This impious comedy is about a family of well-to-do crooks who are shocked when the son, an excellent forger, quits the fold to go straight. The reason is not long hidden: he has met a girl. He takes a job in a bank (his forged references are excellent). The family makes every eff ort to get him back into his ancestral profession, to no avail, until it is discovered that his fiancée, the daughter of a Scotland Yard inspector, is a first-class safe-breaker. The white sheep is happy to reenter th
Her parents never really explained what a D.P. was. Years later Daiva Markelis learned that “displaced person” was the designation bestowed upon European refugees like her mom and dad who fled communist Lithuania after the war. Growing up in the Chicago suburb of Cicero, though, Markelis had only heard the name T.P., since her folks pronounced the D as a T: “In first grade we had learned about the Plains Indians, who had lived in tent-like dwellings made of wood and buffalo skin called teepees. In my childish confusion, I thought that perhaps my parents weren’t Lithuanian at all, but Cherokee. I went around telling people that I was the child of teepees.” So begins this touching and affectionate memoir about growing up as a daughter of Lithuanian immigrants. Markelis was raised during the 1960s and 1970s in a household where Lithuanian was the first language. White Field, Black Sheep derives much of its charm from this collision of old world and new: a tough but cultured generation that can’t quite understand the ways of America and a younger one weaned on Barbie dolls and The Brady Bunch, Hostess cupcakes and comic books, The Monkees and Captain Kangaroo. Throughout, Markelis recalls the amusing contortions of language and identity that animated her childhood. She also humorously recollects the touchstones of her youth, from her First Communion to her first game of Twister. Ultimately, she revisits the troubles that surfaced in the wake of her assimilation into American culture: the constricting expectations of her family and community, her problems with alcoholism and depression, and her sometimes contentious but always loving relationship with her mother. Deftly recreating the emotional world of adolescence, but overlaying it with the hard-won understanding of adulthood, White Field, Black Sheep is a poignant and moving memoir—a lively tale of this Lithuanian-American life.
From New York Times bestselling author Meghan March comes a story of untold truths and one man’s redemption in the Dirty Mafia Duet. Every family has a black sheep. In the infamous Casso crime family, that black sheep is me—Cannon Freeman. Except I’m not a free man. I’ve never been free. Not since the day I was born. I owe my loyalty to my father, Dominic Casso, even if he won’t publicly acknowledge me as his blood. I’ve never had a reason to go against his wishes… until I met her. Drew Carson turned my world upside when she walked into my club looking for a job. Now, my honor and my life are on the line. Going against my father’s wishes might buy me a bullet straight from his gun, but black sheep or not, it’s time to make my stand. She's worth the fallout.
A captivating memoir of a biracial boy growing up in Washington, D.C., abandoned by his birth parents, and lovingly raised by a woman with deep emotional scars from her upbringing in the segregated South. The unforgettable memoir Black Sheep opens with a middle-aged Ray Studevent returning to Washington, D.C., to his “momma,” Lemell Studevent. She didn’t give birth to him, but she is the woman who raised him. She is the woman who stood by him through thick and thin. She is the woman who saved his life. But now in her late 80s, Lemell is lost to her Alzheimer’s disease. On most days, she has no idea who she is, no recollection of the remarkable life she has lived. Every once in a while, she remembers small fragments of people, places, and things but she doesn’t know how all of these pieces fit together. At night, she is often haunted by nightmares of growing up in the segregated South, of evil men with blue eyes peering through slits in their hooded robes. Frightened by Ray, this stranger, this white man with his piercing blue eyes, she threatens to shoot him. Trying not to get swept up in his own buried, decades-old feelings of abandonment, Ray knows he must work to regain her trust as he thinks back to how far they both have come. Ray Studevent grew up between two worlds. Born to a white, heroin-addicted mother and a black, violent, alcoholic father, the odds were stacked against him from day one. When his parents abandoned him at the age of five, after living in a world no child should experience, he was saved from the foster-care system by his father’s uncle Calvin, who offered him stability and a loving home. When Calvin tragically died two years later, it was up to his widow Lemell to raise Ray. But this was no easy task. Lemell grew up in the brutality of segregated Mississippi, emotionally scarred and justifiably resenting white people. Now, she must confront these demons as she raises a mixed-race child—white on the outside, black on the inside—on the eastern side of the Anacostia River, the blackest part of the blackest city in America. This is a time of heightened racial tension, not long after the assassination of Dr. Martin Luther King Jr. and the D.C. race riots. There are guidelines if you are black, different rules if you are white, but only mixed messages for mixed-race children who must fight for acceptance as they struggle to find their identity. As Dr. My Haley, the widow of Roots author Alex Haley, wrote in the Foreword for Black Sheep, “Ray’s pathway to manhood came not through the people who taught him what to do, but through the woman who taught him how to be, even as she learned for herself how to be.” At a time when we are all reexamining the complex issues of race, identity, disenfranchisement, and belonging, this compelling true story shows us what is possible when we trust our hearts and follow the path of love.
