Meet the tourists, former classmates at Yale who, seven years later, must confront the people they've become while forging lives in Manhattan. David, a hedge fund wunderkind who forfeited idealism for wealth, hopes that a more fulfilling life lies ahead in the suburbs. His wife, the beautiful Samona, to whom David returns home nightly with nothing left for her, wonders whether her marriage is stripping away her best years. Ethan, a successful furniture designer with a magnetic sexuality, seeks something darker and more uncertain than the power lunches, needy family, and unsatisfying relationships that comprise his life. Rounding out the group is the story's unnamed narrator, a freelance reporter struggling to stay afloat -- financially, professionally, and emotionally -- who shares complicated histories with each of them. When Ethan and Samona have a chance encounter at a gallery opening, they meet each other's needs. As our narrator traverses the city and gradually reconstructs the events that underlie the present circumstances, his own mysterious role comes into ever sharper focus. Only later, after David commissions Ethan to design some conference rooms at his firm and a secret triangle is formed, does our narrator begin to tie all the pieces together. With The Tourists, Jeff Hobbs delivers a striking and stylish debut about the dark and sometimes destructive aspects of physical attraction and love, marital disillusionment, and the inevitable disappointments life can bring.
In The Tourist, Olen Steinhauer—twice nominated for the Edgar Award—tackles an intricate story of betrayal and manipulation, loyalty and risk, in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's most touted luminaries. “Here’s the best spy novel I’ve ever read that wasn’t written by John le Carré.” —Stephen King, Entertainment Weekly In Olen Steinhauer's explosive New York Times bestseller, Milo Weaver has tried to leave his old life of secrets and lies behind by giving up his job as a "tourist" for the CIA—an undercover agent with no home, no identity—and working a desk at the CIA's New York headquarters. But staying retired from the field becomes impossible when the arrest of a long-sought-after assassin sets off an investigation into one of Milo's oldest colleagues and friends. With new layers of intrigue being exposed in his old cases, he has no choice but to go back undercover and find out who's been pulling the strings once and for all. *BONUS CONTENT: This edition of The Tourist includes a new introduction from the author and a discussion guide
In this classic analysis of travel and sightseeing, author Dean MacCannell brings social scientific understandings to bear on tourism in the postindustrial age, during which the middle class has acquired leisure time for international travel. In The Tourist—now with a new introduction framing it as part of a broader contemporary social and cultural analysis—the author examines notions of authenticity, high and low culture, and the construction of social reality around tourism.
An inventive philosophical study that reconsiders the figure of the tourist. Tourism is a characteristically modern phenomenon, yet modern thinkers have tended to deride the tourist as a figure of homogenizing globalism. This philosophical study considers the tourist anew, as a subject position that enables us to redraw the map of globalized culture in an era increasingly in revolt against the liberal intellectual worldview and its call for the welcome of the "Other." Why has the tourist proved so resistant to philosophical treatment, asks Hiroki Azuma. Tracing the reasons for this exclusion through the work of Rousseau and Voltaire, and subsequently in Kant, Carl Schmitt, Alexandre Kojève, Hannah Arendt, and Hardt and Negri, Azuma contends that the figure of the tourist has been rendered illegible by becoming ensnared in a series of misleading conceptual dichotomies and a linear model of world history. In the widening gap between the infrastructure of globalization and inherited ties of local and national belonging, Azuma’s retheorization of the tourist presents an alternative to the choice between doubling down on local identity and roots, or hoping for the spontaneous uprising of a multitude from within the great networked Empire. For the tourist is the subject capable of moving most freely between the strata of the global and the local. With explorations of the connection between tourism and fan fiction, contingency and "misdelivery," cyberspace and the uncanny, and dark tourism, Azuma’s inventive and optimistic philosophical essay sheds unexpected new light on a mode of engagement with the world that is familiar to us all.
