Woolf's acclaimed first novel, a moving depiction of the thrills and confusion of youth, traces a shipboard journey to South America in a captivating exploration of a young woman's growing self-awareness.
"Terror, disaster, memory, selfhood, happiness . . . leave it to a poet to tackle the unthinkable so wisely and so wittily."* A literary guide to life in the pre-apocalypse, The Unreality of Memory collects profound and prophetic essays on the Internet age’s media-saturated disaster coverage and our addiction to viewing and discussing the world’s ills. We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase “Did you see?” The feeling that we’re living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten—and each new catastrophe distracts us from the last. The Unreality of Memory collects provocative, searching essays on disaster culture, climate anxiety, and our mounting collective sense of doom. In this new collection, acclaimed poet and essayist Elisa Gabbert explores our obsessions with disasters past and future, from the sinking of the Titanic to Chernobyl, from witch hunts to the plague. These deeply researched, prophetic meditations question how the world will end—if indeed it will—and why we can’t stop fantasizing about it. Can we avoid repeating history? Can we understand our moment from inside the moment? With The Unreality of Memory, Gabbert offers a hauntingly perceptive analysis of our new ways of being and a means of reconciling ourselves to this unreal new world. "A work of sheer brilliance, beauty and bravery.” *—Andrew Sean Greer, author of Less
Displaced by war and conflict, a refugee family sets out on a voyage into the unknown. Told in only a few words (one word per page) this is the powerful story of a family fleeing their war-torn country and making a dangerous trip across the ocean to a new life in a new land. ‘Chaos’ begins the story, as the family escapes. ‘Wild’ is the midway point, as the small boat battles through a storm. ‘Companion’ marks the sighting of a whale that briefly keeps them company as their voyage continues. ‘Beauty’ is the sight of a green, beautiful land ahead of them. ‘Safe’ is the beginning of their new life in their new home. Simple, yet evocative, The Voyage gives new meaning to the phrase "a picture is worth a thousand words," as Robert Vescio’s sparse text and Andrea Edmond’s beautiful illustrations encourage young readers to create their own background story and thus identify more deeply with the plight of refugees and those less fortunate.
Christian Beamish, a former editor at The Surfer’s Journal, envisioned a low-tech, self-reliant exploration for surf along the coast of North America, using primarily clothes and instruments available to his ancestors, and the 18-foot boat he would build by hand in his garage. How the vision met reality – and how the two came to shape each other – places Voyage of the Cormorant in the great American tradition of tales of life at sea, and what it has to teach us.
An adventure novel about survival at sea from the Newbery Award–winning author of Northwind. “An epic, often lyrical journey of self-discovery.” —Kirkus Reviews (starred review) ALA/YALSA Best Book for Young Adults ALA Notable Book for Children ALA/YALSA Quick Pick for Reluctant Young Adult Readers David thought he was alone, that the ocean around him was all there was of the world. The wind screamed, the waves towered, and his boat, the twenty-two foot fiberglass FROG, skidded and bucked and, each moment, filled deeper and grew heavier with sea water. David thought surely he was dead at fourteen. His uncle Owen, who had taught him about sailing safely, would be so angry. Owen had died only days ago, his last wish for David to take the FROG out on his own, and sail her beyond sight of the coast, and once there, scatter Owen’s ashes. David had done this the evening before, but he hadn’t thought of a storm roaring across the Pacific, or of the terror of being alone later in the dark hundreds of miles from home with no radio or flares and little food. He hadn’t thought of a shark attacking, or of the four killer whales, or the oil tanker large as a city about to sink him and the FROG . . . But in fact, David wasn’t alone at all. He’d had the FROG as a partner from the first—his uncle’s guiding spirit. He had only to learn that. “Paulsen’s spare prose offers an affecting blend of the boy’s inner thoughts and keen observations of the power of nature to destroy and to heal.” —School Library Journal