For the first time the complete works of the award-winning author Elizabeth Gilbert are collected together, highlighting her talents as a writer of both fiction and non-fiction. In the international best-seller Eat, Pray, Love, Gilbert narrates her struggles after a bitter divorce and turbulent love affair, beginning her quest to rediscover how to be happy. In Rome, she indulges herself and gains nearly two stone. In India, she finds enlightenment through scrubbing temple floors. Finally, in Bali a toothless medicine man reveals a new path to peace, leaving her ready to find love again. In Committed, Gilbert is about to wed the man she fell in love with at the end of Eat, Pray, Love and with wit and intelligence contemplates marriage, trying with all her might to discover what this stubbornly enduring old institution actually is. In The Last American Man, Gilbert presents a fascinating, intimate portrait of the American naturalist and brilliant modern hero Eustace Conway, who at the age of seventeen ditched the comforts of his suburban existence to escape into the wild. Attempting to instil in people a deeper appreciation of nature, Conway stops at nothing in pursuit of bigger, bolder adventures. In Gilbert's first novel Stern Men, the eighteen-year-old irredeemably unromantic Ruth Thomas returns home from boarding school determined to join the 'stern-men'. Throwing her education overboard, this feisty and unforgettable American heroine helps work the lobster boats and brushes up on her profanity, eventually falling for a handsome young lobsterman. In Pilgrims, Gilbert's sharply drawn and tenderly observed collection of twelve short stories, tough heroes and heroines, hardened by their experiences, struggle for their epiphanies and seek companionship as fiercely as they can.
Thoughts give birth to a creative force that is neither elemental nor sidereal. Thoughts create a new heaven, a new firmament, a new source of energy, from which new arts flow. When a man undertakes to create something, he establishes a new heaven, as it were and from it the work that he desires to create flows into him. For such is the immensity of man that he is greater than heaven and earth. - Paracelsus ...to help bring about the changes necessary for a better world...each person has to change the world within themselves, individually, this in turn reflects out into the world and can bring about a global transformation. - Mayan Lynch Those wishing to learn and appreciate the art of meditation, to achieve a higher consciousness, or to gain a better understanding of themselves and the world we live in will benefit greatly from this book. Mayan Lynch is a Metaphysician and teacher of meditation in Bournemouth, Dorset, England. Her passion for writing conveys her teachings and beliefs of spirituality and achieving higher consciousness awareness that we are more than just a physical body. Mayan's future plans include opening a retreat centre for meditation and developing global spiritual awareness. Mayan has three sons and four grandchildren. This is Mayan's fourth book successfully published and Mayan is currently working on another. http: //www.strategicpublishinggroup.com/title/DiscoverYourSpiritualTalents.html
Little Ewe would rather jump on logs and investigate spider webs than follow the shepherd when he calls. But what happens when she gets lost? How will she find her way home? Told in whimsical rhyme, this humorous counting book for our littlest ones is a delightful reminder that, like a loving parent, our Shepherd will find us and care for us, even when we wander from the path. In Little Ewe: The Story of One Lost Sheep, award-winning author Laura Sassi and illustrator Tommy Doyle tell an endearing tale of a distracted sheep and her persistent shepherd, inspired by the Parable of the Lost Sheep in Luke 15.
Susie Duncan Sexton has lived her entire life in a small town, indeed, in the same house where she grew up. As an adult, she taught at the same grammar school that she attended as a child, and many of the relationships she cultivated while growing up, including her marriage, have endured over the years. Always one to document the present and offer her sometimes unorthodox ideas and opinions, Susie Duncan Sexton has tickled the keys of her trusty old typewriter for nearly five decades, and now that venerable machine is ready to reveal its secrets.
