The stunning Regency-era romance from #1 New York Times bestselling author Catherine Coulter. Characters from two of Coulter’s most beloved novels in the Sherbrooke Bride series find each other in The Courtship. Helen Mayberry of Mad Jack has one passion: to track down a mystical treasure. That is, until she meets the thoroughly wicked Spenser Heatherington in a clash of the titans.
In 1937 senior medical students from New Orleans, Louisiana, and Omaha, Nebraska, met at the Mayo Clinic and began a two-year correspondence. Their courtship letters shed light on early 20th century society, hospitals, and health care--
This book examines the popular publications of the Victorian period, illuminating the intricacies of courtship and marriage from the differing perspectives of the working, middle, and upper classes. In contemporary culture, the near obsessive pursuit of love and monogamous bliss is considered "normal," as evidenced by a wide range of online dating sites, television shows such as Sex in the City and The Bachelorette, and an endless stream of Hollywood romantic comedies. Ironically, when it comes to love and marriage, we still wrestle with many of the same emotional and social challenges as our 19th-century predecessors did over 100 years ago. Courtship and Marriage in Victorian England draws on little-known conduct books, letter-writing manuals, domestic guidebooks, periodical articles, letters, and novels to reveal what the period equivalents of "dating" and "tying the knot" were like in the Victorian era. By addressing topics such as the etiquette of introductions and home visits, the roles of parents and chaperones, the events of the London season, model love letters, and the specific challenges facing domestic servants seeking spouses, author Jennifer Phegley provides a fascinating examination of British courtship and marriage rituals among the working, middle, and upper classes from the 1830s to the 1910s.
Years ago, a picnic basket brought two hearts together. For Rachel and Mike, history may be about to repeat itself. Rachel Fisher is devastated when the young man she’s loved for years leaves her to date her best friend. Her heart is broken, and she has all but given up on love. Determined to keep her mind off the pain, she starts teaching at an Amish school for children with learning disabilities. Since his father became ill, Mike Lantz has been overwhelmed with the responsibility of providing for his family and caring for his six-year-old brother, John. When John joins Rachel’s class and she learns that his mother is deceased and his father sick, she desperately wants to help the family, even with something as simple as a meal. With her parents’ old picnic basket, Rachel begins sending food to the Lantz family. As the weeks go by, John’s grades start to improve, and the attraction grows between Rachel and Mike. They can’t deny that their friendship is growing toward something more, but both of them are hesitant to risk a more serious relationship. The last thing Rachel wants is another heartbreak, and Mike is worried about providing for his loved ones. Will the two be able to reconcile their past hurts with new hope for the future? Sweet, inspirational story set in Amish country Full-length novel Second book in Amy Clipston’s Amish Heirloom series Can also be enjoyed as a standalone ECPA bestseller Includes discussion questions for book clubs
Honore Bainbridge has been courted by two men, one of whom turned out to be a traitor, the other a murderer. Banished to her family's country estate, where she will hopefully stay out of trouble, she finally meets the man she is sure is exactly right for her: Lord Ashmoor. Tall, dark, and handsome--what more could a girl ask for? But he too is under suspicion because of his American upbringing and accusations that he has helped French and American prisoners escape from Dartmoor Prison. For his part, Lord Ashmoor needs a wife beyond reproach, which Honore certainly is not. Amid a political climate that is far from friendly, Honore determines to help Ashmoor prove his innocence--if she can do so and stay alive. From the rocky cliffs of Devonshire, England, comes the exciting conclusion to the lush Daughters of Bainbridge House series. Award-winning author Laurie Alice Eakes thrusts her readers into high drama from the very first sentence and keeps them on their toes until the final page.
"Maria Grace's history sheds new light on Austen's writing, exposing secrets usually hidden from the modern reader." Abigail Reynolds Jane Austen's books are full of hidden mysteries for the modern reader. Why on earth would Elizabeth Bennet be expected to consider a suitor like foolish Mr. Collins in Pride and Prejudice? Would Lydia's 'infamous elopement' truly have ruined her family and her other sisters' chances to marry? Why were the Dashwood women thrown out of their home after Mr. Dashwood's death in Sense and Sensibility, and what was the problem with secret engagements anyway? And then there are settlements, pin money, marriage articles and many other puzzles for today's Austen lovers. Customs have changed dramatically in the two centuries since Jane Austen wrote her novels. Beyond the differences in etiquette and speech, words that sound familiar to us are often misleading. References her original readers would have understood leave today's readers scratching their heads and missing important implications. Take a step into history with Maria Grace as she explores the customs, etiquette and legalities of courtship and marriage in Jane Austen's world. Packed with information and rich with detail from Austen's novels, Maria Grace casts a light on the sometimes bizarre rules of Regency courtship and unravels the hidden nuances in Jane Austen's works. Non fiction"
The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles. That the choice among suitors ideally depended on love and should not be decided on any other grounds was a principal theme among a group of heroine-centered novels published between 1740 and 1820. During these decades, some two dozen writers, most of them women, published such courtship novels. Specifically aiming them at young women readers, these novelists took as their common purpose the disruption of established ideas about how dutiful daughters and prudent young women should comport themselves during courtship. Reading a wide range of primary texts, Green argues that the courtship novel was a feminized genre—written about, by, and for women. She challenges contemporary readers to appreciate the subtleties of early feminism in novels by Eliza Haywood, Mary Collyer, Charlotte Lennox, Samuel Richardson, Frances Brooke, Fanny Burney, Mary Wollstonecraft, Jane West, Mary Brunton, Maria Edgeworth, and Jane Austen—to recognize that these courtship novelists held in common a desire to reimagine the subject positions through which women understood themselves.
NATIONAL BESTSELLER • From Nobel Prize–winning author Alice Munro come nine short stories with “the intimacy of a family photo album and the organic feel of real life” (The New York Times) “In Munro’s hands, as in Chekhov’s, a short story is more than big enough to hold the world—and to astonish us, again and again.”—Chicago Tribune FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • A TIME BEST BOOK OF THE YEAR • ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY In the nine breathtaking stories that make up this collection, Alice Munro creates narratives that loop and swerve like memory, conjuring up characters as thorny and contradictory as people we know ourselves. The fate of a strong-minded housekeeper with a “frizz of reddish hair,” just entering the dangerous country of old-maidhood, is unintentionally (and deliciously) reversed by a teenaged girl’s practical joke. A college student visiting her aunt for the first time and recognizing the family furniture stumbles on a long-hidden secret and its meaning in her own life. An inveterate philanderer finds the tables turned when he puts his wife into an old-age home. A young cancer patient stunned by good news discovers a perfect bridge to her suddenly regained future. A woman recollecting an afternoon’s wild lovemaking with a stranger realizes how the memory of that encounter has both changed for her and sustained her through a lifetime. Hateship, Friendship, Courtship, Loveship, Marriage is Munro at her best—tirelessly observant, serenely free of illusion, deeply and gloriously humane.
"Engaging Regency romance to sweep you away."--USA Today Happy Ever After Blog Life for Lady Adelaide Bell was easier if she hid in her older sister's shadow--which worked until her sister got married. Even with thepressure of her socially ambitious mother, the last thing she expected was a marriage of convenience to save her previously spotless reputation. Lord Trent Hawthorne couldn't be happier that he is not the duke in the family. He's free to manage his small estate and take his time discovering the life he wants to lead, which includes grand plans of wooing and falling in love with the woman of his choice. When he finds himself honor bound to marry a woman he doesn't know, his dream of a marriage like his parents' seems lost forever. Already starting their marriage on shaky ground, can Adelaide and Trent's relationship survive the pressures of London society?
