The Visual Culture of Baptism in the Middle Ages

The Visual Culture of Baptism in the Middle Ages

Author: HarrietM.Sonnede Torrens

Publisher: Routledge

Published: 2017-07-05

Total Pages: 251

ISBN-13: 1351539655

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Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world?s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ?visual? is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.


The Visual Culture of Baptism in the Middle Ages

The Visual Culture of Baptism in the Middle Ages

Author: Harriet M. Sonnede Torrens

Publisher:

Published: 2013

Total Pages: 232

ISBN-13: 9781315084954

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"Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world's only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The 'visual' is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship."--Provided by publisher.


Step by Step Towards the Sacred

Step by Step Towards the Sacred

Author: Autori Vari

Publisher: Viella Libreria Editrice

Published: 2020-12-14T14:52:00+01:00

Total Pages: 153

ISBN-13: 8833136256

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The articles published in this volume aim to contribute to the art historical debates on the role of visual culture within medieval rituals and how the latter were experienced bodily. The studies focus on the essential importance of movement within medieval religious practice and its impact on production, conception, perception, and use of artistic objects and architecture in the Middle Ages. At their core is the moving body, individual or collective, which enters into dialogue with the surrounding architectural or urban space, artefacts, and images, thus awakening their sacred potential with each and every step. Shifting attention to the movement of the worshipers and the objects themselves, this book wishes to instigate further discussion on various medieval visual cultures.


Art and Identity

Art and Identity

Author: Emily Jane Anderson

Publisher: Cambridge Scholars Publishing

Published: 2012-01-17

Total Pages: 310

ISBN-13: 1443836702

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This book provides a fully contextualised overview on aspects of visual culture, and how this was the product of patronage, politics, and religion in some European countries between the 13th and 17th centuries. The research that is showcased here offers new perspectives on the conception, production and reception of artworks as a means of projecting core values, ideals, and traditions of individuals, groups, and communities. This volume features contributions from established scholars and new researchers in the field, and examines how art contributed to the construction of identities by means of new archival research and a thorough interdisciplinary approach. The authors suggest that the use of conventions in style and iconography allowed the local and wider community to take part in rituals and devotional practices where these works were widely recognized symbols. However, alongside established traditions, new, ad-hoc developments in style and iconography were devised to suit individual requirements, and these are fully discussed in relevant case-studies. This book also contributes to a new understanding of the interaction between artists, patrons, and viewers in Medieval and Renaissance times.


The Christ Child in Medieval Culture

The Christ Child in Medieval Culture

Author: Theresa M. Kenney

Publisher: University of Toronto Press

Published: 2012-01-01

Total Pages: 377

ISBN-13: 0802098940

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The cult of the Christ Child flourished in late medieval Europe across lay and religious, as well as geographic and cultural boundaries. Depictions of Christ's boyhood are found throughout popular culture, visual art, and literature. The Christ Child in Medieval Culture is the first interdisciplinary investigation of how representations of the Christ Child were conceptualized and employed in this period. The contributors to this unique volume analyse depictions of the Christ Child through a variety of frameworks, including the interplay of mortality and divinity, the medieval conceit of a suffering Christ Child, and the interrelationships between Christ and other figures, including saints and ordinary children. The Christ Child in Medieval Culture synthesizes various approaches to interpreting the cultural meaning of medieval religious imagery and illuminates the significance of its most central figure.


Decorating the Lord's Table

Decorating the Lord's Table

Author: Søren Kaspersen

Publisher: Museum Tusculanum Press

Published: 2006

Total Pages: 180

ISBN-13: 9788763501330

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Oxbow says: The six essays featured in this study originated as papers given at the 36th International Congress of Medieval Studies at Kalamazoo. The contributors survey the ornate altars produced from the early 8th to 13th century in Europe, with specific examples taken from Italy, Germany and Scandinavia.


Sacramental Theology and the Decoration of Baptismal Fonts

Sacramental Theology and the Decoration of Baptismal Fonts

Author: Frances Altvater

Publisher: Cambridge Scholars Publishing

Published: 2017-06-23

Total Pages: 247

ISBN-13: 1443878596

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Baptismal fonts were necessary to the liturgical life of the medieval Christian. Baptism marked the entrance of the faithful into the right relation, with the Catholic Church representing the main cultural institution of medieval society. In the period between ca. 1050 and ca. 1220, the decoration of the font often had an important function: to underscore the theology of baptism in the context of the sacraments of the Catholic Church. This period witnessed a surge of concern about sacraments. Just as religious thinkers attempted to delineate the sacraments and define their function in sermons and Sentence collections, sculptural programs visualized the teaching of orthodox ideas for the lay audience. This book looks at three areas of primary concern around baptism as a sacrament – incarnation, initiation, and the practice of baptism within the institution of the Church – and the images that embody that religious discussion. Baptismal fonts have been recognized as part of the stylistic production of the Romanesque period, and their iconography has been generally explored as moral and didactic. Here, the message of these fonts is set within a very specific history of medieval Catholic sacramental theology, connecting erudite thinkers and lay users through their decoration and use.


Right and Left in Early Christian and Medieval Art

Right and Left in Early Christian and Medieval Art

Author: Robert Couzin

Publisher: BRILL

Published: 2021-03-01

Total Pages: 327

ISBN-13: 9004448713

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Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.


Spiritual Seeing

Spiritual Seeing

Author: Herbert L. Kessler

Publisher: University of Pennsylvania Press

Published: 2000-09-15

Total Pages: 300

ISBN-13: 9780812235609

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How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?