Suffragist Sheet Music

Suffragist Sheet Music

Author: Danny O. Crew

Publisher: McFarland

Published: 2015-09-16

Total Pages: 415

ISBN-13: 1476607443

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This is an exhaustive reference work of sheet music published in the United States from the late 18th century to the year after adoption of the 19th amendment to the Constitution granting women the right to vote. In chronological order, the entries present bibliographic data (words by, music by, published in, published by, copyright, size, cover, inside, key, location) on each piece of music, a photographic depiction of the cover or first page (where available), and the complete lyrics for each piece. Included are early music of a rebellious nature, music surrounding the early woman's rights conventions, and pro and anti woman's rights and suffrage pieces from 1795 on; a limited number of entries on non-U.S. sheet music are presented also. General music about women, sentimental and love songs, and songs related to traditional roles and stereotypes have not been included.


Sweet Freedom's Song

Sweet Freedom's Song

Author: Robert J. Branham

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 289

ISBN-13: 0195137418

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"This is a celebration and critical exploration of the complicated musical, cultural and political roles played by the song America over the last 250 years."--Provided by publisher.


An American Singing Heritage

An American Singing Heritage

Author: Norm Cohen

Publisher: A-R Editions, Inc.

Published: 2021-12-20

Total Pages: 597

ISBN-13: 1987207289

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This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud’s Folk Song Index, catalogues of commercial early country (or "hillbilly") recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from (1) commercial recordings of "hillbilly" musicians, and (2) field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. Each transcription is accompanied by a brief contextualizing essay discussing the song’s history and influence, recording and performance information (whenever available), and an examination of the tune. The edition begins with a substantive essay about the history of folk song recordings and folk song scholarship, and the nature of traditional vocal music in the United States.