Cheryl Nixon's book is the first to connect the eighteenth-century fictional orphan and factual orphan, emphasizing the legal concepts of estate, blood, and body. Examining novels by authors such as Eliza Haywood, Tobias Smollett, and Elizabeth Inchbald, and referencing never-before analyzed case records, Nixon reconstructs the narratives of real orphans in the British parliamentary, equity, and common law courts and compares them to the narratives of fictional orphans. The orphan's uncertain economic, familial, and bodily status creates opportunities to "plot" his or her future according to new ideologies of the social individual. Nixon demonstrates that the orphan encourages both fact and fiction to re-imagine structures of estate (property and inheritance), blood (familial origins and marriage), and body (gender and class mobility). Whereas studies of the orphan typically emphasize the poor urban foundling, Nixon focuses on the orphaned heir or heiress and his or her need to be situated in a domestic space. Arguing that the eighteenth century constructs the "valued" orphan, Nixon shows how the wealthy orphan became associated with new understandings of the individual. New archival research encompassing print and manuscript records from Parliament, Chancery, Exchequer, and King's Bench demonstrate the law's interest in the propertied orphan. The novel uses this figure to question the formulaic structures of narrative sub-genres such as the picaresque and romance and ultimately encourage the hybridization of such plots. As Nixon traces the orphan's contribution to the developing novel and developing ideology of the individual, she shows how the orphan creates factual and fictional understandings of class, family, and gender.
The astonishing story that inspired Robert Louis Stevenson’s classic novel Kidnapped. In 1728, in the wake of his father’s death, the twelve-year-old heir to five aristocratic titles and the scion of Ireland’s mighty house of Annesley was kidnapped by his uncle and shipped to America as an indentured servant. Only after twelve more years did “Jemmy” Annesley at last escape, returning to Ireland to bring his blood rival, the Earl of Anglesea, to justice in one of the most captivating trials of the century. Hundreds of years later, historian A. Roger Ekirch delves into the court transcripts and rarely seen legal depositions that chronicle Jemmy’s attempt to reclaim his birthright, in the process vividly evoking the volatile world of Georgian Ireland—complete with its violence, debauchery, ancient rituals, and tenacious loyalties.
This four-volume collection of primarily newly transcribed manuscript material brings together sources from both sides of the Atlantic and from a wide variety of regional archives. It is the first collection of its kind, allowing comparisons between the development of the family in England and America during a time of significant change. Volume 4: Managing Families, II In this final volume documents are focused on some of the more negative aspects of family life. Sections focus on authority, power and discontent; violence and conflict; and death and mourning. Topics include estate disputes, contested marriages, spousal abuse, deaths, wills and memorials.
This 1957 text was the first thorough account of the serial publication of books in the eighteenth century. Professor Wiles shows how, first by serialization in newspapers and then by releasing instalments of a work in progress in small packets of sheets stitched in blue paper and delivered regularly to subscribers, English publishers made new and old books available to a great number of readers. It had not previously been realized how extensive the practice was. As a method of publishing it had important effects: because books could be sent out in instalments the high price of books sold was no longer a bar to the spread of literacy and useful knowledge. After explaining the growth of this method from the last years of the seventeenth century until 1750, Professor Wiles gives important chapters to related questions, such as the state of the law of copyright.