Stories about relationships struggling to connect, or to separate, as well as sorties of the author's life as she navigated her marriage and friendships.
In the winter of 2004, a shy woman named Emma sits in Toby’s office. She wants to share this wonderful new book she’s reading, but Toby, her therapist, is concerned with other things. Emma is transgender, and has sought out Toby for approval for hormone replacement therapy. Emma has shown up at the therapy sessions as an outgoing, confident young woman named Katina, and a depressed, submissive workaholic named Ed. She has little or no memory of her actions when presenting as these other two people. And then Toby asks about her childhood . . . As the story unfolds, we discover clues to Emma’s troubled past and how and why these other two people may have come into existence. As Toby juggles treating three separate people, each with their own unique personalities and memories, he begins to wonder if Emma is merely acting out to get attention, or if she actually has Dissociative Identity Disorder. Is she just a troubled woman in need of help? And is “the third person” in her brain protecting her, or derailing her chances of ever finding peace? The Third Person is a riveting memoir from newcomer Emma Grove. Drawn in thick, emotive lines, with the refined style of a comics vet, Grove has created a singular, gripping depiction of the intersection of identities and trauma. The Third Person is a testament to the importance of having the space to heal and live authentically.
Roberto Esposito is one of leading figures in a new generation of Italian philosophers. This book criticizes the notion of the person and develops an original account of the concept of the impersonal - what he calls the third person
Shortlisted for the CMI's Management Book of the Year Award 2018 and the Business Book Awards 2018 Twenty-five years after the arrival of the Internet, we are drowning in data and deadlines. Humans and machines are in fully connected overdrive - and starting to become entwined as never before. Truly, it is an Age of Overload. We can never have imagined that absorbing so much information while trying to maintain a healthy balance in our personal and professional lives could feel so complex, dissatisfying and unproductive. Something is missing. That something, Julia Hobsbawm argues in this ground-breaking book, is Social Health, a new blueprint for modern connectedness. She begins with the premise that much of what we think about healthy ways to live have not been updated any more than have most post-war modern institutions, which are themselves also struggling in the twenty-first century. In 1946, the World Health Organization defined 'health' as 'a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity.' What we understood by 'social' in the middle of the last century now desperately needs an update. In Fully Connected Julia Hobsbawm takes us on a journey – often a personal one, 'from Telex to Twitter' – to illustrate how the answer to the Age of Overload can come from devising management-based systems which are both highly practical and yet intuitive, and which draw inspiration from the huge advances the world has made in tackling other kinds of health, specifically nutrition, exercise, and mental well-being. Drawing on the latest thinking in health and behavioural economics, social psychology, neuroscience, management and social network analysis, this book provides a cornucopia of case studies and ideas, to educate and inspire a new generation of managers, policymakers and anyone wanting to navigate through the rough seas of overload.
This simple-to-use scripted guide to grammar and composition makes successful teaching easy for both parents and teachers. It uses the classical techniques of memorization, copywork, dictation, and narration to develop a child's language ability in the first years of study.
In the seamy Hong Bay district of Hong Kong, crimes of every shape and size were commonplace. But not letter bombs. Not till Mr Leung and Mr Ramaswamy were successively spread bloodily over the office walls. When Detective Inspector Spencer narrowly escaped becoming victim number 3, the Yellowthread Street police were grimly determined to track down the culprit – before the Special Branch got to him. But unless they could find the link between the neatly timed warning letters, the ghosts in the Chinese graveyard and the strange mission of Mr Conway Kan the millionaire, the killer would go free . . . Gelignite is another tense and exciting drama from the pen of a master. Full of real police procedure, suspense and fine irony, but with whole extra dimensions of the surreal and the poignant, William Marshall's Yellowthread Street novels have no real compare. For those open to their charms, this series is a hidden masterpiece of crime fiction. Praise for the Yellowthread Street series: “Marshall has the rare gift of juggling scary suspense and wild humor and making them both work.” Washington Post Book World “Marshall’s style – blending the hilarious, the surreal, and the poignant – remains inimitable and not easily resisted.” San Francisco Chronicle “Marshall has few peers as an author who melds the wildest comedy and tragedy in narratives of nonstop action.” Publishers Weekly “Marshall is building a growing, iconoclastic body of work that mixes weird fantasy [and] wayward characterization . . . to produce a subtle, charged, atmospheric, lush fiction hybrid sure to satisfy those with a taste for mysteries on the far edges.” Philadelphia Inquirer “Despite the wild humor, Marshall’s stories contain excellent police procedure, real suspense, and fine irony . . . incessantly scary.” Chicago Tribune “Among the best police procedural series on the market.” Detroit Free Press “As an inspired poet of the bizarre, [Marshall] orchestrates underlying insanity into an apocalyptic vision of the future.” New York Times Book Review “Marshall’s novels feature seemingly supernatural events that turn out to have logical, if not precisely rational, origins. He has savage fun with police procedure.” TIME “Nobody rivals Marshall’s ability to expose the links between comic hysteria and the most mundane human foibles, from greed to cowardice to simple funk.” Kirkus Reviews “Moves at the speed of a bullet; don’t read it aloud or you’ll run out of breath.” Chicago Sun-Times
Narrative strategies for vast fictional worlds across a variety of media, from World of Warcraft to The Wire. The ever-expanding capacities of computing offer new narrative possibilities for virtual worlds. Yet vast narratives—featuring an ongoing and intricately developed storyline, many characters, and multiple settings—did not originate with, and are not limited to, Massively Multiplayer Online Games. Thomas Mann's Joseph and His Brothers, J. R. R. Tolkien's Lord of the Rings, Marvel's Spiderman, and the complex stories of such television shows as Dr. Who, The Sopranos, and Lost all present vast fictional worlds. Third Person explores strategies of vast narrative across a variety of media, including video games, television, literature, comic books, tabletop games, and digital art. The contributors—media and television scholars, novelists, comic creators, game designers, and others—investigate such issues as continuity, canonicity, interactivity, fan fiction, technological innovation, and cross-media phenomena. Chapters examine a range of topics, including storytelling in a multiplayer environment; narrative techniques for a 3,000,000-page novel; continuity (or the impossibility of it) in Doctor Who; managing multiple intertwined narratives in superhero comics; the spatial experience of the Final Fantasy role-playing games; World of Warcraft adventure texts created by designers and fans; and the serial storytelling of The Wire. Taken together, the multidisciplinary conversations in Third Person, along with Harrigan and Wardrip-Fruin's earlier collections First Person and Second Person, offer essential insights into how fictions are constructed and maintained in very different forms of media at the beginning of the twenty-first century.