"The report attempts to outline in simple terms, the military and industrial effort which will be required to defeat Japan ; the amount and rate of reconversion ; our foreigh commitments for relief and rehabilitation ; the Army's plans for re-deployment of troops and partial demobilization."--Letter of transmittal, P. ii
Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.
The bloody, month-long battle for the Citadel in Hue during 1968 pitted U.S. Marines against an entrenched, numerically superior North Vietnamese Army force. By official U.S. accounts it was a tactical and moral victory for the Marines and the United States. But a survivor's compulsion to square official accounts with his contrasting experience has produced an entirely different perspective of the battle, the most controversial to emerge from the Vietnam War in decades. In some of the most frank, vivid prose to come out of the war, author Nicholas Warr describes with urgency and outrage the Marines' savage house-to-house fighting, ordered without air, naval, or artillery support by officers with no experience in this type of deadly combat. Sparing few in the telling, including himself, Warr's shocking firsthand narrative of these desperate suicide charges, which devastated whole companies, takes the wraps off an incident that many would prefer to keep hidden. His account is sure to ignite heated debate among historians and military professionals. Despite senseless rules of engagement and unspeakable carnage, there were unforgettable acts of courage and self-sacrifice performed by ordinary men asked to accomplish the impossible, and Warr is at his best relating these stories. For example, there's the grenade-throwing mortarman who in a rage wipes out two machine-gun emplacements that had pinned down an entire company for days, and the fortunate grunt with thick glasses who stumbles blindly—without receiving a scratch—across a street littered with the dead and dying who hadn't made it. In describing the most vicious urban combat since World War II, this account offers an unparalleled view of how a small unit commander copes with the conflicting demands and responsibilities thrust upon him by the enemy, his men, and the chain of command.
Presenting IDW's Transformers comics in recommended reading order, including one-shots, crossovers, and event series! It's everything a beginner could need, everything a diehard could want. In the early days of the war on Cybertron, two leaders start down their paths towards destiny. Meanwhile, on current day Cybertron, Megatron is back! Everything Bumblebee and his Autobots have built teeters on the edge of collapse–and Starscream has to make the choice his whole life has been leading to. On the Lost Light, a secret prisoner is confined in the bowels of the ship. Collects the Monstrosity mini-series, Robots in Disguise #12–18, and More Than Meets the Eye #14–16.
A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.
The war for Cybertron is over, but Bumblebee and his fellow Autobots struggle to maintain control of a world without Optimus Prime. The provisional government is struggling and Prowl will defend it against the Decepticons at seeminly all costs. Meanwhile, Hot Rod and a group of Autobots and Decepticons embark on an epic quest to the farthest reaches of the Universe. Collects the one-shot Death of Optimus Prime, More Than Meets The Eye issues #1–5, and Robots in Disguise issues #1–6.