Passionate and iconoclastic, these 80 articles and essays represent Ueland's entirely original view of the moral, social, and political issues of Midwestern, and American life. "Her personality leaps off the page in all its quirky intensity."--Wilson Library Bulletin
Military forces have long been the arbiters of national security and continues to be at the vanguard of assuring the sovereignty and stability of a nation. This is an enduring fact. However, in the past few decades, the role of the military forces have undergone an evolutionary change and now spans a much broader spectrum of activities than ever before. Accordingly, the responsibilities placed on the military forces, especially in democratic nations, have also undergone an upward revision. These changes have altered the status and stature of military forces. This book analyses the changing position of military forces and their relationship with other elements of national power vis-à-vis the need to ensure national security. The analysis is carried out in great detail—starting with a discussion of national policy, grand strategy and their connection to the military forces and ending with a discussion of the status of military forces in the national security calculus. It is arranged into five independent sections that contain twenty chapters. The Sword Arm examines the hypothesis that irrespective of the broad definition of national security that is prevalent in modern times and the whole-of-government approach that most democracies have adopted to ensure the security and safety of the nation, military forces continue to be at the vanguard of national security initiatives. On the other hand, democratic nations have a proclivity to sideline the military forces in times of relative peace, which could be detrimental to the overall security of the nation. The book critically investigates this dichotomy and suggests that in 21st century democracies, military forces need to be strengthened to ensure the security of the nation.
The most detailed and comprehensive treatise on swordsmanship ever written, Gerard Thibault's Academy of the Sword offers an extraordinary glimpse into a forgotten landscape of ideas, in which Pythagorean sacred geometry illuminated the lethal realities of rapier combat to create one of the Western world's only thoroughly documented esoteric martial arts. Translated by the widely respected occultist and scholar John Michael Greer, this stunningly illustrated and precisely detailed manual of Renaissance swordsmanship is a triumphant document of Renaissance culture-as well as a practical manual of a martial art that can still be studied and practiced today.
To many, the foreign policy directives of the United States seem bewildering and sometimes inharmonious with its domestic political values. Why does the U.S. seem to support foreign dictators? Why has it invested so many of its resources in stockpiling nuclear arms? Why doesn't the U.S. act as a force for peace throughout the world? In this probing, provocative analysis, Michael Parenti reveals the hidden agenda of American foreign policy decsisions. No matter which party is in power, the U.S. acts to protect the interests of large American-based corporations, in order to maintain valuable overseas markets and cheap foreign labor. In lucid detail, Michael Parenti examines just how these very private interests determine America's public policy goals, from the impoverishment of developing nations to the building of an intimidating nuclear arsenal. What he discovers will surely be controversial and suggests that the greatest threats to democracy—both here and abroad—may emanate from within the United States itself.
From the gruff, sword-toting swashbucklers of the Middle Ages to modern adventure epics like The Princess Bride, the aura surrounding the sword is one that is both romantic and pragmatic. Thoughts of this weapon bring to mind images of the Knights of the Round Table, Zorro, the Three Musketeers—the things daydreams are made of. Historically, the fate of the empires revolved around the sword; nations rose and fell based on the power of their swordsmen. For centuries it was the weapon of choice in settling personal disputes. Today, the art of sword fighting has been incarnated as the dynamic, chess-like sport of fencing. It has also played an important part in the history of theatre and film, and it has been part of literature for as long as there have been books. In its varied guises, the sword has for centuries figured in the world's varied cultures, myths, and politics. Yet, there has never been a comprehensive volume on the subject of the sword until the publication of this encyclopedia. For the first time, in a single volume one can locate information on the history of sword types and styles around the world; techniques of combat sword use; techniques and styles of modern sport fencing; names and descriptions of various fencing implements and weapon types; swashbuckler films and the fencing masters who influenced the genre; significant individuals who have taught sword use; the sword at the Olympics; the literature in which the rapier, foil, or broadsword has figured; and much, much more. Essential reading for fencing and military history enthusiasts.
From the author of Renaissance Swordsmanship comes the most comprehensive and historically accurate view ever of the lost fighting arts of Medieval knights, warriors and men-at-arms. Based on years of extensive training and research in the use of European swords, it contains highly effective fighting techniques for the sword, sword & shield, long-sword, great-sword, pole-arm and more. And with more than 200 illustrations and rare historical documents, it is a scholarly reference as well as a hands-on training guide for martial artists of all levels.
This book is the result of more than a decade of intensive research in the field of Iranian arms and armor, illustrating for the first time selected arrays from 10 Iranian museums. The topic is introduced with a general overview of Iranian history with particular emphasis on military history. Drawing from more than 500 sources, this study also includes an overview of the development of historical copper, bronze, iron, and steel weapons such as swords, bows, maces, axes, shields, armor, and more. In-depth information regarding the classification of the various artifacts is also presented, and different signatures on swords and other weapons are illustrated within the treatise, exploring each item in its cultural setting. A chapter dedicated to the martial arts and warrior training in ancient Iran, traces of which are still evident in the modern culture, is also featured.
"This extensively illustrated catalogue is published in conjunction with the first comprehensive exhibition devoted to the arts of the samurai, including the finest examples of swords - the spirit of the samurai - as well as sword mountings and fittings, armor and helmets, saddles, textiles, and paintings. The works in the catalogue, drawn from public and private collections in Japan, include 34 officially designated National Treasures and 64 Important Cultural Properties, the largest number ever to be shown together at one time. Dating from the 5th to the early 20th century, these majestic objects offer a complete picture of samurai culture and its unique blend of the martial and the refined." "Many of the greatest Japanese swordsmiths are represented in this volume, from early masters such as Yasuie (12th century) and Tomomitsu (14th century) to the Edo-period smiths Nagasone Kotetsu and Kiyomaro. The blades by these and other masters, cherished as much for their beauty as for their cutting efficiency, were equipped with elaborate hilts and scabbards prized for their exquisite craftsmanship and fine materials such as silk, rayskin, gold, lacquer, and certain alloys unique to Japan. Japanese armor is also fully surveyed, from the rarest iron armor of the Kofun period (5th century) to the inventive ceremonial helmets made toward the end of the age of the samurai." --Book Jacket.
Set in 1853 in Japan, this novel follows Yoshi, a Japanese boy who dreams of someday becoming a samurai. Unfortunately, as part of the serving class, Yoshi can never become a warrior. He is taken up by Manjiro, the protagonist of Preus’s Heart of a Samurai, and becomes his servant and secret watchdog. Meanwhile, Commodore Matthew Perry and his USS Susquehanna squadron of steamships arrive in Edo Bay demanding “diplomatically” that Japan open its ports to foreign trade. Aboard the commodore’s flagship is a cabin boy, Jack, who becomes separated from his American companions while on shore. When he and Yoshi cross paths, they set out on a grand adventure to get Jack back to his ship before he is discovered by the shogun’s samurai.
To save his kingdom, a stable boy steps through a portal to the future When the duke dies, the evil wizard Albericus presents his heir with the sword of Aradel, a magical blade whose owner can never be bested in combat. Brian, the stable boy, has no interest in politics until the day that he spills a water trough onto the new duke’s horse and finds the sword of Aradel pointed at his throat. He picks up his quarterstaff, expecting certain death, but the lowly stable boy defeats the duke with ease. The sword of Aradel is a fake! The true sword has been hidden by spell in a far-off future land. A powerful sorceress knights Brian and sends him forward in time to find the blade that will save the kingdom. With Albericus in pursuit, Brian charges through the portal and emerges in a strange new world known as New York City, where a magic sword waits for a noble knight to wield it once again.