Excerpt from The White Heather, 1940 First row: Anderson, mcphaul, Stump, Bridgman, Glenn. Second row: Maphet, Eberly, Cooney, Robeson, Chapman. Third row: Jones, Scoggins, Conoly, Neighbors, Brown. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The White Heather, 1932 In the life of this maid, in her all embracing love of country, of ideals, and of the divine essence of things, sheembodies the hallowed ritual of youth ful hopes. She has set for us the sub lime standard; she has bequeathed to the ages of all time a heritage based on those things sacred and quintessential. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from White Heather, Vol. 1 of 3: A Novel I don't give the sovereign to you at all. It is in trust for your daughter. And you don't look to me the kind of man who would go and drink it.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from White Heather: A Novel Not that I know of, was the answer - and a pair of dark-blue velvet slippers, with initials worked in gold, were fished out and thrown upon the seat beside him. But when the conductor had got one of the lower sleeping-berths made ready and the traveller had completed his leisurely arrangements for passing the night in comfort, a somewhat one-sided conversation ensued. This gaunt, slow-speaking, reserved man proved to be quite talkative in a curious, measured, dry, and staccato fashion; and if his conversation consisted chiefly of questions, these showed that he had a very honest and simple concern in the welfare of this other human being whom chance had thrown in his way, and that he could express his friendly interest without any touch of patronage or condescension. He asked first about the railway-line; how the company's servants were paid; What were their hours on duty; whether they had formed any associations for relief in case of sickness What this particular man got for his work; whether he could look forward to any bettering of his lot, and so forth. And then, fixing his eyes more scrutinisingly on his companion, he began to ask about his family affairs - Where he lived; what children he had; how often he saw them; and the like; and these questions were so obviously prompted by no idle curiosity, but by an honest sympathy, and by the apparent desire of one human being to get to understand fully and clearly the position and surroundings and pros pects of this other fellow-creature, that it was impossible for any one to take offence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Heather Not that the little house talks quite that way. It is only a rough, uneducated chest of stone, and does not under stand Siste, viator! Or much of the wonderful language of epitaph-makers. The ordinary traveller will not want to stay after he has knocked off a bit of the tomb as a memento, and broken his knife in trying to record his illustrious initials upon the granite; but if he is anything better than bleached bones himself he has to; for the little house insists upon prattling, not in an eloquent way by any means, being only a primitive box of Dartmoor stone; it has no learning, and is very often at a loss for a word - its tenant had nothing to give it but his bones and sometimes it has to use quaint phrases of its own; and yet it can tell a story merely because it is a tomb and lies upon the roof; just as a little pair of boots in an almost forgotten cupboard, or a dainty garment hanging behind the door of a long unused bedroom talk most horribly, because they are not boots or garment but tongues crying like the tomb, Stay, traveller, stay! Those little boots, that dainty garment, are shrines, fellow travellers; temples of the deity to whom we have given our whole souls. We cannot pass them by without blinded eyes and a wild heart. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
If Lord Lucan escaped his past, what was his future?On 7th November, 1974 a young English nanny named Sandra Rivett was murdered in London's West End. Her employer, Lord Lucan, was named as her attacker. It was widely assumed he had mistaken her for his wife. Lord Lucan disappeared the night Sandra Rivett died and has never been seen since.Henry Kennedy lives on a mountain on the other side of the world. He is not who he says he is. Is he a murderer or a man who can never clear his name? And is he the only one with something to hide? Set in Tasmania, Africa and London's Belgravia, The Butterfly Man is an absorbing novel about transformation and deception, and the lengths to which we will go to protect the ones we love.
With the social change brought on by the Great Migration of African Americans into the urban northeast after the Great War came the surge of a biracial sensibility that made America different from other Western nations. How white and black people thought about race and how both groups understood and attempted to define and control the demographic transformation are the subjects of this new book by a rising star in American history. An elegant account of the roiling environment that witnessed the shift from the multiplicity of white races to the arrival of biracialism, this book focuses on four representative spokesmen for the transforming age: Daniel Cohalan, the Irish-American nationalist, Tammany Hall man, and ruthless politician; Madison Grant, the patrician eugenicist and noisy white supremacist; W. E. B. Du Bois, the African-American social scientist and advocate of social justice; and Jean Toomer, the American pluralist and novelist of the interior life. Race, politics, and classification were their intense and troubling preoccupations in a world they did not create, would not accept, and tried to change.
“If you enjoyed Sarah’s Key and Kristin Hannah’s The Nightingale, then this wonderful book by Ann Mah is for you.” -- Tatiana de Rosnay Sweetbitter meets The Nightingale in this page-turning novel about a woman who returns to her family’s ancestral vineyard in Burgundy and unexpectedly uncovers a lost diary, an unknown relative, and a secret her family has been keeping since World War II. To become one of only a few hundred certified wine experts in the world, Kate must pass the notoriously difficult Master of Wine examination. She’s failed twice before; her third attempt will be her last chance. Suddenly finding herself without a job and with the test a few months away, she travels to Burgundy to spend the fall at the vineyard estate that has belonged to her family for generations. There she can bolster her shaky knowledge of Burgundian vintages and reconnect with her cousin Nico and his wife, Heather, who now oversee day-to-day management of the grapes. The one person Kate hopes to avoid is Jean-Luc, a talented young winemaker and her first love. At the vineyard house, Kate is eager to help her cousin clean out the enormous basement that is filled with generations of discarded and forgotten belongings. Deep inside the cellar, behind a large armoire, she discovers a hidden room containing a cot, some Resistance pamphlets, and an enormous cache of valuable wine. Piqued by the secret space, Kate begins to dig into her family’s history—a search that takes her back to the dark days of World War II and introduces her to a relative she never knew existed, a great–half aunt who was a teenager during the Nazi occupation. As she learns more about her family, the line between resistance and collaboration blurs, driving Kate to find the answers to two crucial questions: Who, exactly, did her family aid during the difficult years of the war? And what happened to six valuable bottles of wine that seem to be missing from the cellar’s collection?
How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others.
The Napier Jewelry book is a visual encyclopedia of Napier Costume Jewelry. It tells the heretofore untold and phenomenal story of The Napier Co. inception, development, flowering, and ultimate success. It chronicles the history of its management, manufacturing, marketing, and most importantly, the unparalleled beauty of Napier fashion jewelry. With approximately 4000 pictures of Napier jewelry history and over 250,000 words of text and descriptions, you will be taken step-by-step, decade by decade, through the development of the Napier style. As a collector, you will learn to recognize the findings, materials, and designs to appropriately circa-date the Napier jewelry in which you are investing. As a lover of vintage costume jewelry, you will enjoy the drama and excitement of the trials, tribulations, and breakthroughs at each stage of the Napier journey. In the end, you will have a deep and lasting appreciation of the romantic story infused into the metal, gemstones, crystals, cabochons, and elegance of each piece of Napier jewelry that you own or are considering owning
