Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth century. Documenting in gritty detail the conflicts that gentrification brings to the new urban 'frontiers', the author explores the interconnections of urban policy, patterns of investment, eviction, and homelessness. The failure of liberal urban policy and the end of the 1980s financial boom have made the end-of-the-century city a darker and more dangerous place. Public policy and the private market are conspiring against minorities, working people, the poor, and the homeless as never before. In the emerging revanchist city, gentrification has become part of this policy of revenge.
A one-man dog Part wolf and fiercely independent, Jim Ugly is a dog who answers to only one person. Unfortunately, that man -- Sam Bannock -- has disappeared. Rumor has it that Sam is dead, but to his son, Jake, something about that doesn't sound quite right. So Jake and Jim Ugly embark on a wild journey into the frontier West, where they find themselves pursued by a pretty lady, a theater troupe, and one very ornery yellow-legged man. And they all want to know one thing: Where is Sam Bannock?
Carla Kelly wants to tell the truth, to discard myths about the U.S. Army during the Indian Wars. This collection of nine stories set in the era of the frontier army gives an entertaining and educational glimpse into a world not often explored in fiction. "Kathleen Flaherty's Long Winter" weaves a tale of an Irish woman who has no choice but to marry a man she barely knows after the death of her husband leaves her penniless. She struggles with isolation and the cruelty of the others in the fort because of her rapid marriage. In the end, hers is a story of loss, love, and survival. But these are not all love stories. In "Mary Murphy" one soldier reflects about the hard life of a laundress. "A Season for Heroes" tells of a buffalo soldier named Ezra Freeman, a true hero to one officer's family. The collection concludes with "Jesse MacGregor." The narrator, John, looks back on an Apache attack in the desert. After his detail's captain is killed and John is injured, authority falls to surgeon Jesse MacGregor. The account of their struggle to fight hunger, thirst, the elements, and of course, the Apaches, is mesmerizing. Kelly does not leave comedy out of her collection. "Fille de Joie" is a charming story of a married couple reunited after an almost two-year separation. The wife is arrested after the two make too much noise during their afternoon tryst. She is charged with being a fille de joie, and the comedy ensues. Kelly's work will find an audience among those interested in feminist literature, American history, fiction, and nonfiction.
Englishman Frank Collinson went to Texas in 1872, when he was seventeen, to work on Will Noonan’s ranch near Castroville. He lived the rest of his life in the southwestern United States, and at the age of seventy-nine began writing about the Old West he knew and loved. He had a flair for writing, a phenomenal memory, and a passion for truth that is evident in what he wrote and said. His writings for Ranch Romances, his letters, and transcriptions of his conversations have been arranged here in roughly chronological order, so that their importance for frontier history is readily apparent. Collinson ranged the West in his writings as he did in person, telling of the last tragic days of buffalo hunting on the Plains; clashes between hunters or cowboys and the Plains Indians; the character of trail drivers; and the definitive nature of violence, particularly at gun-point. J. Frank Dobie said of Collinson: "In the realm of frontier chronicles, the writing of educated Englishmen. . . men with the perspective of civilization, with imagination, and a lust for primitive nature, stand out. To this class of men belongs Frank Collinson."
This first full-scale history of the development of the American suburb examines how "the good life" in America came to be equated with the a home of one's own surrounded by a grassy yard and located far from the urban workplace. Integrating social history with economic and architectural analysis, and taking into account such factors as the availability of cheap land, inexpensive building methods, and rapid transportation, Kenneth Jackson chronicles the phenomenal growth of the American suburb from the middle of the 19th century to the present day. He treats communities in every section of the U.S. and compares American residential patterns with those of Japan and Europe. In conclusion, Jackson offers a controversial prediction: that the future of residential deconcentration will be very different from its past in both the U.S. and Europe.
Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.
This publication reviews the advances in frontier technologies including automation, robotics, renewable energy technologies, electric vehicles, biotechnologies and artificial intelligence and analyzes their economic, social and environmental impact. These technologies present immense potentials for the 2030 Agenda, fostering growth, prosperity and environmental sustainability. They also pose significant risks of unemployment, underemployment and rising income and wealth inequality and raise new ethical and moral concerns. The Survey identifies policy measures at national levels with the capacity to both maximize the potential of these technologies and mitigate their risks, thereby striking a balance among economic efficiency, equity and ethical considerations