A collection of eight short stories about Irish immigrants in America by a New England writer. An introduction discusses Jewett's understanding of the Irish psyche compared to the disdain for the Irish found in the work of her contemporaries, and looks at her work in the context of contemporary multicultural concerns. No index. Annotation copyright by Book News, Inc., Portland, OR
This book studies literary regionalism and it shows that one of the ways we imagine the world is through writing and reading about particular places. It explores how writers are shaped by particular places and how their stories shape our understanding of localities and the globe.
Across decades, Maine has produced nationally-recognized novelists of place-based fiction. From the late nineteenth century to the present, writers have explored the experiences of living in far-flung settings: island and coastal villages; northwoods lumbering communities; unincorporated townships; backcountry hamlets; and mill cities and towns. Taken together their body of work composes a remarkable literary map of a diverse and changing Maine. Hidden Places explores the identity of Maine through its writers and the people and places they captured at moments in time. Hidden Places traces the work of these writers to provoke readers into seeing and understanding Maine places with new awareness. These Maine writers construe place as both a territory on the ground and a country of the imagination. They help insiders see more clearly what is distinctive about their communities and encourage outsiders to better understand what might seem quaint or odd about the state. Like a well-drawn atlas, Hidden Places seeks to capture a diverse state at the granular level one representation at a time. It explores the identity of Maine through its writers and the people and places they wrote of.
Adopting a psychoanalytic approach, Joseph Church's Transcendent Daughters proposes that the narrator's venture among these people in fact allegorizes an anxious daughter's return to familial origins and dramatizes her reengagement with and effort to transcend unconscious constituents of the self established during early maturation, specifically androgynous composites of an internalized hostile mother and idealized father that now severely constrict her world, most of all, her access to beneficent women.
"The female novelist of the nineteenth century may have frequently encountered opposition and interference from the male literary establishment, but the female short story writer, working in a genre that was seen as less serious and less profitable, found her work to be actively encouraged." - from the Introduction. During the nineteenth century women writers finally began to be as popular—and as respected—as their male counterparts. We are all familiar with the novels of Jane Austen, Mary Shelley, Elizabeth Gaskell, George Eliot and the Bröntes. Less familiar is the short fiction of the period; yet a great many nineteenth-century stories by women—both famous and obscure—retain in full measure their power to fascinate and to entertain. For this anthology Glennis Stephenson brings together stories by both British and North American writers; by such established luminaries as Shelley, Gaskell and Kate Chopin; and by lesser-known writers such as the Anglo-Indian writer Flora Steel, the Afro-American Alice Dunbar Nelson and the Canadian Annie Howells Frèchette. The result is an anthology that will be as interesting to the general reader as it will be useful to the student. Stephenson provides background information on all authors, together with a general introduction.
This is a collection of new essays on one of the most important works of New England local colour fiction, The Country of the Pointed Firs by Sarah Orne Jewett. It builds on feminist literary scholarship that affirms the importance and value of Jewett's work, but goes beyond previously published studies by offering an analysis of how race, nationalism, and the literary marketplace shape her narrative. The volume constitutes a major rethinking of Jewett's contribution to American literature, and will be of broad interest to the fields of American literary studies, feminist cultural criticism, and American studies.
