From the Subsidized Muse to Creative Industries: Convergences and Compromises

From the Subsidized Muse to Creative Industries: Convergences and Compromises

Author: Keti Lelo

Publisher: Roma TrE-Press

Published: 2019-11-01

Total Pages: 152

ISBN-13: 8832136805

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La difficoltà di "collocare" le attività economiche derivanti dalla cultura e dalla creatività in un contesto di coerenza ed intelligibilità ha impedito agli studiosi e ai responsabili delle politiche economiche di giungere a conclusioni condivise sui criteri di definizione di questo settore economico. La mancanza di chiarezza nella terminologia raggiunse l'apice alla fine degli anni Novanta, quando le "industrie creative" sostituirono le "industrie culturali", termine fino ad allora ampiamente diffuso e utilizzato nelle politiche culturali nazionali e internazionali. Alla luce dell'intenso dibattito accademico sviluppato attorno alle industrie culturali e creative, la prima parte di questo libro analizza tensioni, dibattiti e divergenze nelle definizioni, nonché le peculiari caratteristiche di queste industrie. Vengono inoltre illustrati gli effetti dell'applicazione di diversi schemi di classificazione del settore culturale e creativo sul suo peso economico, e discusse le difficoltà che esso incontra nella competizione con altri settori per accedere ai programmi di finanziamento europeo. La seconda parte del libro indaga le molteplici relazioni che le industrie creative installano tra di loro e con il contesto urbano. I modelli di localizzazione delle imprese creative vengono analizzati in un caso di studio nella Città metropolitana di Roma. Le distribuzioni spaziali dei diversi settori creativi sono studiate utilizzando punti georiferiti come input per un modello statistico basato sulla funzione K di Ripley. Un'ipotesi nulla di distribuzione casuale viene verificata per le seguenti condizioni: analizzando la distribuzione spaziale di ogni singolo settore creativo rispetto al resto delle attività creative; confrontando a coppie i settori creativi per identificare quelli che rivelano attrazione reciproca; confrontando, per ciascun settore creativo, i modelli di localizzazione delle attività core-creative rispetto alla localizzazione delle rispettive funzioni di servizio. L'analisi empirica ha mostrato che, nella maggior parte dei casi, i settori core-creativi hanno la tendenza di raggrupparsi nello spazio a piccole distanze mentre i rispettivi settori di servizio sono dispersi internamente e disposti attorno al cuore. I confronti reciproci hanno rivelato l'esistenza di cluster creativi urbani caratterizzati dalla coesistenza di diverse attività creative. DOI: 10.13134/978-88-32136-80-7


The Subsidized Muse

The Subsidized Muse

Author: Dick Netzer

Publisher: Ashgate Publishing

Published: 1993

Total Pages: 289

ISBN-13: 9780751201420

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This text provides a review and analysis of the rationale for public support of the arts, its development in the US and the policies and institutions through which public support is provided. The effects of public support in practice - on the major high-culture performance arts and disciplines, and on 16 more or less representative organizations - are analyzed, in relation to the expressed goals of the granting authorities, and substantial changes in policy as proposed.


The Poorhouse

The Poorhouse

Author: Devereux Bowly

Publisher: SIU Press

Published: 2012-07-05

Total Pages: 290

ISBN-13: 080939068X

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Chicago seems an ideal environment for public housing because of the city’s relatively young age among major cities and well-deserved reputation for technology, innovation, and architecture. Yet The Poorhouse: Subsidized Housing in Chicago shows that the city’s experience on the whole has been a negative one, raising serious questions about the nature of subsidized housing and whether we should have it and, if so, in what form. Bowly, a native of the city, provides a detailed examination of subsidized housing in the nation’s third-largest city. Now in its second edition, The Poorhouse looks at the history of public housing and subsidized housing in Chicago from 1895 to the present day. Five new chapters that cover the decline and federal takeover of the Chicago Housing Authority, and its more recent “transformation,” which involved the demolition of the CHA family high-rise buildings and in some cases their replacement with low-risemixed income housing on the same sites. Fifty new photos supplement this edition. Certificate of Excellence from the Illinois State Historical Society, 2013


