Whenever society produces a depraved criminal, we wonder: is it nature or is it nurture? When the charlatan Alicks Sly murdered his wife, Ellie, and killed himself with a cut-throat razor in a house in Sydney's Newtown in early 1904, he set off a chain of events that could answer that question. He also left behind mysteries that might never be solved. Sociologist Dr Tanya Bretherton traces the brutal story of Ellie, one of many suicide brides in turn-of-the-century Sydney; of her husband, Alicks, and his family; and their three orphaned sons, adrift in the world. From the author of the acclaimed THE SUITCASE BABY - shortlisted for the 2018 Ned Kelly Award, Danger Prize and Waverley Library 'Nib' Award - comes another riveting true-crime case from Australia's dark past. THE SUICIDE BRIDE is a masterful exploration of criminality, insanity, violence and bloody family ties in bleak, post-Victorian Sydney.
The charlatan Alicks Sly murdered his wife, Ellie, and killed himself with a cut-throat razor in a house in Sydney's Newtown in early 1904, leaving their children to a wretched fate. He wasn't the only man to murder his wife - or try - that year. Life in the big city could be harsh and brutal, and so could marriage. Sociologist Tanya Bretherton traces the brutal story of Ellie, one of several murderer's brides in turn-of-the-century Sydney; of her husband, Alicks, and his family; and their three orphaned sons, adrift in the world. From the author of the acclaimed THE SUITCASE BABY - shortlisted for the 2018 Ned Kelly Award, Danger Prize and Waverley Library 'Nib' Award - comes another riveting true-crime case from Australia's dark past. THE MURDERER'S BRIDE is a masterful exploration of criminality, insanity, violence and bloody family ties in bleak, post-Victorian Sydney. **Includes an extract from THE SUITCASE BABY and an extract from Tanya Bretherton's latest fascinating true-crime story, THE KILLING STREETS**
Three generations of Irish nobles face their family secrets in this spellbinding novel from the award-winning author of the Boleyn King trilogy. The Gallagher family has called Deeprath Castle home for seven hundred years. Nestled in the Wicklow Mountains of Ireland, the estate is now slated to become a public trust, and book lover and scholar Carragh Ryan is hired to take inventory of its historic library. But after meeting Aidan, the current Viscount Gallagher, and his enigmatic family, Carragh knows that her task will be more challenging than she’d thought. Two decades before, Aidan’s parents died violently at Deeprath. The case, which was never closed, has recently been taken up by a new detective determined to find the truth. The couple’s unusual deaths harken back a century, when twenty-three-year-old Lady Jenny Gallagher also died at Deeprath under mysterious circumstances, leaving behind an infant son and her husband, a renowned writer who never published again. These incidents only fueled fantastical theories about the Darkling Bride, a local legend of a sultry and dangerous woman from long ago whose wrath continues to haunt the castle. The past catches up to the present, and odd clues in the house soon have Carragh wondering if there are unseen forces stalking the Gallagher family. As secrets emerge from the shadows and Carragh gets closer to answers—and to Aidan—could she be the Darkling Bride’s next victim? Praise for The Darkling Bride “A gorgeous concoction of Victorian gothic, mystery, and romance, all with an unforgettable library, The Darkling Bride is the perfect book to curl up with in front of a roaring fire. Laura Andersen has created a masterpiece.”—Tasha Alexander, New York Times bestselling author of the Lady Emily Mysteries “Who can say no to an abandoned castle, a mysterious library, a renowned Victorian novelist, a brooding viscount, and a mystery that goes back several generations? Andersen captures the gothic tone perfectly, drawing you into the secrets of Deeprath Castle. . . . Perfect for reading on a rainy day with a strong cup of Irish tea!”—Lauren Willig, New York Times bestselling author of That Summer
THE RUNAWAY INTERNATIONAL BESTSELLER “The Bride Stripped Bare shows us the inside–out of marriage, infidelity, obsession and taxi drivers (I may never take a cab ride in London again). . . . Few books can be both dark and light. This one dances on the edge, and sometimes crosses it, with much satisfaction to be had on either side.”— Valerie Frankel, author of The Accidental Virgin An explosive novel of sex, secrecy, and escape. A woman disappears. Her car lies abandoned on a remote bluff; no body is found. Known by her family and friends as quiet and self-contained, she has left behind an incendiary diary chronicling a disturbing journey of sexual awakening. The diary opens on her honeymoon in Morocco: she believes herself to be happy—or happy enough, anyway. Swiftly, this security masquerading as love fractures in an act of massive betrayal, only to propel her into a world of desire and fantasy and recklessness. In need of guidance, she finds an unlikely heroine in the anonymous author of a dusty, rare manuscript. Written by a woman in the 1600s, it is a cry from the heart for women to live and love freely. Emboldened, she allows herself to discover the intoxicating power of knowing what she wants and how to get it. The question is, how long can her soul sustain a perilous double life? Coolly impassioned, Bride Stripped Bare tells shocking truths about love and sex. Couched in a deceptively simple style, its gorgeous, incantatory rhythms will make you question whether it is ever entirely possible to know another person.
