From the New York Times bestselling author of The Glass Sentence, a lightly speculative, relevant puzzle box with undertones of Never Let Me Go. The time is now. The place is San Francisco. The world is filled with adults devoid of emotion and children on the cusp of losing their feelings--of "waning"--when they reach their teens. Natalia Peña has already waned. So why does she love her little brother with such ferocity that, when he's kidnapped by a Big Brother-esque corporation, she'll do anything to get him back? From the New York Times bestselling author of The Glass Sentence comes this haunting story of one determined girl who will use her razor-sharp wits, her martial arts skills, and, ultimately, her heart to fight killers, predators, and the world's biggest company to rescue her brother--and to uncover the shocking truth about waning.
For fans of The Golden Compass, this New York Times bestseller will take you on a fantastic journey across worlds and time. Boston, 1891. Sophia Tims comes from a family of explorers and cartologers who, for generations, have been traveling and mapping the New World—a world changed by the Great Disruption of 1799, when all the continents were flung into different time periods. Eight years ago, Sophia's parents left her with her uncle Shadrack, the foremost cartologer in Boston, and went on an urgent mission. They never returned. Then Shadrack is kidnapped. Sophia must search for him with the help of Theo, a refugee from the West. Together they travel over rough terrain and uncharted ocean, encounter pirates and traders, and rely on a combination of Shadrack’s maps, common sense, and Sophia's unusual powers of observation. Little do they know that their lives are in as much danger as Shadrack's. A New York Times Bestseller! “I am in no doubt about the energy of S.E. Grove as a full-fledged, pathfinding fantasist. I look forward to the next installment to place upon the pile. Intensely.”—Gregory Maguire, The New York Times Book Review * “Wholly original and marvelous beyond compare.”—Kirkus Reviews, starred review
2008 Outstanding Academic Title, Choice Magazine Conventional scholarship on the Mediterranean portrays the Inner Sea as a timeless entity with unchanging ecological and agrarian features. But, Faruk Tabak argues, some of the "traditional" and "olden" characteristics that we attribute to it today are actually products of relatively recent developments. Locating the shifting fortunes of Mediterranean city-states and empires in patterns of long-term economic and ecological change, this study shows how the quintessential properties of the basin—the trinity of cereals, tree crops, and small livestock—were reestablished as the Mediterranean's importance in global commerce, agriculture, and politics waned. Tabak narrates this history not from the vantage point of colossal empires, but from that of the mercantile republics that played a pivotal role as empire-building city-states. His unique juxtaposition of analyses of world economic developments that flowed from the decline of these city-states and the ecological change associated with the Little Ice Age depicts large-scale, long-term social change. Integrating the story of the western and eastern Mediterranean—from Genoa and the Habsburg empire to Venice and the Ottoman and Byzantine empires—Tabak unveils the complex process of devolution and regeneration that brought about the eclipse of the Mediterranean.
When an insect-borne plague begins to envelop the world, three sixteen-year-olds struggle to survive amongst the healthy “trues” and the infected “wickeds” in this gripping dystopian tale from the author of The Winter Place. A plague, called Wickedness, is pulsing through the world; and in its wake, it’s dividing the population into thirds: The WICKED: Already infected by the droves of Singers, the ultraviolet mosquito-like insects who carry the plague, the Wicked roam the world freely. They don’t want for much—only to maim and dismember you. But don’t worry: They always ask politely first. The TRUE: The True live in contained, isolated communities. They’re the lucky ones; they found safety from the Singers. And while the threat of the Wicked may not be eliminated, for the True, the threat has certainly been contained… The VEXED: The Vexed are the truly fortunate ones—they survived the sting of the Singers, leaving them immune. But they’re far from safe. The Vexed hold the key to a cure, and there are those who will do anything to get it. In this brilliantly realized novel, three teens—Astrid, Hank, and Natalie—start to realize that the divisions of their world aren’t as clear as they seem, and are forced to question what being wicked truly means.
