This book takes what is often referred to as the "supernatural" to be normal natural phenomena that are closely linked to the neurobiology of the human species. Reflecting the neurocultural and biocultural perspective, the chapters cover phenomena such as out-of-body experiences, ghosts, and experiences of spirit entities. The contributors consider the "supernatural" as emerging from innate neurobiological structures and functions, and reflecting known neurobiological processes that explain their universality and persistence.
Compares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as "inner theatre" elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (or God) watch and interact with them in awe-inspiring spaces, grooming affects toward in-group identification and sacrifice, or out-group rivalry and scapegoating. In a study of over 80 buildings – shown by 40 images in the book, plus thousands of photos and videos online – Pizzato demonstrates how they reflect meta-theatrical projections from prior generations. They also affect the embodied, embedded, enacted, and extended (4E) cognition of current visitors, who bring performance frameworks of belief, hope, and doubt to the sacred site. This involves neuro-social, inner/outer theatre networks with patriarchal, maternal, and trickster paradigms. European Churches and Chinese Temples as Neuro-Theatrical Sites investigates performative material cultures, creating dialogs between theatre, philosophy, history, and various (cognitive, affective, social, biological) sciences. It applies them to the architecture of religious buildings: from Catholic, Orthodox, and Protestant in Europe, plus key sites in Jerusalem and prior “pagan” temples, to Buddhist, Daoist, Confucian, and imperial in China. It thus reveals individualist/collectivist, focal/holistic, analytical/dialectical, and melodramatic/tragicomic trajectories, with cathartic poetics for the future.
Archaeoacoustics, the study of sound in the past, is increasingly attracting attention. Although some work, particularly in musical archaeology, had been conducted previously, the field received a significant boost when the term itself was coined by Scarre and Lawson in their 2006 volume of that name, which brought together two major distinct strands: archaeomusicology and the acoustics of archaeological spaces. Since 2006, the number of publications has steadily been growing, yet the field remains in its infancy. This is partly due to the complexity inherent in the analysis of sound, which requires multidisciplinary collaboration across various disciplines. This complexity is reflected in the approaches followed and the contributors from diverse academic fields, including not only archaeology but also anthropology, architecture, classics, history, art history, and sound engineering. The aim is to provide an overview of a selection of the different topics covered by the field of archaeoacoustics. Contributors aspire to advancing the field through innovative approaches, including those stemming from psychology, a field not commonly associated with archaeology. Additionally, the book seeks to expand the field by developing a number of new ideas based on novel case studies. It presents some of the results derived from major research projects, such as the ERC funded Artsoundscapes and the Soundspace projects led by Díaz-Andreu and Knighton, respectively. The book will cover a wide range of topics, including a synthetic history of research provided in the introduction, theories about the origins of music in early humans, experimental archaeomusicology, approaches from the fields of neuroacoustics and psychoacoustics, experimental studies of portable and fixed lithophones and other musical instruments, explorations of soundscapes, representations of sound in early medieval frescoes, late medieval urbanscapes, and post-medieval proxemics. Case studies are located in America, Asia, and Europe.
For millennia, people have universally engaged in ecstatic experience as an essential element in ritual practice, spiritual belief and cultural identification. This volume offers the first systematic investigation of its myriad roles and manifestations in the ancient Mediterranean and Near East. The twenty-nine contributors represent a broad range of scholarly disciplines, seeking answers to fundamental questions regarding the patterns and commonalities of this vital aspect of the past. How was the experience construed and by what means was it achieved? Who was involved? Where and when were rites carried out? How was it reflected in pictorial arts and written records? What was its relation to other components of the sociocultural compact? In proposing responses, the authors draw upon a wealth of original research in many fields, generating new perspectives and thought-provoking, often surprising, conclusions. With their abundant cross-cultural and cross-temporal references, the chapters mutually enrich each other and collectively deepen our understanding of ecstatic phenomena thousands of years ago. Another noteworthy feature of the book is its illustrative content, including commissioned reconstructions of ecstatic scenarios and pairings of works of Bronze Age and modern psychedelic art. Scholars, students and other readers interested in antiquity, comparative religion and the social and cognitive sciences will find much to explore in the fascinating realm of ecstatic experience in the ancient world.
The T&T Clark Handbook to the Historical Paul gathers leading voices on various aspects of Paul's biography into a thorough reconsideration of him as a historical figure. The contributors show how recent trends in Pauline scholarship have invited new questions about a variety of topics, including his social location, his mode of subsistence, his cultural formation, his place within Judaism, his religious experience and practice, and his affinities with other religious actors of the Roman world. Through careful attention to biographical detail, social context, and historical method, it seeks to describe him as a contextually plausible social actor. The volume is structured in three parts. Part One introduces sources, methods, and historiographical approaches, surveying the foundational texts for Paul and the early Pauline tradition. Part Two examines key biographical questions pertaining to Paul's bodily comportment, the material aspects of his career, and his religious activities. Part Three reconstructs the biographical portraits of Paul that emerge from the letters associated with him, presenting a series of “micro-biographies” pieced together by leading Pauline scholars.
This book explores the experience of time in psychoanalysis and Andean shamanism. It plots ways to work through unresolved trauma by expanding how we conceptualize both implicit and nonverbal atemporal experience, drawing from the rituals, narratives, and medicine of Andean shamans and quantum theory. Shifting between subjective states in time is fundamental in trauma work and psychoanalysis. Integrating traumatic experiences that have become split off and held in “timeless” unconscious states of implicit memory is an essential aspect of psychic healing. Becoming familiar with the Andean shamans’ understanding of atemporal experience, as well as learning about their ways of “grounding” the experience consciously, can offer a route through which psychoanalysis and therapy may deepen the therapeutic process and open new states of consciousness. Theories developed in quantum physics are included to parallel the shamans’ experience and for describing the analytic process. Written by a noted expert in this field, this insightful volume will interest trainee and practitioner analytical psychologists, as well as any professional interested in the resolution of trauma within a psychotherapeutic setting.
The International Conference on Complex Systems (ICCS) offers a unique interdisciplinary venue for researchers from the physical and biological sciences, social sciences, psychology and cognitive science, engineering, medicine, human systems, and global systems. This proceedings volume gathers selected papers from the conference. The New England Complex Systems Institute (NECSI) has been instrumental in the development of complex systems science and its applications. NECSI pursues research, education, knowledge dissemination, and community development efforts around the world to promote the study of complex systems and its application for the benefit of society. NECSI hosts the International Conference on Complex Systems and publishes the NECSI Book.
There has recently been a renewed interest in both casual use of psychedelics as well as experimental use and attempts to discover therapeutic value. There is an effort to recapture the achievements and failures of past work to guide present use. This book is based around material derived from unpublished scientific research from Dr. Robert Mogar’s laboratory and built upon by forty years of field research by the author. The author Niccolo Caldararo participated in a number of studies of perception, including sensory deprivation and psychotropic drugs, some of recent manufacture or discovery and some of primitive or traditional societies. He places this analysis of the physiological aspects of hallucinations, delusions, visions and dreamsn context through an , as well as cross cultural data on dreams, dreaming and drug use and the social value of hallucinations, dreams and visions. The book reviews ethnographic literature in this area and contributes to a comprehensive evaluation of past work done in this area.
