A woman haunted by the wind. A land where ghosts speak for the voiceless. A washer of the dead who begins to hear them speak... These are the stories of the unquiet. Women whisper through this collection. They voice their loves, lives, fears and yearnings. To label this collection as 'ghost stories' or 'feminist stories' is to miss the nuances and range of female experience. As ghost stories they make you look uneasily over your shoulder, as female narrative they stun you with the power of their keen insight. Whimsical, terrifying and compelling, these powerful and haunting tales about our commonplace fears and tragedies provide a scathing commentary on the lives of women in India and are universal in their appeal. Published by Zubaan.
Born into a family of corpse washers, Jawad abandons tradition by enrolling in Baghdad's Academy of Fine Arts to study sculpting, but the conditions caused by Saddam Hussein's oppressive rule force a return home to the family business.
“Intimate, big-hearted, compassionate and clear-eyed, Brafman’s novel turns secrets into truths and the truth into the heart of fiction.” —AMY BLOOM, author of Lucky Us and Away “From roots in one religious tradition, comes a tale of emotional redemption for all of us. Michelle Brafman’s astonishing compassion for all human frailty infuses this story about the need for truth and the promise of forgiveness.” —HELEN SIMONSON, author of Major Pettigrew’s Last Stand “Heartfelt and genuine, Washing the Dead never betrays the complicated truths of family and tradition.” — DAVID BEZMOZGIS, author of Natasha and Other Stories and The Betrayers “Like a Jewish Anne Lamott, Brafman reels you in with warmth, depth and heart.” —SUSAN COLL, author of The Stager and Acceptance Three generations of women confront family secrets in this exquisitely wrought debut novel that examines the experience of religious community, the perilous emotional path to adulthood, and the power of sacred rituals to repair damaged bonds between mothers and daughters. Michelle Brafman’s award-winning short stories and essays have appeared in the Washington Post, Slate, Tablet, Lilith Magazine, Bethesda Magazine and elsewhere. She teaches fiction writing at the Johns Hopkins University MA in Writing Program and lives in Glen Echo, Maryland with her husband and two children.
*The basis for the wonderfully funny and moving TV series developed by Amy Poehler and Scout Productions* A charming, practical, and unsentimental approach to putting a home in order while reflecting on the tiny joys that make up a long life. In Sweden there is a kind of decluttering called döstädning, dö meaning “death” and städning meaning “cleaning.” This surprising and invigorating process of clearing out unnecessary belongings can be undertaken at any age or life stage but should be done sooner than later, before others have to do it for you. In The Gentle Art of Swedish Death Cleaning, artist Margareta Magnusson, with Scandinavian humor and wisdom, instructs readers to embrace minimalism. Her radical and joyous method for putting things in order helps families broach sensitive conversations, and makes the process uplifting rather than overwhelming. Margareta suggests which possessions you can easily get rid of (unworn clothes, unwanted presents, more plates than you’d ever use) and which you might want to keep (photographs, love letters, a few of your children’s art projects). Digging into her late husband’s tool shed, and her own secret drawer of vices, Margareta introduces an element of fun to a potentially daunting task. Along the way readers get a glimpse into her life in Sweden, and also become more comfortable with the idea of letting go.
The Washer of the Ford: Legendary moralities and barbaric tales by William Sharp is a collection of Celtic short stories about a far and mystical land with many fantastical creatures. Excerpt: "To you, in your far-away home in Provence, I send these tales out of the remote North you love so well, and so well understand. The same blood is in our veins, a deep current somewhere beneath the tide that sustains us. We have meeting places that none knows of; we understand what few can understand, and we share in common a strange and inexplicable heritage."
This satisfyingly diverse collection of ancient and medieval short stories and fables will please readers with an interest in folklore and mythology. Some have their roots in the Gaelic tradition, while others are more generally European in origin, but all share an engrossing intensity and clarity.
Winner, 2007 Albert Hourani Book Award, Middle East Studies Association Winner, 2008 Award for Excellence in the Study of Religion in Analytical-Descriptive Studies, American Academy of Religion Winner, 2011 John Nicholas Brown Prize, Medieval Academy of America Winner, 2008 Ralph Waldo Emerson Award, Phi Beta Kappa Shortlisted, 2008 Best First Book in the History of Religions, American Academy of Religion Longlisted, 2008 Cundill International Prize and Lecture in HIstory at McGill University In his probing study of the role of death rites in the making of Islamic society, Leor Halevi imaginatively plays prescriptive texts against material culture and advances new ways of interpreting highly contested sources. His original research reveals that religious scholars of the early Islamic period produced codes of funerary law not only to define the handling of a Muslim corpse but also to transform everyday urban practices. Relying on oral traditions, these scholars established new social patterns in the cities of Arabia, Mesopotamia, and the eastern Mediterranean. They distinguished Islamic rites from Christian, Jewish, and Zoroastrian rites and changed the way men and women interacted publicly and privately. In each chapter Halevi explores a different layer of human interaction, following the movement of the corpse from the deathbed to the grave. In the process he analyzes the real and imaginary relationships between husbands and wives, prayer leaders and mourners, and even dreamers and the dead. He describes how Muslims wailed for the deceased, prepared corpses for burial, marched in funerary processions, and prayed for the dead, highlighting the specific economic and political factors involved in these rituals as well as key religious and sexual divisions. Offering a unique perspective on the making of Islamic social and religious ideals during this early period, Halevi forges a fascinating link between the development of funerary rites and the efforts of an emerging religion to carve out its own, distinct identity. Muhammad's Grave is a groundbreaking history of the rise of Islam and the roots of contemporary Muslim attitudes toward the body and society.
