The Nineties has been a thrilling and varied decade for pop, with a renaissance of both rock and roll and pop music. Along with new acts like the Spice Girls, Oasis, Beck, Bjork and Nirvana, there has been an explosion of dance music and the emergence of powerful new genres like drum'n'bass and thrash metal. All the entries have been created from the massive data-base of the Encyclopedia of Popular Music, first published in 1992, which is the acknowledged champion of contemporary music reference books.
Remember the 80's? The Virgin Encyclopedia of 80's Music is a complete handbook of information and opinion about the history of the most fragmented and frequently maligned decade in the history of popular music. Here are 1000 entries on the bands, musicians, songwriters, producers and record labels - everyone who had a significant impact on the development of rock and pop music in those ten years, from the New Romantics who brought colour and image to fill the gap left by punk and the new wave, to the stadium acts who provided a launch pad for Live Aid, to the myriad variations of house and techno spawned in the latter half of the Eighties. As well as all the giants of the period the encyclopedia has the range and depth to include artists who flourished briefly and yet were quintessential to the decade. A perfect mix of fact and informed opinion contained in one single volume, distilled from the Encyclopedia of Popular Music, universally acclaimed as the world's leading source of reference on rock and pop history. Informed, infatuating and invaluable.
All the facts and informed opinion that you need on the artists who made the history of this decade are contained in this single volume, distilled from The Virgin Encyclopedia of Popular Music, universally acclaimed as the world's leading source of reference on rock and pop history.
Published for the first time in hard cover this invaluable handbook contains 1000 entries taken from theEncyclopedia of Popular Music, offering an insight into the 60s -- the most analyzed yet least understood decade in the history of popular music. It includes every artist who had a significant impact on the development of rock and pop music in those ten years, from the Beatles-led invasion of America to the States' own pop aristocracy of Phil Spector and the Beach Boys, from the rise of Motown to the arrival of psychedelia and the Summer of Love. A perfect mix of fact and informed opinion contained in one single volume. Covers the essential elements -- dates, career facts, discography, album ratings plus a sense of context for each artist.
Now more than ever is time to move your body to the 90 ́s because the first book about classic eurodance is here! A genre which blossomed from 1992 to 1996 has finally been presented here in this book, it gives voice to many familiar and unfamiliar faces. More than 60 interviews include e.g. Maxx, La Bouche, CB Milton, Captain Jack, Lori Glori, Sandy Chambers, Robyx, Culture Beat, Maxxima, Magic Affair, E-Rotic and many others. There ́s no limit!!
This book seeks to trace the rise of popular music, identify its key figures and track the origins and development of its multiple genres and styles, all the while seeking to establish historical context. It is, fundamentally, a ready reference guide to the broad field of popular music over the past two centuries. It has become a truism that popular music, so pervasive in the modern world, constitutes a soundtrack to our lives – a constant though changing presence as we cross thresholds and grow from children to teenagers to adults. But it has become more than a soundtrack; it has become a narrative. Not just an accompaniment to our daily lives but incorporating our lives, our sense of identity, our lived experiences, into it. We have become part of the music just as the music has become part of us. The Historical Dictionary of Popular Music contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on major figures across genres, definitions of genres, technical innovations and surveys of countries and regions. This book is an excellent resource for students, researchers, and anyone wanting to know more about popular music.
All the facts and informed opinion that you need on the artists who made the history of this decade are contained in this single volume, distilled from The Virgin Encyclopedia of Popular Music, universally acclaimed as the world's leading source of reference on rock and pop history.
-One of very few books on religion and popular music -Covers a wide range of musical styles, from heavy metal and rap to country, jazz and Broadway musicals -The essays are written by academics and informed by their enthusiasm for the music &
Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry. Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest.
