Twelfth-century statutes from the Cistercian General Chapter

Twelfth-century statutes from the Cistercian General Chapter

Author: Cistercians

Publisher: Citeaux

Published: 2002

Total Pages: 936

ISBN-13:

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This new edition, based on some two-dozen manuscripts - including more than a half-dozen hitherto unedited manuscripts with extensive series of newly identified statuta - replaces the classic edition by J.-M. CANIVEZ (Statuta Capituli Generalis Ordinis Cisterciensis, v. I [1933]). Beginning with the first recoverable General Chapter statutes and continuing through the statutes of the year 1201, the edition consists of a lengthy Introduction followed by three main parts: I. Annual Statuta; II. Systematic Collections; III. Local Collections. Each part is preceded by an Introduction and Description of Manuscripts; and the individual statuta (in Latin) are accompanied by notes (in English). The volume concludes with a Bibliography and extensive Indices (Monasteries and Religious Communities, Persons, Places, Principal Subjects).


Hymns and Hymnody: Historical and Theological Introductions, Volume 1

Hymns and Hymnody: Historical and Theological Introductions, Volume 1

Author: Mark A. Lamport

Publisher: Wipf and Stock Publishers

Published: 2019-02-21

Total Pages: 367

ISBN-13: 1498299806

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Hymns and the music the church sings are tangible means of expressing worship. And while worship is one of, if not the, central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a 60-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.


Chant and its Origins

Chant and its Origins

Author: ThomasForrest Kelly

Publisher: Routledge

Published: 2017-07-05

Total Pages: 543

ISBN-13: 1351572385

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The Latin liturgical music of the medieval church is the earliest body of Western music to survive in a more or less complete form. It is a body of thousands of individual pieces, of striking beauty and aesthetic appeal, which has the special quality of embodying, of giving voice to, the words of the liturgy itself. Plainchant is the music that underpins essentially all other music of the middle ages (and far beyond), and is the music that is most abundantly preserved. It is a subject that has engaged a great deal of research and debate in the last fifty years and the nature of the complex issues that have recently arisen in research on chant are explored here in an overview of current issues and problems.


Routledge Revivals: Medieval France (1995)

Routledge Revivals: Medieval France (1995)

Author: William W. Kibler

Publisher: Routledge

Published: 2017-07-05

Total Pages: 2385

ISBN-13: 1351665650

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First published in 1995, Medieval France: An Encyclopedia is the first single-volume reference work on the history and culture of medieval France. It covers the political, intellectual, literary, and musical history of the country from the early fifth to the late fifteenth century. The shorter entries offer succinct summaries of the lives of individuals, events, works, cities, monuments, and other important subjects, followed by essential bibliographies. Longer essay-length articles provide interpretive comments about significant institutions and important periods or events. The Encyclopedia is thoroughly cross-referenced and includes a generous selection of illustrations, maps, charts, and genealogies. It is especially strong in its coverage of economic issues, women, music, religion and literature. This comprehensive work of over 2,400 entries will be of key interest to students and scholars, as well as general readers.


Hymns and Hymnody, Volume 1

Hymns and Hymnody, Volume 1

Author: Benjamin K. Forrest

Publisher: James Clarke & Company

Published: 2020-03-26

Total Pages: 370

ISBN-13: 0227907213

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Hymns and the music the church sings are tangible means of expressing worship. As worship is one of the central functions of the church and it occupies a prime focus, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody is an introductory textbook in three volumes describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Each chapter contains five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The missions of Hymns and Hymnody are to provide biographical data on influential hymn writers for students and interested laypeople, and to provide a theological analysis of what the cited composers have communicated in the theology of their hymns. It is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect is missing in accessible formats for the current literature.


Romanesque and the Past

Romanesque and the Past

Author: John McNeill

Publisher: Taylor & Francis

Published: 2024-11-01

Total Pages: 631

ISBN-13: 1040279457

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The nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective quotation, archaism and the construction of histories. The individual essays presented here cover a wide range of topics and media: the significance of consecration ceremonies in the creation of architectural memory, the rise of pictorial concepts in 12th-century chronicles, the creation of history in the Paris of Hugh of St-Victor, and the appeal of the works of Bernward of Hildesheim and of Hrabanus Maurus in the centuries after their deaths. There are studies of buildings and the ideological purpose behind them at Tarragona, Ripoll, Cluny, Pannonhalma (Hungary), La Roccelletta (Calabria), and Old St Peter's, comparative studies of Trier, Villenauxe and Glastonbury, and of Bury St Edmunds, Rievaulx and Canterbury, and wide-ranging papers on the tantalizing evidence for an engagement with an overseas past in Ireland, an Anglo-Saxon past in England, and a Milanese past among the aisleless cruciform churches of Augustinian Europe. The volume concludes with an assessment of the very concept of Romanesque.