Originally published in 1947, The Vertical Man explores a form of Indian sculpture largely ignored in other studies, with a focus on two kinds of sculpture from the province of Bihar. The book provides detailed analysis of the formal characteristics of the sculpture and the influences of the myth, ritual, and context in which they were commissioned and made. It explains why the sculpture is regional and "why the styles are what they are". It is an original study which throws light on important subjects such as the relations of art and religion and of art and economics. The Vertical Man will appeal to those with an interest in art, specifically sculpture and the art of the Indian countryside.
Originally published in 1947, The Vertical Man explores a form of Indian sculpture largely ignored in other studies, with a focus on two kinds of sculpture from the province of Bihar. The book provides detailed analysis of the formal characteristics of the sculpture and the influences of the myth, ritual, and context in which they were commissioned and made. It explains why the sculpture is regional and "why the styles are what they are". It is an original study which throws light on important subjects such as the relations of art and religion and of art and economics. The Vertical Man will appeal to those with an interest in art, specifically sculpture and the art of the Indian countryside.
Ringo Starr was the genuine working-class member of the Beatles. Born into poverty in a tiny house in Liverpool's Dingle area, deserted by his father, he suffered years of illness which seriously affected his schoolwork. Despite having all the odds against him, he became one of the most famous people on the planet. The Ringo Starr Encyclopedia completes the Virgin series on the individual Beatles and in the most comprehensive book about Ringo Starr ever written.
For anyone who is married, preparing for marriage, or desperate to save a relationship teetering on the brink of divorce, marriage coaches Dave and Ann Wilson offer hope and strategies gleaned from personal experience and Scripture that really work. Vertical Marriage will give you the insight, applications, and inspiration to transform your marriage into everything you hoped it would be. Honest to the core and laugh-out-loud funny, Dave and Ann Wilson share the one secret that brought them from the brink of divorce to a healthy and vibrant relationship. If you had asked Dave how their marriage was doing on the night of their tenth wedding anniversary, Dave would have rated it a 9.8 out of 10, and he would have even guaranteed that Ann would say the same. But instead of giving him a celebratory kiss, Ann whispered, "I've lost my feelings for you." Divorce seemed inevitable for the Wilsons, but starting that night, God began to reveal to Dave and Ann the most overlooked secret of getting the marriage we are looking for: a horizontal marriage relationship just doesn't work until your vertical relationship with Christ is first. As founders of a multi-campus church and marriage coaches with 30 years of experience, Dave and Ann share the hard-earned but easy-to-apply biblical principles that ensure a strong marriage. Written in a highly relatable dialogue between both husband and wife, Vertical Marriage will guide you toward building a vibrant relationship at every level, giving you the tools you need to embrace: Effective communication Fair conflict True romance A deeper connection Through their unique perspectives, Dave and Ann share an intimate, sometimes hilarious, and at times deeply poignant narrative of one couple's journey to reconnecting with God and discovering the joy and power of a vertical marriage.
Like many apparently simple devices, the vertical water wheel has been around for so long that it is taken for granted. Yet this "picturesque artifact" was for centuries man's primary mechanical source of power and was the foundation upon which mills and other industries developed. Stronger than a Hundred Men explores the development of the vertical water wheel from its invention in ancient times through its eventual demise as a source of power during the Industrial Revolution. Spanning more than 2000 years, Terry Reynolds's account follows the progression of this labor-saving device from Asia to the Middle East, Europe, and America-covering the evolution of the water wheel itself, the development of dams and reservoirs, and the applications of water power.
