Alone... Pregnant... And About to be murdered A one night stand with a mysterious man and four months later Gabrielle Payne is in desperate need of money and pregnant. When things are at the worst, she finds out her mysterious man, Oliver Farnsworth, was murdered and very wealthy with no heir to claim the fortune his mother left him. Gabrielle decides to reveal her secret and ask for just “a little help.” She is taken in by Oliver’s step mother, Neema McGee. The old house of Oliver Farnsworth is larger than any place she’s ever been, but she starts to see things are not what they seem. And she starts to find out several things in the two short weeks that she stays there: ---Oliver Farnsworth was murdered by poison, but his murderer was never found. He has a twin brother, who lives outside of the state and is on the outs with his family. ---The step mother could be greedy and is lying about how happy she is about the Gabrielle’s pregnancy. and lastly…. ----The step mother plans to kill her to gain the fortune Oliver Farnsworth left. WITH NO WHERE ELSE TO TURN, WHAT’S A WOMAN TO DO?
Solve kid-sized dilemmas and mysteries with the Science Solves It! series. These fun science books for kids ages 5–8 blend clever stories with real-life science. Why did the dog turn green? Can you control a hiccup? Is that a UFO? Find the answers to these questions and more as kid characters dive into physical, life, and earth sciences. Grace wants to join her big sister Jane's Bubble Gum Club, but she can't blow a bubble. So Grace finds a good science book and performs a few experiments involving air and bubble-making. When Jane blows up more than she can chew, can Grace save the day -- and find a way into the club? Books in this perfect STEM series will help kids think like scientists and get ahead in the classroom. Activities and experiments are included in every book! (Level One; Science topic: Bubbles)
A “sharply funny and sobering . . . portrait of a family in financial free fall” from the New York Times–bestselling author of Young Jane Young (People). With The Hole We’re In—a bold, timeless, yet all too timely novel about a troubled American family navigating an even more troubled America—award-winning author and screenwriter, Gabrielle Zevin, delivers a work that places her in the ranks of our shrewdest social observers and top literary talents. Meet the Pomeroys: a church-going family living in a too-red house in a Texas college town. Roger, the patriarch, has impulsively gone back to school, only to find his future ambitions at odds with the temptations of the present. His wife, Georgia, tries to keep things afloat at home, but she’s been feeding the bill drawer with unopened envelopes for months and never manages to confront its swelling contents. In an attempt to climb out of the holes they’ve dug, Roger and Georgia make a series of choices that have catastrophic consequences for their three children—especially for Patsy, the youngest, who will spend most of her life fighting to overcome them. The Hole We’re In shines a spotlight on some of the most relevant issues of today: over-reliance on credit, gender and class politics, and the war in Iraq. But it is Zevin’s deft exploration of the fragile economy of family life that makes this a book for the ages. “Blazing . . . Sharp . . . a Corrections for our recessionary times . . . [Zevin] establishes herself as an astute chronicler of the way we spend now.” —Publishers Weekly, starred review
Longlisted for the 2014 National Book Award Never has there been a book of poems quite like Gabriel, in which a short life, a bewildering death, and the unanswerable sorrow of a father come together in such a sustained elegy. This unabashed sequence speaks directly from Hirsch’s heart to our own, without sentimentality. From its opening lines—“The funeral director opened the coffin / And there he was alone / From the waist up”—Hirsch’s account is poignantly direct and open to the strange vicissitudes and tricks of grief. In propulsive three-line stanzas, he tells the story of how a once unstoppable child, who suffered from various developmental disorders, turned into an irreverent young adult, funny, rebellious, impulsive. Hirsch mixes his tale of Gabriel with the stories of other poets through the centuries who have also lost children, and expresses his feelings through theirs. His landmark poem enters the broad stream of human grief and raises in us the strange hope, even consolation, that we find in the writer’s act of witnessing and transformation. It will be read and reread.