Historians have conventionally viewed intellectual and artistic achievement as a seamless progression in a single direction, with the Renaissance, as identified by Jacob Burckhardt, as the root and foundation of modern culture. But in this brilliant new analysis William Bouwsma rethinks the accepted view, arguing that while the Renaissance had a beginning and, unquestionably, a climax, it also had an ending. Examining the careers of some of the greatest figures of the age--Montaigne, Galileo, Jonson, Descartes, Hooker, Shakespeare, and Cervantes among many others--Bouwsma perceives in their work a growing sense of doubt and anxiety about the modern world. He considers first those features of modern European culture generally associated with the traditional Renaissance, features which reached their climax in the late sixteenth and early seventeenth centuries. But even as the movements of the Renaissance gathered strength, simultaneous impulses operated in a contrary direction. Bouwsma identifies a growing concern with personal identity, shifts in the interests of major thinkers, a decline in confidence about the future, and a heightening of anxiety. Exploring the fluctuating and sometimes contradictory atmosphere in which Renaissance artists and thinkers operated, Bouwsma shows how the very liberation from old boundaries and modes of expression that characterized the Renaissance became itself increasingly stifling and destructive. By drawing attention to the waning of the Renaissance culture of freedom and creativity, Bouwsma offers a wholly new and intriguing interpretation of the place of the European Renaissance in modern culture.
An instant New York Times bestseller! "Internment sets itself apart...terrifying, thrilling and urgent." –Entertainment Weekly Rebellions are built on hope. Set in a horrifying near-future United States, seventeen-year-old Layla Amin and her parents are forced into an internment camp for Muslim American citizens. With the help of newly made friends also trapped within the internment camp, her boyfriend on the outside, and an unexpected alliance, Layla begins a journey to fight for freedom, leading a revolution against the camp's Director and his guards. Heart-racing and emotional, Internment challenges readers to fight complicit silence that exists in our society today.
“A lyrical elegy to the fall of an empire, a dreamscape of a tale unfolding through the prismatic view of its five ill-fated protagonists.” —Jacqueline Carey, New York Times–bestselling author of the Kushiel’s Legacy series The Crescent Empire teeters on the edge of a revolution, and the Five Daughters of the Moon are the ones to determine its future. Alina, six, fears Gagargi Prataslav and his Great Thinking Machine. The gagargi claims that the machine can predict the future, but at a cost that no one seems to want to know. Merile, eleven, cares only for her dogs, but she smells that something is afoul with the gagargi. By chance, she learns that the machine devours human souls for fuel, and yet no one believes her claim. Sibilia, fifteen, has fallen in love for the first time in her life. She couldn’t care less about the unrests spreading through the countryside. Or the rumors about the gagargi and his machine. Elise, sixteen, follows the captain of her heart to orphanages and workhouses. But soon she realizes that the unhappiness amongst her people runs much deeper that anyone could have ever predicted. And Celestia, twenty-two, who will be the empress one day. Lately, she’s been drawn to the gagargi. But which one of them was the first to mention the idea of a coup? Inspired by the 1917 Russian revolution and the last months of the Romanov sisters, The Five Daughters of the Moon is a beautifully crafted historical fantasy with elements of technology fueled by evil magic. “Wonderful . . . marks the debut of a major new talent.” —Jeff VanderMeer, New York Times–bestselling author of the Southern Reach series “[An] absorbing, imaginative tale.” —Publishers Weekly
A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.
A study of the chief personalities and forces that brought Western Europe to pre-eminence as a centre for political experimentation, economic expansion, and intellectual discovery.
For fans of The Golden Compass, this is book two in the Mapmakers Trilogy and follow-up to S.E. Grove's stunning debut, The Glass Sentence It is the summer of 1892, one year since Sophia Tims and her friend Theo embarked upon the dangerous adventure that rewrote the map of the world. Since their return home to Boston, she has continued searching for clues to her parents’ disappearance, combing archives and libraries, grasping at even the most slender leads. Theo has apprenticed himself to an explorer in order to follow those leads across the country—but one after another proves to be a dead end. Then Sophia discovers that a crucial piece of the puzzle exists in a foreign Age. At the same time, Theo discovers that his old life outside the law threatens to destroy the new one he has built with Sophia and her uncle Shadrack. What he and Sophia do not know is that their separate discoveries are intertwined, and that one remarkable person is part of both. There is a city that holds all of the answers—but it cannot be found on any map. Surrounded by plague, it can only be reached by a journey through darkness and chaos, which is at the same time the plague’s cure: The Golden Specific. "This delicious blend of magic, history, and science will continue to delight fans of intricate world-building and rich storytelling."—School Library Journal "Readers who have already read the first installment will gladly savor another journey with Sophia and marvel at the worlds they enter. Brilliantly imagined and full of wonder."—Kirkus Reviews