• Traces the life of Maurice Nicoll, who left a successful career as a psychiatrist in 1922 to study with G.I. Gurdjieff and P.D. Ouspensky • Explores newly uncovered diaries from Nicoll, revealing his mystical sex practices, his shadow self, and new understandings of his unorthodox teachings • Examines the influence of psychiatrist Carl Jung and Swedish scientist and philosopher Emanuel Swedenborg on Nicoll’s work In 1922, Maurice Nicoll (1884–1953) abandoned his successful London psychiatry practice and his direct studies with Carl Jung to move his family just outside of Paris to the Institute for the Harmonious Development of Man, a center recently opened by philosopher, mystic, and spiritual guru G.I. Gurdjieff, the founder of the esoteric system that became known as the “Fourth Way.” Nicoll went on to become one of the most passionate teachers of the Fourth Way, committing the final three decades of his life to teaching “The Work” in his own unorthodox style. In this revealing biography, Gary Lachman draws on recently uncovered diaries to explore the unusual, syncretic approach Nicoll brought to his teaching of the Fourth Way. He shows how Nicoll is unique in having Jung, Gurdjieff, and Ouspensky as teachers and to have known each of these important figures in esoteric history personally, yet—as Lachman reveals—Nicoll was not a blind devotee by any stretch. The author shows how he incorporated elements of Jungian psychology and Emanuel Swedenborg-inspired mysticism into his exploration and teaching of both Gurdjieff’s and Ouspensky’s ideas, as well as into his best-known work, Psychological Commentaries on the Teaching of Gurdjieff and Ouspensky. Lachman reveals the unorthodox side of Nicoll in fuller detail than ever before through excerpts from recently shared diaries, in which Nicoll included detailed accounts of his own solitary “self-sex” erotic experimentations to reach visionary states, along with recordings of his dreams and other personal and mystical reflections. The social details of Nicoll’s life are also examined, including vivid portraits of the occult scene in the early-to-mid-20th century and the communal living situations in which Nicoll sometimes resided. Drawing on his familiarity with hermetic practices and his own experiences with “The Work,” Lachman comprehensively explores the significance of Nicoll and the novelty of his thought, offering a profound, needed, and sympathetic but critical study of this man so instrumental to the development and legacy of the Fourth Way.
Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hot house atmosphere of an English department rife with talk of Freud and Kafka. This classic novel is one of eight works included in The Library of America's two-volume edition Women Crime Writers: Eight Suspense Novels of the 1940s & 50s, edited by Sarah Weinman.
In this comprehensive study of Thomas Kinsella's poetry, Brian John explores the poet's development within both the Irish and the English contexts and defines the nature of his poetic achievement. He also offers a new reading of Kinsella's evolving relationship to one of his major literary forebears, W. B. Yeats. What becomes clear is the formidable accomplishment of a poet, now writing at the height of his powers, whose substantial body of work warrants comparison with the grand masters of twentieth-century literature in English - with Yeats, Joyce, and Beckett.
From the invention of skyscrapers and airplanes to the development of the nuclear bomb, ideas about the modern increasingly revolved around vertiginous images of elevation and decline and new technologies of mobility and terror from above. In The Vertical Imagination and the Crisis of Transatlantic Modernism, Paul Haacke examines this turn by focusing on discourses of aspiration, catastrophe, and power in major works of European and American literature as well as film, architecture, and intellectual and cultural history. This wide-ranging and pointed study begins with canonical fiction by Franz Kafka, Virginia Woolf, James Joyce, and John Dos Passos, as well as poetry by Guillaume Apollinaire, Hart Crane, and Aimé Césaire, before moving to critical reflections on the rise of New York City by architects and writers from Le Corbusier to Simone de Beauvoir, the films of Alfred Hitchcock and theories of cinematic space and time, and postwar novels by Kurt Vonnegut, Thomas Pynchon, and Leslie Marmon Silko, among many other examples. In tracing the rise and fall of modernist discourse over the course of the long twentieth century, this book shows how visions of vertical ascension turned from established ideas about nature, the body, and religion to growing anxieties about aesthetic distinction, technological advancement, and American capitalism and empire. It argues that spectacles of height and flight became symbols and icons of ambition as well as direct indexes of power, and thus that the vertical transformation of modernity was both material and imagined, taking place at the same time through the rapidly expanding built environment and shifting ideological constructions of "high" and "low."