The acclaimed science writer presents a wide-ranging exploration of Antarctica’s history, nature, and global significance in this “rollicking good read” (Kirkus). From the early expeditions of Ernest Shackleton to David Attenborough’s documentary series Frozen Planet, the continent of Antarctica has captured the world’s imagination. After the Antarctic Treaty of 1961, decades of scientific research revealed the true extent of its many mysteries. Now former Nature magazine staff writer Gabrielle Walker tells the full story of Antarctica—from its fascinating history to its uncertain future and the international teams of researchers who brave its forbidding climate. Drawing on her broad travels across the continent, Walker weaves all the significant threads of life on the vast ice sheet into a multifaceted narrative, illuminating what it really feels like to be there and why it draws so many different kinds of people. She chronicles cutting-edge science experiments, visits to the South Pole, and unsettling portents about our future in an age of global warming. “We are all anxious Antarctic watchers now, and Walker's book is the essential primer.”—The Guardian, UK
A haunting personal story of Berlin at the end of the Third Reich—and an unflinching investigation into a family’s Nazi past When Gabrielle Robinson found her grandfather’s Berlin diaries, hidden behind books in her mother’s Vienna apartment, she made a shocking discovery—her beloved Api had been a Nazi. The entries record his daily struggle to survive in a Berlin that was 90% destroyed. Near collapse himself Api, a doctor, tried to help the wounded and dying in nightmarish medical cellars without cots, water or light. The dead were stacked in the rubble outside. Searching to understand why her grandfather had joined the Nazi party, Robinson retraces his steps in the Berlin of the 21st century. She reflects on German guilt, political responsibility, and facing the past. But she also remembers Api, who had given her a loving home in those cold and hungry post-war years. “This a must read for anyone interested in the German experience during WWII” —Ariana Neumann, author of When Time Stopped Scroll up and click “buy now” to read Api’s Berlin Diaries today
A New York Times Book Review Notable Book of 2020 Winner of the Ernest J. Gaines Award for Literary Excellence “A comically dark coming-of-age story about growing up on the South Side of Chicago, but it’s also social commentary at its finest, woven seamlessly into the work . . . Bump’s meditation on belonging and not belonging, where or with whom, how love is a way home no matter where you are, is handled so beautifully that you don’t know he’s hypnotized you until he’s done.” —Tommy Orange, The New York Times Book Review In this alternately witty and heartbreaking debut novel, Gabriel Bump gives us an unforgettable protagonist, Claude McKay Love. Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home. Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America. Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.
Included in Time's 100 Must Read Books of 2021 list * A New York Times Best Seller * One of Audible's Best of The Year * AV Club's Best Books to Buy “Funny, tender, and so good.” — Mindy Kaling, #1 New York Times bestselling author of Why Not Me? Remember when we hit it off so well that we decided We’re Going to Need More Wine? Well, this time you and I are going to turn to our friend the bartender and ask, You Got Anything Stronger? I promise to continue to make you laugh, but with this round, the stakes get higher as the conversation goes deeper. So. Where were we? Right, you and I left off in October 2017, when my first book came out. The weeks before were filled with dreams of loss. Pets dying. My husband leaving me. Babies not being born. My therapist told me it was my soul preparing for my true self to emerge after letting go of my grief. I had finally spoken openly about my fertility journey. I was having second thoughts—in fact, so many thoughts they were organizing to go on strike. But I knew I had to be honest because I didn’t want other women going through IVF to feel as alone as I did. I had suffered in isolation, having so many miscarriages that I could not give an exact number. Strangers shared their own journeys and heartbreak with me. I had led with the truth, and it opened the door to compassion. When I released We’re Going to Need More Wine, the response was so great people asked when I would do a sequel. The New York Times even ran a headline reading “We’re Going to Need More Gabrielle Union.” Frankly, after being so open and honest in my writing, I wasn’t sure there was more of me I was ready to share. But life happens with all its plot twists. And new stories demand to be told. This time, I need to be more vulnerable—not so much for me, but anyone who feels alone in what they’re going through. A lot has changed in four years—I became a mom and I’m raising two amazing girls. My husband retired. My career has expanded so that I have the opportunity to lift up other voices that need to be heard. But the world has also shown us that we have a lot we still have to fight for—as women, as black women, as mothers, as aging women, as human beings, as friends. In You Got Anything Stronger?, I show you how this ever-changing life presents challenges, even as it gives me moments of pure joy. I take you on a girl’s night at Chateau Marmont, and I also talk to Isis, my character from Bring It On. For the first time, I truly open up about my surrogacy journey and the birth of Kaavia James Union Wade. And I take on racist institutions and practices in the entertainment industry, asking for equality and real accountability. You Got Anything Stronger? is me at my most vulnerable. I have recently found true strength in that vulnerability, and I want to share that power with you here, through this book.
Emmy Award–winning actress Sharon Gless tells all in this laugh-out-loud, juicy, “unforgettably memorable” (Lily Tomlin) memoir about her five decades in Hollywood, where she took on some of the most groundbreaking roles of her time. Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she’s someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless’s five decades in Hollywood. A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon’s parents’ divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles. Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers. Apparently There Were Complaints delves into Gless’s remarkable career and explores Gless’s complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood’s biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived—never with moderation.
How will she choose, knowing all she must sacrifice? Libby has been given a powerful gift: to live one life in 1774 Colonial Williamsburg and the other in 1914 Gilded Age New York City. When she falls asleep in one life, she wakes up in the other. While she's the same person at her core in both times, she's leading two vastly different lives. In Colonial Williamsburg, Libby is a public printer for the House of Burgesses and the Royal Governor, trying to provide for her family and support the Patriot cause. The man she loves, Henry Montgomery, has his own secrets. As the revolution draws near, both their lives--and any hope of love--are put in jeopardy. Libby's life in 1914 New York is filled with wealth, drawing room conversations, and bachelors. But the only work she cares about--women's suffrage--is discouraged, and her mother is intent on marrying her off to an English marquess. The growing talk of war in Europe only complicates matters. But Libby knows she's not destined to live two lives forever. On her twenty-first birthday, she must choose one path and forfeit the other--but how can she choose when she has so much to lose in each life?
