The Victorian Nude

The Victorian Nude

Author: Alison Smith

Publisher: Manchester University Press

Published: 1996

Total Pages: 282

ISBN-13: 9780719044038

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Smith reveals how images of the nude were used at all levels of Victorian culture, from prestigious high-art paintings through to photographs and popular entertainments; and discusses the many views as to whether these were legitimate forms of representation or, in fact, pornography and an incitement to unregulated sexual activity.


Exposed

Exposed

Author: Tate Britain (Gallery)

Publisher:

Published: 2001

Total Pages: 302

ISBN-13:

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The apogee of High Culture, or an assault on public morality? The representation of the nude figure was one of the most contraversial issues in Victorian art. This publication surveys the full range of Victorian representations of the nude, both male and female concentrating on painting, sculpture and drawing, but also exploring the artistic depiction of the naked body in other media, both high and low, including photography, popular illustration, advertizing imagery and caricature, foregrounding issues of morality, sexuality and desire that remain relevant in the 21st century.


The Victorian Nude

The Victorian Nude

Author:

Publisher:

Published: 2002

Total Pages:

ISBN-13:

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The Victorians were obsessed by the nude in art. For many nineteenth century painters and sculptors the naked body, both male and female, was central to exotic historical fantasies and elaborate allegories of imperial power. In such contexts the classical nude could be seen as a moral and spiritual ideal. Yet inevitably the nude was also associated with sensuous indulgence and base passions.


The Renaissance Nude

The Renaissance Nude

Author: Thomas Kren

Publisher: Getty Publications

Published: 2018-11-20

Total Pages: 436

ISBN-13: 160606584X

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A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.


Tell Me, Pretty Maiden

Tell Me, Pretty Maiden

Author: Ronald Pearsall

Publisher:

Published: 1981

Total Pages: 184

ISBN-13:

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"Why did the Victorians allow nude bathing at the seaside when a nude illustrations in a magazine could bring the full fury of the law down on the printers and publishers? Why was the Royal Academy filled with paintings of nude women when ballet dancers were considered immoral because they showed their legs? 'Tell me, pretty maiden' explores these fascinating and, to us, often ridiculous complexities. Ronald Pearsall, who has long been intrigued by this period, discusses the artists of the time and their work, and the public's reactions to them, with the help of some selections from contemporary criticism. His collection of postcards, photographs and paintings illustrates this area where prudery failed and middle-class morality stumbled, from artists as disparate as Burne-Jones and Leighton, and ranging from the nostalgic to the coy, the subtly erotic to the clinically accurate, the saucy to the decadent. This well-written and aptly illustrated book gives an intimate glimpse into the prejudices and morals of our immediate ancestors." -- dust jacket.


The Penguin Book of Victorian Verse

The Penguin Book of Victorian Verse

Author:

Publisher: Penguin UK

Published: 1998-10-19

Total Pages: 916

ISBN-13: 0141958677

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Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.


Victorian Beauties

Victorian Beauties

Author: Avery Oldman

Publisher: Createspace Independent Publishing Platform

Published: 2017-01-06

Total Pages: 162

ISBN-13: 9781541391710

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This is ART - NOT PORN, a montage photo book with 660 vintage Victorian photographs of beautiful nude models restored by Avery Oldman. This book is part of the Victorian Secrets photo book series.


Victorian Painting

Victorian Painting

Author: Lionel Lambourne

Publisher: Phaidon Press

Published: 2003-09-23

Total Pages: 512

ISBN-13: 9780714843599

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Victorian Paintingis a comprehensive survey of one of the most fertile and varied eras in the history of painting. It embraces not just the United Kingdom, but also English-speaking countries linked to Britain by cultural ties of empire and emigration, such as the United States, Canada, Australia, New Zealand and Africa. Long regarded as a backwater of sentiment and outmoded academic convention that was bypassed by the mainstream of development in Western art, Victorian painting is now wholeheartedly enjoyed in its own right. Unfettered by old prejudices, Lionel Lambourne presents a vivid panorama of an age of unparalleled energy and creativity. Wealth, optimism, education and self-confidence created a huge demand for art, and a remarkable array of talent emerged to meet it. Producing works in a wide variety of styles, subjects and media, many artists became rich celebrities, while the profession as a whole enjoyed unprecedented public esteem. The author tackles this protean subject by dividing it into themes that reflect its richness and variety. Chapters are devoted to such topics as Mural/ History Painting, the Nude, the Portrait, Sporting Painting, Genre Scenes and Women Painters; and social themes such as the Fallen Woman, Social Realism, Travel and Emigration; as well as movements such as the Pre-Raphaelites. Written with a light touch, full of illuminating anecdotes, and with 600 color illustrations, Victorian Paintingis beautiful, highly entertaining and informative. It is also an invaluable reference work since, in addition to many famous and well-loved images, it presents a wealth of fine work by lesser-known artists, and explores the byways as well as highways of Victorian art, demonstrating the astounding range and depth of talent of the age.


The Maimed

The Maimed

Author: Hermann Ungar

Publisher:

Published: 2002

Total Pages: 218

ISBN-13:

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Franz Polzer is a man who is dominated by irrational fears; even a friendly smile seems to conceal a hidden menace. He keeps the world at bay by organising his life according to the meticulous routine of his work as a bank clerk. He even rejects promotion because it brings the unknown that will threaten to upset his ordered existence. But this precarious order is disturbed by the sexual demands of his landlady. Once the first breach has occurred, he is dragged inexorably down into an abyss of degradation which ends in a grisly murder. The horror of Polzer's fall is emphasised by the matter-of-fact sobriety of Ungar's narrative style. For Stefan Zweig, The Maimed was wonderful and horrible, captivating and repulsive, unforgettable, although one would be glad to be able to forget it.