The Manyoshu is the great literary work of eighth century Japan, a collection comprising work from more than four hundred writers. Its richness and nobility of sentiments have made the Manyoshu an object of literary fascination for centuries. Ten Thousand Leaves is a selection of love poems from this magnificent anthology,selected and translated by world renowned scholar Harold Wright and complemented by spectacular period art.
Features 1,000 poems from the oldest Japanese poetry anthology, chosen by a scholarly committee based on their poetic excellence and their role in revealing the Japanese national spirit and character. Text is in English only.
Set between Holland and a remote Indonesian island, this intimate magical realism novel offers “an offbeat narrative that has the timeless tone of a legend” (Time). “Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” —Cheryl Strayed, author of Wild The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.
Twelve-year-old Golden Maroni starts eighth grade determined to be master of his universe, but learns he cannot control everything on the soccer field, in his friendships, and especially in facing his father's incurable disease.
The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.
In this sequel to A Thousand Pieces of You by New York Times bestselling author Claudia Gray, Marguerite races through various dimensions to save the boy she loves. Ever since she used the Firebird, her parents' invention, to cross through to alternate dimensions, Marguerite has caught the attention of enemies who will do anything to force her into helping them dominate the multiverse—even hurt the people she loves. She resists until her boyfriend, Paul, is attacked, and his consciousness is scattered across multiple dimensions. The hunt for each splinter of Paul's soul sends Marguerite racing through a war-torn San Francisco, the criminal underworld of New York City, and a glittering Paris where another Marguerite hides a shocking secret. Each dimension brings Marguerite one step closer to rescuing Paul. But with every trial she faces, she begins to question the one constant she's found between the worlds: their love for each other.
Gloria, a young prostitute who has a son, make an ageement to help widower John Williams raise his infant daughter, but, after a tragic event, she finds herself longing for a family.
Vermont, New Year's Eve, 1987. All Jude wants to do is get high. All Teddy wants to do is get out. One of them won't live to see 1988. In the wake of this death, three teenagers will try to find a way of honouring their lost friend. Is clean living the answer? Is parenthood? Or the simplicity of carrying out a last wish?
