The story is about a little boy's rise out of the ghetto behind the watchful eye of his uncle. But when his uncle is murdered in the streets by the police his life changed.
To many, Tommy Bolin was the legitimate heir to Jimi Hendrix's rock guitar throne. Stints with the James Gang and Deep Purple - as well as solo albums and a groundbreaking release with jazz-rocker Billy Cobham - certainly proved that the adulation was rightly deserved. And with a techno-color fashion sense, he certainly stood out from the pack. Only one problem, Tommy had a death-defying drug addiction, which ultimately would lead to a premature and tragic end - before he was able to truly take his standing among the elite musicians of the world. 'Touched by Magic: The Tommy Bolin Story' is the first book to focus entirely on the life story of Tommy Bolin - compiled from nearly 50 exclusive interviews (including family, friends, and band members that played alongside Tommy throughout the years). "After reading 'Touched by Magic, ' it seemed to me every interview 'takes you there' for the moment...I give 105 stars to Greg!" -Johnnie Bolin, Tommy's brother
Described as "a bare-knuckle love story where most of the punches were below the belt and no one was saved by the bell", Hood provides riveting details from Dawn Morrison Brady's first encounter with Tommy Morrison to the moment the two-time WBO heavyweight boxing champ succumbed to AIDS in September 2013. Hood's biography of Tommy Morrison is based upon personal interviews with Dawn Morrison Brady, her detailed journal entries that spanned over 13 years, and early life tales as told to her by Tommy's grandparents, parents, brothers and sister. It now serves as a permanent record of the life she lived with him for those same hard-fought, abusive years-in and out of the ring. Hood reveals, in great detail, facts about Tommy's life in and out of the ring, in and out of prison, and in and out of his multiple marriages. Dawn Morrison Brady took every punch Tommy Morrison threw and his death leaves her with what she describes as a mix of "crazy good" and "crazy bad" memories. Despite the negatives, Dawn told Hood, "Tommy was also a very religious man, and was most proud when he was addressed as Champ, but nothing meant as much to him as when his four boys called him Dad.
In All Stories Are True, Tracie Church Guzzio provides the first full-length study of John Edgar Wideman's entire oeuvre to date. Specifically, Guzzio examines the ways in which Wideman (b. 1941) engages with three crucial themes—history, myth, and trauma—throughout his career, showing how they intertwine. Guzzio argues that, for four decades, the influential African American writer has endeavored to create a version of the African American experience that runs counter to mainstream interpretations, using history and myth to confront and then heal the trauma caused by slavery and racism. Wideman's work intentionally blurs boundaries between fiction and autobiography, myth and history, particularly as that history relates to African American experience in his hometown of Pittsburgh, Pennsylvania. The fusion of fiction, national history, and Wideman's personal life is characteristic of his style, which—due to its complexity and smudging of genre distinctions—has presented analytic difficulties for literary scholars. Despite winning the PEN/Faulkner award twice, for Sent for You Yesterday (1984) and Philadelphia Fire (1990), Wideman remains under-studied. Of particular value is Guzzio's analysis of the many ways in which Wideman alludes to his previous works. This intertextuality allows Wideman to engage his books in direct, intentional dialogue with each other through repeated characters, images, folktales, and songs. In Wideman's challenging of a monolithic view of history and presenting alternative perspectives to it, and his allowing past, present, and future time to remain fluid in the narratives, Guzzio finds an author firm in his notion that all stories and all perspectives have merit.
I am Tommy Lee, born Thomas Lee Bass in Athens, Greece, on October 3, 1962, and raised in a suburb of California by an American father and a Greek mother. At seventeen, I joined Mötley Crüe and we became one of the baddest-ass rock bands in history. We sold over 40 million albums, we wreaked havoc, we scared parents, and we titillated too many fathers' daughters. I've been married three times: once for just a few days to a Penthouse Pet, for seven years to Heather Locklear, and then for five years to Pamela Anderson, with whom I have two beautiful sons. I've gotten into a lot of fights and I've been to jail a few times. But this book isn't your typical journey in a straight line from day one to day now. I'm more interested in revealing what's most important about my life, like how I cook my steaks; what I think of the tabloids, the truth, my ex-wives, my ex-band, my music; and what an innocent observer might find hanging around my house any given Sunday. You'll get plenty of facts and I'll tell you a story, but my real mission here is to paint you a picture of my life. I want to show you how my memories smell. I'd like to get into it now, so please take your seats. I advise you to keep your arms and legs inside the car at all times. If you have a pacemaker, a heart condition, or if you are pregnant or too damn short to reach the safety bar, I ask that you turn back immediately. Those with weak stomachs, strict morals, or chronic indigestion should put the book down now. For the rest of you, there's one truth that's real across the board: What you send out is what you get back. Send out the good, people, and it will come back to you. There's another thing I've learned over the years, in court, in fights, and in arguments with people I love: There isn't one truth, there are many. This book is my truth. NOTE: THE EBOOK DOES NOT INCLUDE PHOTOGRAPHS THAT APPEAR IN THE PRINT EDITIONS.
Adopted as a child from the Masonic Home for Children at Oxford, Tommy Malboeuf grew up in Troutman, North Carolina before enlisting in the Navy in the early 1950s. After his military service, Tommy found occasional work surveying and operating heavy equipment, and he also found a personal passion in bluegrass fiddling. He performed and recorded with A.L. Wood and the Smokey Ridge Boys, Roy McMillan's High Country Boys, the Border Mountain Boys, L.W. Lambert and the Blue River Boys, C.E. Ward and his band, Garland Shuping, and Wild Country, among others. In the late 1990s, Tommy began teaching fiddle, maintaining a steady stream of students until at least the early 2000s. He continued to perform as a fiddler, filling in for a variety of local bands and recording cuts on records for bands such as Big Country Bluegrass. This text documents Tommy's life, from his humble beginnings to his lengthy fiddle career. Contextualizing Tommy's work within the Statesville-Troutman bluegrass "scene," chapters also explore the local bluegrass culture of the time. Tommy's extensive repertoire is also listed, including his spectacular fiddle contest wins, band recordings, local jam field recordings, and songs recorded for students, all of which highlight his talent and expertise as a fiddler.