In 1979, 2 Tone Records was founded by Jerry Dammers, the founder and keyboard player in The Special AKA. He had a vision and wanted to create the British version of Motown, the similarities with his hometown of Coventry were already there. He'd already put his own band of black and white musicians together and they hit the charts with the release of Gangsters in 1979. 2 Tone then went on to sign and release records by other bands, Madness, The Selecter and The Beat, all of whom fused punk, ska and reggae and dragged it into the present. The record label had no fewer than 15 Top 40 singles and they continued the trend, signing The Swinging Cats, Rico and even released a single by Elvis Costello & The Attractions, or did they?As time moved on, the label branched out to accommodate the funk era and signed a number of non-ska bands with The Higsons, The Apollinaires, The Friday Club and JB's Allstars all releasing singles on the label in the 1980s. However, 2 Tone's light had faded and by 1986 it had been closed down permanently. The story of these particular bands has never been covered in great detail in print before, until now! 2 Tone: Before, During & After tells the story, before, during & after of each band that appeared on the label and also updates the story on each member with a full Where Are They Now? section, covering every single musician that ever appeared on the label. FEEDBACK SO FAR... "The story of 2 Tone Records is the stuff of legends, and in 2 Tone: Before, During & After, author Lee Morris tells the surprising stories behind every 2 Tone release. The 200-page mini-encyclopedia provides band bios, discographies and where-are-they-now profiles on every musician who ever appeared on the label. Based on primary source research (see the extensive bibliography) and personal interviews, the book is packed with things you didn't know about the label, the records and the musicians behind it all" Charles Benoit, Reggae Steady Ska "Lee Morris makes his mark with a fine book that documents all artists that appeared on the label, rather than just the more famous 'ska' bands. He also continues the post 2 Tone story of all bands involved and provides information on each person ever to appear on the label. 2020 has been a great year for 2 Tone with some important reissues on the label and this book compliments those releases and will no doubt become an essential purchase of fans of the label". 2-Tone.info "A Must read for all 2 Tone fans" - Do The Dog Skazine. "I appreciate the angle of covering beyond the well tread period of the label's run to the later acts (who deserve more love) and up to today" Kevin Feinberg "Excellent and very thorough" - Charlie Higson "I HIGHLY recommend it, a brilliantly researched analysis of 2 Tone Records" John Barrow
Born in 1953 to Anglo-Jewish/Nigerian parents, Pauline Black was subsequently adopted by a white, working class family in Romford. Never quite at home there, she escaped her small town background and discovered a different way of life - making music. Lead singer for platinum-selling band The Selecter, Pauline Black was the Queen of British Ska. The only woman in a movement dominated by men, she toured with The Specials, Madness, Dexy's Midnight Runners when they were at the top of the charts - and, sometimes, on their worst behaviour. From childhood to fame, from singing to acting and broadcasting, from adoption to her recent search for her birth parents, Black By Design is a funny and enlightening story of music, race, family and roots.
'Fascinating . . . a must-read' Mojo As bass player with the Specials, in his second-hand suit and pork pie hat, Horace Panter was a member of one of the most innovative and exciting bands to come snarling out of the punk era. Founded by Jerry Damners, their fusion of punk, reggae and ska created a new musical fashion, spearheaded by their own record label Two Tone. They stood for unity and racial harmony in a polarised society. They even got British men dancing again. In Ska'd for Life Horace takes the reader on a musical odyssey with the Specials from their early days on Coventry's punk circuit to chart storming success with singles like 'Too Much Too Young' and the eerily prescient 'Ghost Town', released as the race riots saw Toxteth and Brixton go up in flames. Written with wry humour, taking an affectionate look at a band whose sublime music remains influential today, this is a must for all Specials fans. 'I found myself laughing out loud whilst revisiting some long forgotten memories . . . It was a fantastic journey and I thank Horace for sharing it' Lynval Golding
The intimate and long-awaited autobiography of a legend. In 1967 in San Francisco, just a few weeks after the Summer of Love, a young Mexican guitarist took the stage at the Fillmore Auditorium and played a blistering solo that announced the arrival of a prodigious musical talent. Two years later -- after he played a historic set at Woodstock -- the world came to know the name Carlos Santana, his sensual and instantly recognizable guitar sound, and the legendary band that blended electric blues, psychedelic rock, Latin rhythms, and modern jazz, and that still bears his name. Carlos Santana's unforgettable memoir offers a page-turning tale of musical self-determination and inner self-discovery, with personal stories filled with colorful detail and life-affirming lessons. The Universal Tone traces his journey from his earliest days playing the strip bars in Tijuana while barely in his teens and brings to light the establishment of his signature guitar sound; his roles as husband, father, recording legend, and rock guitar star; his indebtedness to musical and spiritual influences -- from John Coltrane and John Lee Hooker to Miles Davis and Harry Belafonte; and his deep, lifelong dedication to a spiritual path that he developed from his Catholic upbringing, Eastern philosophies, and other mystical sources. It includes his recording some of the most popular and influential rock albums of all time, up to and beyond the 1999 sensation Supernatural, which garnered nine Grammy Awards and stands as arguably the most amazing career comeback in popular music history. It's a profoundly inspiring tale of divine inspiration and musical fearlessness that does not balk at finding the humor in the world of high-flying fame, or at speaking plainly of Santana's personal revelations and the infinite possibility he sees in each person he meets. "Love is the light that is inside of all of us, everyone," he writes. "I salute the light that you are and that is inside your heart."
Walls Come Tumbling Down charts the pivotal period between 1976 and 1992 that saw politics and pop music come together for the first time in Britain's musical history; musicians and their fans suddenly became instigators of social change, and 'the political persuasion of musicians was as important as the songs they sang'. Through the voices of campaigners, musicians, artists and politicians, Daniel Rachel follows the rise and fall of three key movements of the time: Rock Against Racism, 2 Tone, and Red Wedge, revealing how they all shaped, and were shaped by, the music of a generation. Composed of interviews with over a hundred and fifty of the key players at the time, Walls Come Tumbling Down is a fascinating, polyphonic and authoritative account of those crucial sixteen years in Britain's history.
The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black —A Times/Sunday Times Book of the Year —An Uncut Book of the Year —Long-Listed for the Penderyn Music Book Prize —A Louder Than War Book of the Year —A Blitzed Magazine Book of the Year In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.
The culmination of three years of exhaustive research, this text compellingly recounts how a monochrome and embattled Britain was re-energised and coloured by two tone and its legacy.
Before Bob Marley brought reggae to the world, before Jimmy Cliff and Peter Tosh, before thousands of musicians played a Jamaican rhythm, there were the men and women who created ska music, a blend of jazz, American rhythm and blues, and the indigenous music of the Caribbean. This book tells the story of ska music and its development from Jamaica to England, where the music took on a distinctively different tone, and finally to the rest of the world. Through the words of legendary artists, gleaned from more than a decade of interviews, the story of ska music is finally told by those who were there.