The two-, three- and four-part consort music

The two-, three- and four-part consort music

Author: John Coperario

Publisher: Fretwork Publishing

Published: 1991

Total Pages: 396

ISBN-13:

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John Coprario (c. 1575-1626): the complete consort music in two, three and four parts. Introduction, critical commentaries and full scores. Performing parts available direct from the publisher. Published in 1993.


The Consort Music of William Lawes, 1602-1645

The Consort Music of William Lawes, 1602-1645

Author: John Patrick Cunningham

Publisher: Boydell & Brewer

Published: 2010

Total Pages: 378

ISBN-13: 0954680979

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This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.


The three-part consort music

The three-part consort music

Author: Thomas Lupo

Publisher: Fretwork Publishing

Published: 2001

Total Pages: 218

ISBN-13:

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Thomas Lupo (1571-1627): The Three-Part Consort Music. Fantasia 1-17; Fantasia [Air] 18-25; Pavan 26-29. Appendix: Fantasia 1-2. Introduction, Critical Commentary and scores. Performing parts available direct from the publishers.


Consort Music of Four Parts

Consort Music of Four Parts

Author: John Jenkins

Publisher: London : Published for the Royal Musical Association

Published: 1975

Total Pages: 216

ISBN-13:

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Contains 32 "airs," 8 suites, 5 fantasias, and 12 assorted dances.


William Lawes (1602-1645)

William Lawes (1602-1645)

Author: Andrew Ashbee

Publisher: Routledge

Published: 2019-05-20

Total Pages: 375

ISBN-13: 0429766076

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First published in 1998, this volume comprises papers given at a conference on Lawes and his music held at Oxford in September 1995 to commemorate the 350th anniversary of his death. They examine not only Lawes’s music but the milieu in which he worked. Part One examines the musical life of the English Court in Lawes’s day, noting his activities there and his involvement with companies of players. Manuscript studies and a detailed account of the fatal battle are also included. Part Two comprises seven essays exploring the wide range of his instrumental and vocal music. William Lawes is acknowledged as the most exciting and innovative composer working in England during the reign of Charles I. His tragic early death at the Siege of Chester in 1645 only served to heighten his reputation among his contemporaries, lending him also the cloak of martyrdom in the service of his king.


The Sonatas of Henry Purcell

The Sonatas of Henry Purcell

Author: Alon Schab

Publisher: Boydell & Brewer

Published: 2018

Total Pages: 281

ISBN-13: 1580469205

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This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing.


Keyboard Music Before 1700

Keyboard Music Before 1700

Author: Alexander Silbiger

Publisher: Routledge

Published: 2004-08-02

Total Pages: 421

ISBN-13: 1135924228

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Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.


Guide to the Tuba Repertoire, Second Edition

Guide to the Tuba Repertoire, Second Edition

Author: R. Winston Morris

Publisher: Indiana University Press

Published: 2006-11-08

Total Pages: 688

ISBN-13: 0253112257

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Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.