From the bestselling author of The Handmaid's Tale and The Testaments—one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony—university classmates decades ago—were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives. A brilliantly inventive fabulist, Zenia had a talent for exploiting her friends’ weaknesses, wielding intimacy as a weapon and cheating them of money, time, sympathy, and men. But one day, five years after her funeral, they are shocked to catch sight of Zenia: even her death appears to have been yet another fiction. As the three women plot to confront their larger-than-life nemesis, Atwood proves herself a gleefully acute observer of the treacherous shoals of friendship, trust, desire, and power.
SHORTLISTED FOR THE 2018 NED KELLY AWARD, DANGER PRIZE AND WAVERLEY LIBRARY NIB True history that is both shocking and too real, this unforgettable tale moves at the pace of a great crime novel. In the early hours of Saturday morning, 17 November 1923, a suitcase was found washed up on the shore of a small beach in the Sydney suburb of Mosman. What it contained - and why - would prove to be explosive. The murdered baby in the suitcase was one of many dead infants who were turning up in the harbour, on trains and elsewhere. These innocent victims were a devastating symptom of the clash between public morality, private passion and unrelenting poverty in a fast-growing metropolis. Police tracked down Sarah Boyd, the mother of the suitcase baby, and the complex story and subsequent murder trial of Sarah and her friend Jean Olliver became a media sensation. Sociologist Tanya Bretherton masterfully tells the engrossing and moving story of the crime that put Sarah and her baby at the centre of a social tragedy that still resonates through the decades. **Includes an extract from Tanya's latest fascinating and chilling true crime story, The Killing Streets**
This volume argues that ancient Greek girls and early Christian virgins and their families made use of rhetorically similar traditions of marriage to an otherworldly bridegroom in order to handle the problem of a girl’s denied or disrupted transition into adulthood. In both ancient Greece and early Christian Rome, the standard female transition into adulthood was marked by marriage, sex, and childbirth. When problems arose just before or during this transition, the transitional girl’s status within society became insecure. Walker presents a case for how and why the dead Greek virgin girl, depicted in Archaic through Hellenistic sources, in both texts and inscriptions, as a bride of Hades, and the life-long female Christian virgin or celibate ascetic, dubbed the bride of Christ around the third century CE, provide a fruitful point of comparison as particular examples of strategies used to neutralize the tension of disrupted female transition into adulthood. Bride of Hades to Bride of Christ offers a fascinating comparative study that will be of interest to anyone working on virginity and womanhood in the ancient world.
A newlywed woman’s return to Southern society begins an epic and hilarious journey of self-discovery in this satirical novel. Katherine Clark’s The Harvard Bride begins with the wedding of Daniel Dobbs and Caroline Elmore, college sweethearts introduced in Clark’s novel, All the Governor’s Men. In this wry comedy of manners, their new life—complete with freshly minted Ivy League educations—begins in the “Tiny Kingdom” of Mountain Brook, Alabama. Unwilling to join the Junior League, look for a house, contemplate motherhood, or even finish her thank-you notes, Caroline can’t seem to find her bearings—or even fulfill her calling as a writer. Meanwhile, Daniel’s law career is going so well she hardly sees him. The most exciting aspect of her life is her handsome next-door neighbor, who also happens to be a writer. The reappearance of an old school friend, a southern belle bombshell in hot pursuit of all eligible bachelors and potential real estate clients, only adds to Caroline’s problems. When she accepts a surprise job offer at the University of Alabama, she begins to put together an identity of her own—until it falls inexplicably apart. Also featuring the return of larger-than-life Brook-Haven headmaster Norman Laney, The Harvard Bride is at once a social satire and a richly nuanced love story.
The nineteenth-century eccentric Ida C. Craddock was by turns a secular freethinker, a religious visionary, a civil-liberties advocate, and a resolute defender of belly-dancing. Arrested and tried repeatedly on obscenity charges, she was deemed a danger to public morality for her candor about sexuality. By the end of her life Craddock, the nemesis of the notorious vice crusader Anthony Comstock, had become a favorite of free-speech defenders and women's rights activists. She soon became as well the case-history darling of one of America's earliest and most determined Freudians. In Heaven's Bride, prize-winning historian Leigh Eric Schmidt offers a rich biography of this forgotten mystic, who occupied the seemingly incongruous roles of yoga priestess, suppressed sexologist, and suspected madwoman. In Schmidt's evocative telling, Craddock's story reveals the beginning of the end of Christian America, a harbinger of spiritual variety and sexual revolution.
Descended of the powerful sons of MacAlpin, Iain MacKinnon refuses to bow to the English. But when his young son is captured, the fierce Scottish chieftain vows to stop at nothing to secure the lad's return. Retaliating in kind, he captures the daughter of his enemy, planning to bargain with the devil.FitzSimon's daughter has lived her entire life in the shadows of the man she called father--yet never would she have imagined he would deny his only daughter. Even as Page blames her captor for welching on a contract with her father, she suspects the truth... the shadows hold secrets. Now only the love of her reluctant champion can save the MacKinnon's Bride.This book begins the Highland Brides series.
