The Sublime in Modern Philosophy
The Sublime in Modern Philosophy

Author: Emily Brady

Publisher: Cambridge University Press

Published: 2013-08-12

Total Pages: 241

ISBN-13: 1107276268

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In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.

The Sublime in Modern Philosophy
The Sublime in Modern Philosophy

Author: Emily Brady

Publisher: Cambridge University Press

Published: 2013-08-12

Total Pages: 241

ISBN-13: 0521194148

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A philosophical study of the sublime from the height of its popularity to its renewed importance as a form of appreciating and valuing nature.

The Sublime in Modern Philosophy
The Sublime in Modern Philosophy

Author: Lecturer in Philosophy Emily Brady

Publisher:

Published: 2014-05-14

Total Pages: 242

ISBN-13: 9781107278240

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An original philosophical study of the sublime from the height of its popularity to its renewed importance as a form of appreciating and valuing nature.

The Sublime
The Sublime

Author: Timothy M. Costelloe

Publisher: Cambridge University Press

Published: 2012-07-30

Total Pages: 319

ISBN-13: 0521143675

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This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.

Lyotard
Lyotard

Author: Hugh J. Silverman

Publisher: Routledge

Published: 2016-01-20

Total Pages: 304

ISBN-13: 1134720300

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Jean-Franois Lyotard, the highly influential twentieth-century philosopher of the postmodern, has had an enormous impact on the course and commitment of contemporary philosophy. Lyotard: Philosophy, Politics, and the Sublime is a thoroughgoing reassessment of his extraordinary legacy and contribution to contemporary cultural, political, ethical, and aesthetic theory, and an indispenable guide to key issues in his philosophy. Fifteen distinguished scholars have contributed new, original essays examining the main themes in Lyotard's work with a focus on the special intersections of philosophy, psychoanalysis, politics, and the experience of the sublime in art. The volume includes an up-to-date bibliography of works by and about Lyotard, previously unpublished photographs of Lyotard, and an incisive essay by Lyotard himself on the philosophical significance of Freud's case of Emma.

Schopenhauer and the Aesthetic Standpoint
Schopenhauer and the Aesthetic Standpoint

Author: Sophia Vasalou

Publisher: Cambridge University Press

Published: 2013-07-18

Total Pages: 247

ISBN-13: 1107244811

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With its pessimistic vision and bleak message of world-denial, it has often been difficult to know how to engage with Schopenhauer's philosophy. Schopenhauer's arguments have seemed flawed and his doctrines marred by inconsistencies; his very pessimism almost too flamboyant to be believable. Yet a way of redrawing this engagement stands open, Sophia Vasalou argues, if we attend more closely to the visionary power of Schopenhauer's work. The aim of this book is to place the aesthetic character of Schopenhauer's standpoint at the heart of the way we read his philosophy and the way we answer the question: why read Schopenhauer - and how? Approaching his philosophy as an enactment of the sublime with a longer history in the ancient philosophical tradition, Vasalou provides a fresh way of assessing Schopenhauer's relevance in critical terms. This book will be valuable for students and scholars with an interest in post-Kantian philosophy and ancient ethics.

Sensibility and the Sublime
Sensibility and the Sublime

Author: David Weissman

Publisher: Walter de Gruyter

Published: 2013-05-02

Total Pages: 129

ISBN-13: 311032038X

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Philosophic attention shifted after Hegel from Kant’s emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts; cultivate the interiority—the sensibility—that is a condition for judgment in every domain. What is sensibility’s role in experiences of every sort, but especially those provoked when art is made and enjoyed?

The Sublime
The Sublime

Author: Philip Shaw

Publisher: Routledge

Published: 2007-01-24

Total Pages: 192

ISBN-13: 1134493185

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Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.