King and Bobby Kennedy only months earlier, thousands of young people descended on the National Democratic Convention to show their opposition to the Vietnam War and their desire for a Peace platform. The showdown between "the longhairs" and "the pigs" would become one of the most violent and starkly emblematic confrontations ever broadcast on nightly news in the United States. "The whole world was watching," CBS reporter Dan Rather uttered on the floor of the convention center in Chicago, and he was correct: The 1968 Democratic Convention was the first nationally televised political convention. Police and National Guard troops, clashing with protesters, herded tens of thousands of demonstrators into exit-less corridors, and as the mayhem ensued, police indiscriminately cracked heads. Witnessing it all were some of the most attuned minds of the day, including Norman Mailer, Allen Ginsberg, Studs Terkel, and the "hard hitting investigative team" Esquire had assembled, which included Terry Southern, William Burroughs, and Jean Genet. Shortly after bumping into Southern at the bar of the Chateau Marmont in Los Angeles, photographer Michael Cooper decided to tag along, gaining official accreditation as photographer.Editors Nile Southern and Adam Cooper, having dreamt for many years about a print collaboration featuring their fathers' collective work-none more poignant than their accounts of the protests at the National Democratic Convention-here present Chicago 1968: The Whole World is Watching, a kaleidoscopic, on-the-ground account, told primarily through the words of Terry Southern and the photographs of Michael Cooper, a fitting tribute to two great artists of the 20th century.
An unflinching account of what it means to be a young black man in America today, and how the existing script for black manhood is being rewritten in one of the most fascinating periods of American history. How do you learn to be a black man in America? For young black men today, it means coming of age during the presidency of Barack Obama. It means witnessing the deaths of Oscar Grant, Trayvon Martin, Michael Brown, Akai Gurley, and too many more. It means celebrating powerful moments of black self-determination for LeBron James, Dave Chappelle, and Frank Ocean. In Invisible Man, Got the Whole World Watching, Mychal Denzel Smith chronicles his own personal and political education during these tumultuous years, describing his efforts to come into his own in a world that denied his humanity. Smith unapologetically upends reigning assumptions about black masculinity, rewriting the script for black manhood so that depression and anxiety aren't considered taboo, and feminism and LGBTQ rights become part of the fight. The questions Smith asks in this book are urgent -- for him, for the martyrs and the tokens, and for the Trayvons that could have been and are still waiting.
Children of all ages are invited to a bright and colorful multicultural celebration with We've Got the Whole World in Our Hands! Award-winning illustrator Rafael Lopez brings new life with his adaptation of "He's Got the Whole World in His Hands," saluting the lives of all young people. The rhythmic verse and repetitive emphasis on "we" and "our" encourages inclusive communities and the celebration of unity and diverse friendships all around the world."We've got you and you got me in our hands.We have the whole world in our hands."Come and read along and sing along as we celebrate the magic of unity. From the rivers to the mountains to the oceans and to the sea -- we've got the whole world in our hands. As an added bonus the sheet music is included in the back of the book for piano, guitar, and recorder for classroom, library, and home sing-alongs.
One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "less-lethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made in USA" printed on them, while Britain continues to sell tear gas to countries on its own human-rights blacklist. An engrossing century-spanning narrative, Tear Gas is the first history of this weapon, and takes us from military labs and chemical weapons expos to union assemblies and protest camps, drawing on declassified reports and witness testimonies to show how policing with poison came to be.
NATIONAL BESTSELLER • From the National Book Award–winning author of Three Junes comes the story of Greenie Duquette, who lavishes most of her passionate energy on her Greenwich Village bakery and her young son—until she makes an impulsive decision that will change the course of several lives around her. Greenie's husband, Alan, seems to have fallen into a midlife depression, while Walter, her closest professional ally, is nursing a broken heart. At Walter’s restaurant, the visiting governor of New Mexico tastes Greenie’s coconut cake and decides to woo her away to be his chef. For reasons both ambitious and desperate, she accepts—heading west without her husband.
Examines our media-dominated world through the vast array of manufactured images and sounds that define our civilization, from video games to elevator music, action movies to reality shows, and punditry to Internet exhibitionists.
From Super Bowl champion and literacy crusader Malcolm Mitchell comes an exciting new story that shows even reluctant readers that there is a book out there for everyone! Meet Henley, an all-around good kid, who hates to read. When he's supposed to be reading, he would rather do anything else. But one day, he gets the scariest homework assignment in the world: find your favorite book to share with the class tomorrow.What's a kid to do? How can Henley find a story that speaks to everything inside of him?Malcolm Mitchell, best-selling author of The Magician's Hat, pulls from his own literary triumph to deliver another hilarous and empowering picture book for readers of all abilities. Through his advocacy and his books, Malcolm imparts the important message that every story has the potential to become a favorite.
On the evening of Thursday, October 8, 1998, 20-year-old Romaine Patterson received a phone call that her best friend, Matthew Shepard, had been beaten and left hanging on a split-rail fence outside Laramie, Wyoming. Romaine was then thrust to the center of the worldwide media frenzy that descended on Laramie, and she came face-to-face with twisted homophobia when Baptist minister Fred Phelps and his followers picketed Matthew’s funeral with signs reading, “Matt burns in hell.” Upon learning of Phelps’ plan to bring his ministry of hate to support Matt’s killers at their trial, Romaine went into action. Who can forget the image of Romaine and her friends donning seven-foot angel wings so they could encircle Phelps and his gang, leaving the picketers silent and invisible? From that moment forward, Romaine has become a spokesperson for tolerance, acceptance, and nonviolence around the globe, whether as a founder of Angel Action, as a consultant forThe Laramie Project(the award-winning play that has been produced hundreds of times and became an acclaimed HBO film starring Christina Ricci as Romaine). In one of their last conversations, Matt told Romaine that he wanted to spend his life helping people realize that they as individuals could make a difference in the world. This is Romaine Patterson’s journey to realizing the truth of that statement. Wyoming nativeRomaine Pattersongot started in activism when her close friend Matthew Shepard was killed. In April of 1999, she founded Angel Action, an organization for peaceful demonstration. Angel Action is now used all over the world as a means of combating hate. She has also served as a regional media manager for the Gay & Lesbian Alliance Against Defamation (GLAAD). She continues her work educating youth about hate crimes and has lectured at the University of Wyoming, Georgetown University, Penn State, and others. She currently lives in Brooklyn.