Iceland is in the midst of an unprecedented tourist boom that has brought wealth to the country, but also myriad issues and challenges. Through a series of short essays, this book provides a unique insight into the social and environmental impact that tourism is having on Iceland, and with wit and intelligence offers invaluable tips for touring safely, responsibly, and in harmony with the locals. A fascinating resource for anyone interested in contemporary Iceland, and an essential companion for all visitors to the country. Among the topics addressed in this book: • Why now?—Reasons for the tourism boom in Iceland • The impact of tourism on Iceland’s housing market, health care system, law enforcement, search and rescue operations, and more • Touring Iceland, staying safe—the things to keep in mind while traveling in Iceland’s treacherous terrain • Out driving. The most dangerous parts of Iceland? Its roads! Read our tips for staying safe • What they think of us—he things our visitors complain about • What we think of them: tourist behaviors that really, seriously irk the Icelanders • Crazy stories of tourists in Iceland (hahaha oh lord!) • The environmental footprint: depletion of natural resources, pollution, and the physical impact of tourism • Taxing tourists? The endless debate and what it entails • Can't we just all get along? Tips for touring in harmony with the locals • The truth about those Iceland myths: jailed bankers, believing in elves, the incest app, sleeping around ... don’t believe everything you hear! • The hilarious questions we get (“What time do the northern lights come on?”) ... and so much more! Excerpt "Yes, Iceland’s landscape is treacherous, and there are dangers in both expected and unexpected places. Yet the most dangerous aspect of touring Iceland is not those hot springs, glaciers, or rogue waves, but something far more commonplace: driving. Iceland has a very low population density—only about three people per square kilometer, or eight per square mile. Building and maintaining an efficient road system obviously costs a few crowns, and hitherto the Icelanders have been, if not entirely satisfied, then at least reasonably content with their single-lane highways, gravel roads, and the mountainous F-roads that are generally only open in summer. So here we are, merrily driving on our sub-standard roads and suddenly there is a tourist boom, resulting in far more cars on the road than ever before, including whole convoys of tour buses. This means increased wear and tear on roads that were already unsuitable for so much traffic and that require more frequent maintenance if they are to be kept safe. Also, many Icelandic roads are not built for the volume of traffic that they are now experiencing. For instance, shoulders have been known to collapse when a tour bus has moved too far over to one side of a narrow road, in order to make way for an oncoming vehicle. Thankfully there have been no serious injuries to people under such circumstances, but there have been enough scares to make people stand up and pay attention. A related problem that has been growing ever more serious is the limited experience of many folks when it comes to the driving conditions endemic to Iceland. I am speaking of driving in strong winds, winter driving, two-lane highways, gravel roads, and so on. [...] So the road system definitely needs a major overhaul. However, that is not an undertaking that can be completed overnight, and besides, it is entirely open to debate whether we want all those roads improved. More on that later. For now, at least, we must accept the sort of road system we have, and try our best to make our visitors aware of the main dangers and risks of motoring in Iceland, so that we can all stay safe."
DIVStudy of how the memorials created in Oklahoma City and at the World Trade Center site raise questions about the relationship between cultural memory and consumerism./div
"The original Tourist Gaze was a classic, marking out a new land to study and appreciate. This new edition extends into fresh areas with the same passion and insight of the object. Even more essential reading!" - Nigel Thrift, Vice-Chancellor, Warwick University This new edition of a seminal text restructures, reworks and remakes the groundbreaking previous versions making this book even more relevant for tourism students, researchers and designers. ′The tourist gaze′ remains an agenda setting theory. Packed full of fascinating insights this major new edition intelligently broadens its theoretical and geographical scope to provide an account which responds to various critiques. All chapters have been significantly revised to include up-to-date empirical data, many new case studies and fresh concepts. Three new chapters have been added which explore: photography and digitization embodied performances risks and alternative futures This book is essential reading for all involved in contemporary tourism, leisure, cultural policy, design, economic regeneration, heritage and the arts.