New Deal Ruins

New Deal Ruins

Author: Edward G. Goetz

Publisher: Cornell University Press

Published: 2013-03-15

Total Pages: 257

ISBN-13: 0801467543

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Public housing was an integral part of the New Deal, as the federal government funded public works to generate economic activity and offer material support to families made destitute by the Great Depression, and it remained a major element of urban policy in subsequent decades. As chronicled in New Deal Ruins, however, housing policy since the 1990s has turned to the demolition of public housing in favor of subsidized units in mixed-income communities and the use of tenant-based vouchers rather than direct housing subsidies. While these policies, articulated in the HOPE VI program begun in 1992, aimed to improve the social and economic conditions of urban residents, the results have been quite different. As Edward G. Goetz shows, hundreds of thousands of people have been displaced and there has been a loss of more than 250,000 permanently affordable residential units. Goetz offers a critical analysis of the nationwide effort to dismantle public housing by focusing on the impact of policy changes in three cities: Atlanta, Chicago, and New Orleans.Goetz shows how this transformation is related to pressures of gentrification and the enduring influence of race in American cities. African Americans have been disproportionately affected by this policy shift; it is the cities in which public housing is most closely identified with minorities that have been the most aggressive in removing units. Goetz convincingly refutes myths about the supposed failure of public housing. He offers an evidence-based argument for renewed investment in public housing to accompany housing choice initiatives as a model for innovative and equitable housing policy.


Who Pays for Universal Service?

Who Pays for Universal Service?

Author: Robert W. Crandall

Publisher: Rowman & Littlefield

Published: 2010-12-01

Total Pages: 228

ISBN-13: 9780815719724

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In virtually every country, the price of residential access to the telephone network is kept low and cross-subsidized by business services, long distance calling, and various other telephone services. This pricing practice is widely defended as necessary to promote "universal service," but Crandall and Waverman show that it has little effect on telephone subscriptions while it has major harmful effects on the value of all telephone service. The higher prices for long distance calls reduce calling, shift the burden of paying for the network to those whose social networks are widely dispersed. Therefore, many poor and rural households--the intended beneficiaries of the pricing strategy--are forced to pay far more for telephone service than they would if prices reflected the cost of service. Despite these burdens, Congress has extended the subsidies to advanced services for schools, libraries, and rural health facilities. Crandall and Waverman show that other regulated utilities are not burdened with similarly inefficient cross-subsidy schemes, yet universality of water, natural gas, and electricity service is achieved. As local telephone service competition develops in the wake of the 1996 Telecommunications Act, the universal-service subsidy system will have to change. Subsidies will have to be paid from taxes on telecom services and paid directly to carriers or subscribers. Crandall and Waverman show that an intrastate tax designed to pay for each state's subsidized subscriptions is far less costly to the economy than an interstate tax. Robert W. Crandall is a senior fellow in Economic Studies at the Brookings Institution. Leonard Waverman is a visiting professor at the London Business School, on leave from the University of Toronto. They are coauthors of Talk Is Cheap: The Promise of Regulatory Reform in North American Telecommunications (Brookings, 1995).


Subsidizing Culture

Subsidizing Culture

Author: James T. Bennett

Publisher: Routledge

Published: 2017-07-05

Total Pages: 287

ISBN-13: 1351487728

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In the American mind, state subsidization of writers and artists was long associated with monarchies and, in later years, socialist states. The support these regimes gave to intellectuals was understood to come with a cost, yet, beginning with the New Deal's Federal Writers', Art, and Theater Projects, a new policy consensus asserted that by offering financial support to the arts, the federal government was affirming their importance to the nation.Subsidizing Culture examines the development of and controversies surrounding federal programs that directly benefit writers, artists, and intellectuals. James T. Bennett examines four cases of such support: the New Deal's Federal Writers', Art, and Theater Projects; the vigorous promotion, in the post-World War II and early Cold War eras, of abstract expressionism and other forms of modern art by the US government; the National Endowment for the Arts (NEA), which has fortified its position as the preeminent arts bureaucracy; and the National Endowment for the Humanities, the NEA's less embattled twin, which funnels monies to scholars.Bennett concentrates on the creation of and the debate over these government programs, and he gives special attention to the critics, who are usually ignored. He reminds us that the chorus of anti-subsidy voices over the years has included such disparate figures as writers William Faulkner and John Updike; artists John Sloan and Wheeler Williams; and social critics Jacques Barzun and H.L. Mencken.


Institutional Theatrics

Institutional Theatrics

Author: Brandon Woolf

Publisher: Northwestern University Press

Published: 2021-06-15

Total Pages: 326

ISBN-13: 0810143577

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Shortlist, 2021 Waterloo Centre for German Studies Book Prize In a city struggling to determine just how neoliberal it can afford to be, what kinds of performing arts practices and institutions are necessary—and why? Since the fall of the Berlin Wall, political and economic agendas in the reunified German capital have worked to dismantle long-standing traditions of state‐subsidized theater even as the city has redefined itself as a global arts epicenter. Institutional Theatrics charts the ways theater artists have responded to these shifts and crises both on- and offstage, offering a method for rethinking the theater as a vital public institution. What is the future of the German theater, grounded historically in large ensembles, extensive repertoires, and auteur directors? Examining the restructuring of Berlin’s theatrical landscape and most prominent performance venues, Brandon Woolf argues that cultural policy is not simply the delegation and distribution of funds. Instead, policy should be thought of as an artistic practice of institutional imagination. Woolf demonstrates how performance can critique its patron institutions in order to transform the relations between the stage and the state, between the theater and the infrastructures of its support. Bold, nuanced, and rigorously documented, Institutional Theatrics offers new insights about art, its administration, and the forces that influence cultural production.


Affordable Housing in New York

Affordable Housing in New York

Author: Nicholas Dagen Bloom

Publisher: Princeton University Press

Published: 2019-12-31

Total Pages: 368

ISBN-13: 0691207054

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A richly illustrated history of below-market housing in New York, from the 1920s to today A colorful portrait of the people, places, and policies that have helped make New York City livable, Affordable Housing in New York is a comprehensive, authoritative, and richly illustrated history of the city's public and middle-income housing from the 1920s to today. Plans, models, archival photos, and newly commissioned portraits of buildings and tenants by sociologist and photographer David Schalliol put the efforts of the past century into context, and the book also looks ahead to future prospects for below-market subsidized housing. A dynamic account of an evolving city, Affordable Housing in New York is essential reading for understanding and advancing debates about how to enable future generations to call New York home.


America's Commitment To Culture

America's Commitment To Culture

Author: Kevin V Mulcahy

Publisher: Routledge

Published: 2021-11-28

Total Pages: 219

ISBN-13: 042971856X

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Robert Mapplethorpe and Andres Serrano are now legendary, as much because of NEA support of their work as for the work itself. This is one example of what can happen when politics meets culture, and it provides an appropriate snapshot of the issues explored in this book. As in other policy areas, cultural policies develop within a particular political context, evolve as a consequence of government action or inattention, and affect a variety of publics and interests. In this volume, the contributors explore the inescapable politics accompanying public culture. Surveying the philosophical, economic, legal, and political underpinnings of cultural assistance, they articulate not only governments role in the support of the arts, but also basic questions for future cultural policy. Robert Mapplethorpe and Andres Serrano are now legendary, as much because of NEA support of their work as for the work itself. This is one example of what can happen when politics meets culture, and it provides an appropriate snapshot of the issues explored in this book. As in other policy areas, cultural policies develop within a particular political context, evolve as a consequence of government action or inattention, and affect a variety of publics and interests.Americas Commitment to Culture discusses government support of culture as a public policy area. The book focuses on the rationales underlying public support for the arts and examines the development and practice of government as an arts patron. The contributors explore the inescapable politics accompanying public culture. Surveying the philosophical, economic, legal, and political underpinnings of cultural assistance, they articulate not only governments role in the support of the arts, but also basic questions for future cultural policy.